Weekly Comic 100s: Batman, Dead Body Road, TMNT, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Last week I said I missed Star Wars and TMNT comics. This week we got the return of Bounty Hunters, and a double-dose of TMNT. Where are you gonna find a more fair friggin’ deal than that?

This week’s new releases are pretty light. So I’m holding a few back from last week’s pull list. That Texas Blood is one of them. We might also see Marvels Snapshot: Captain America and/or Harley Quin: Black + White + Red.

TITLE: Batman #93
AUTHOR: James Tynion IV
ARTISTS: Guillem March, Javier Fernandez, Tomeu Morey & David Baron (Colorists), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: June 23, 2020

The Designer’s role in this story more or less wraps up in this issue. That’s a little sad, as I liked that character concept. Even if the costume was a little bit much.

Punchline, the Joker’s new answer to Harley Quinn, gets put over pretty strong here. They obviously want her to be a big deal. She’s got an interesting worldview, and it’s not as crazy as you might think. Her costume is definitely cosplay-friendly. Not quite as much as Harley, but expect to see her around the convention scene.

TITLE: Dead Body Road: Bad Blood #1
AUTHOR: Justin Jordan
ARTISTS: Benjamin Tiesma, Mat Lopes (Colorist), Pat Brosseau (Letterer). Cover by Matteo Scalera & Morena Dinisio.
RELEASED: June 24, 2020

This issue has a strong hook. For yours truly, most of that has to do with our heroine, Bree Hale. We establish her as a small town girl-next-door type. But obviously she has a history that allows her to kick all kinds of ass and escape perilous situations. She’s particularly strong in the climactic sequence as she fights off a sadistic interrogator.

My understanding is this isn’t connected with the previous Dead Body Road mini at all, and that it’s an anthology book like Criminal. So you should be okay coming in cold.

TITLE: Teenage Mutant Ninja Turtles #105
AUTHORS: Sophie Campbell (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Campbell, Ronda Pattison (Colorist), Shawn Lee (Letterer).
RELEASED: June 24, 2020

There’s a big moment between Raph and Alopex in this issue that leads me to believe we’re headed toward fairly uncharted waters: Romantic interests for the Turtles.

And no, don’t talk about Mitsu in TMNT III. Please.

I’m game for really putting the Teenage in Teenage Mutant Ninja Turtles. Especially now that they’re doing this Mutant Town story. Between the Raph/Alopex scene and the concert setting, this issue really does that well. They’ve got a chance to break some new ground here. Let’s hope they take it.

TITLE:TMNT: Jennika #3
AUTHOR:
Braham Revel, Ronda Pattison
ARTISTS:
Revel, Jodi Nishijima, Pattison (Colorist), Shawn Lee (Letters).
RELEASED:
June 24, 2020

I can’t get over how much Braham Revel’s style reminds me of the 2012 Nickelodeon show.

It’s amazing to think how virtually everything The Next Mutation did wrong with Venus di Milo, IDW has done right with Jennika. Although based on how the IDWverse has been put together, we might actually see Venus in the comics at some point.

Bebop and Rocksteady show up here. Why does Rocksteady carry an average-sized sledgehammer? It feels like it should be bigger. Mutant-sized. That, or a giant blaster like on the old cartoon.

TITLE: Mighty Morphin Power Rangers #50
AUTHOR:
Ryan Parrott
ARTISTS:
Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
June 24, 2020

Ryan Parrott does Rocky, Adam, and Aisha a lot of justice in these books. That’s one of those things that’s expected, but still really nice when you actually see it. Rocky is also sans mullet, which I appreciate.

“Necessary Evil” might have gone a little long. But it was still a story very much worth telling. Well executed too, in terms of both the writing and the visuals.

Definitely a worthy issue #50. And if the cliffhanger at the end is any indication, PR fans are going to want to come back for issue #51.

TITLE: Suicide Squad #6
AUTHOR:
Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Redondo & Marcelo Maiolo.
RELEASED:
June 24, 2020

The humor in this issue is on-point. Especially with Batman doing a guest shot. That’s a high compliment coming from me, as I don’t usually get into Harley-Quinn-style comedy.

We’re teased with a separation of Harley and Deadshot from all the various new characters in the group. That would be interesting, though I expect ultimately a bad move for sales. I’d stick around, though. Again, a pretty high compliment from yours truly.

TITLE: Star Wars: Bounty Hunters #3
AUTHOR: Ethan Sacks
ARTISTS: Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo.
RELEASED: June 24, 2020

Boba Fett is teased for this issue, but doesn’t show. I’m curious as to how much of him we’ll need to see to keep this series afloat as the months go by. That’s not to say characters like Bossk and Valance aren’t appealing. But Boba’s drawing power is obvious at this point. You could easily make the argument for doing a Boba Fett series, much like the Darth Vader one.

I grow a little weary of the story they’re telling about all these hunters having a common target. The target in question simply isn’t that interesting. Not yet, at least.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Dark Nights: Death Metal, Wynd, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

You know what I miss? Star Wars comics. C’mon Marvel. DC is cranking out its silly heavy metal event comic. The least you can do is get back in the full swing of things!

I also miss TMNT comics. But at least we get half of one this week…

TITLE: Dark Nights: Death Metal #1
AUTHOR: Scott Snyder
ARTISTS: Greg Capullo, Jonathan Glapion (Inker), FCO Plascencia (Colorist), Tom Napolitano (Letterer)
RELEASED: June 16, 2020

If this Metal stuff is your cup of tea, then by all means I encourage you to drink. The comic book industry could use your bucks right about now. But boy is it not mine…

While Dark Nights: Metal did have some nice moments, to me this stuff has always come off overly indulgent and stupid. Need proof? Batman not only wears a duster in this book, but one with spikes on the shoulders. I’m a Greg Capullo fan, but *barf*.

TITLE: Wynd #1
AUTHOR: James Tynion IV
ARTISTS: Michael Dialnyas, Aditya Bidikar (Letterer)
RELEASED:
June 17, 2020

As much of a Tynion fan as I am, Wynd isn’t really my cup of tea. Just like The Woods, also by Tynion and Dialnyas, wasn’t really my thing. But obviously there’s an audience for this sort of thing, and I think Wynd will do well among them.

The most interesting thing about this issue is we have a kid, Wynd, who’s clearly been touched  by magic, as he’s living in this renaissance type world where magic is outlawed. We steer away from that a little too soon for my tastes. I’d have devoted the entire issue to Wynd himself.

TITLE: Batman: The Adventures Continue #6
AUTHORS:
Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer)
RELEASED:
June 18, 2020

“Mentors” wraps up in more or less the way you’d expect. As a bonus, this issue also establishes that Tim Drake has been with Batman for about a year.

At the end, we’re left with more questions about our mystery observer, who we know is actually Jason Todd. Most notably, the question of what he wants. Thus far, Jason has occupied that gray area between hero and villain. In the main DCU, it was crystal clear that Jason was back as a villain. So I’m thrilled to see they’re taking things in at least a slightly different direction.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #5
AUTHOR: Ryan Parrott
ARTISTS:
Simone Di Meo, Alessio Zono (Pencil Assist), Walter Baiamonte (Colorist), Igor Monti (Color Assist), Ed Dukeshire (Letterer)
RELEASED:
June 17, 2020

This finale pulls a hell of a rabbit out of the hat for the big zord battle. I won’t spoil it, except to say it’s pretty damn cool.

My only critique of said battle is Di Meo’s Dragonzord is a little awkward in its body language. It looks very rigid.

I maintain that MMPR/TMNT was pretty paint-by-numbers. But in the end, that’s exactly what we wanted from it. We wanted these characters to meet and interact. That’s precisely what the story gives us. No harm, no foul.

TITLE: Superman #22
AUTHOR: Brian Michael Bendis
ARTISTS:
Kevin Maguire, Alex Sinclair (Colorist), Dave Sharpe (Letterer). Cover by Ivan Reis, Joe Prado, & Sinclair.
RELEASED:
June 16, 2020

I love me a good Kevin Maguire interlude. When you haven’t seen him in awhile and then he pops up for an issue, you really get to see just how good he is.

It certainly helps that he’s got some great subject matter. As an FBI agent questions Lois Lane, we have Superman in an intergalactic space battle with Mongul. Obviously, Maguire’s exaggerated faces tend to skew him more toward the comedic side of things. But if he’s fairly selective about the “acting” choices he makes, he’s every bit as capable as anyone else of delivering that epic battle sequence.

TITLE: Young Justice #15
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS:
John Timms, Scott Godlewski, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by Ben Caldwell & Eltaeb.
RELEASED:
June 16, 2020

I didn’t realize just how much I missed this book. It’s definitely one of my favorites at DC right now. Especially now that they seem to be taking a Justice League Unlimited sort of approach, with lots of different members as opposed to a single core team. Any kind of JLU approach is rarely a bad thing…

We finally get some answers about Superboy in this issue. If you’ve read a fair amount of DC multiverse stories, the answers we get shouldn’t be too surprising. Not bad. Just not particularly surprising.

TITLE: X-Men #5
AUTHOR: Jonathan Hickman
ARTISTS:
R.B. Silva, Marte Gracia (Colorist), Clayton Cowles (Letterer). Cover by Leinil Yu & Sunny Gho.
RELEASED:
January 9, 2020

This is a good issue if you aren’t as familiar with who some of the newer X-Men are. Hickman uses Wolverine, Cyclops, Storm, and Xavier to lead into a re-introduction to X-23, Darwin, and Synch.

It also introduces is to “the Vault.” Its inhabitants, according to Xavier, are “the single greatest existential threat to mutantdom.” What it is and how time works inside are a little complex. But the Vault does have a Sentinel head on top of it. So it’s got that going for it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Catwoman 100-Page Super Spectacular Deep Dive – Aliens and Feminism

TITLE: Catwoman 80th Anniversary 100-Page Super Spectacular
AUTHORS: Paul Dini, Ann Nocenti, Tom King, Mindy Newell, Jeff Parker, Liam Sharpe, Mindy Newell, Chuck Dixon, Will Pfiefer, Ram V, Ed Brubaker.
ARTISTS: Emanuela Lupaccino, Robson Rocha, Mikel Janin, Jonathan Case, Sharpe, Lee Garbett, Kelley Jones, Pia Guerra, Fernando Blanco, Cameron Stewart. 1940s variant cover by Adam Hughes.
INKERS: Mick Gray, Daniel Henriques, Danny Miki
COLORISTS:
Laura Allred, Alejandro Sanchez, Jordie Bellaire, Alex Sinclair, Steve Oliff, FCD Plascencia
LETTERERS:
Wes Abbott, Saida Temofonte, Clayton Cowles, Tom Napolitano, Tom Orzechowski, Gabriela Downe
PUBLISHER: DC Comics
PRICE: $9.99
RELEASED: June 3, 2020

By Rob Siebert
Fanboy Wonder

She’s undoubtedly the hottest 80-year-old woman you’ll ever see.

That’s right, folks. Like several other pillar characters in the DC Universe, Catwoman turns 80 this year. So like those characters, she got her own 100-page celebration. I can’t say she doesn’t deserve it. In terms of feminist icons, there are some who would place her in Wonder Woman’s orbit. I’m not sure I’d go that far, but one simply can’t dispute how iconic she is. Thus, DC assembled a brilliant assortment of talent for her big birthday celebration.

We kick things off with Paul Dini, who is always welcome in the Batman universe. Though I can’t say this is one of his most memorable outings. He uses his eight pages to introduce is to a villain called the Taxidermist. That, as Selina herself says in the story, is very “Gotham.” The Taxidermist seems like the kind of idea that was good on paper, but in actual execution…meh. I wouldn’t expect to see him on a best villains list anytime soon.

On the plus side, what little the Taxidermist offers looks absolutely gorgeous. Emanuela Lupaccino, Mick Gray, and Laura Allred give us something truly worthy of Catwoman’s 80th. It’s funny, I wondered why I was so reminded of Mike Allred, despite him not being credited. Once Laura Allred’s name popped up, it was all quite clear.

We dive into Batman Returns territory for “Now You See Me,” as Robson Rocha quite obviously draws Selina in her stitched black leather costume. We even get a brief appearance from the Penguin. Thankfully it all looks pretty. Though the story itself, about Catwoman duking it out with a dirty security guard, is pretty forgettable.

Much less forgettable is Tom King’s follow-up to his “Some of These Days” story from Batman Annual #2. It presents a scenario where a (presumably) married Selina and Bruce Wayne get pregnant and have a baby. Ironically, Selina once had a canonical daughter, though not with Bruce. Poor kid got retconned out of existence by the New 52.

It’s a pretty story that puts King back with Mikel Janin. That chemistry between Bruce and Selina was always his greatest strength during his Batman run. That two-issue “Rooftops” story from issues #13 and #14 will go down as one of the best Batman/Catwoman stories ever published.

My only complaint? We get at least one night of a pregnant Catwoman fighting crime with Batman, costume and all. Ladies? If you happen to be expecting, please don’t try this at home. (As if you needed me to tell you that…)

Our old Batman ’66 friends Jeff Parker and Jonathan Case return for a story about Catwoman and…aliens? I’m sure it’s happened before. But it’s still such an odd match-up. Which, of course, is the point.

Parker and Case take full advantage of the absurd premise, giving us absurd aliens with absurd names and looks that could easily have come from the original Star Trek series. Not to mention the absurdity that the world gets saved by a villainess. Because wouldn’t ya know it, aliens just happened to land when Batman was out of town. Don’t cha hate when that happens?

Things get surprisingly bloody for “A Cat of Nine Tales,” written and drawn by Liam Sharpe. Once again, we have Catwoman and a security guard. When confronted, Selina proceeds to tell the poor guy about nine ways this scenario can end. Most of which involve somebody dying.

I’m not sure the Selina Kyle of 2020 would be this chatty. But I can’t find it in my heart to sling too much mud at this. Aside from Wes Abbott on the lettering, what we see here is all Sharpe. And he manages to tell a coherent story in only three pages. So while by no means perfect, this story is still an achievement.

“Little Bird” is written by Mindy Newell and drawn by…LEE GARBETT!!!! When was the last time he was in Gotham? I’ve still got such fond memories of his work on the Stephanie Brown Batgirl series from…what was it, a decade ago?!? And the man hasn’t lost a step since, as he turns in some fine work here. He and colorist Alex Sinclair do a fine job channeling Batman: Year One. We get a scene where Selina is in similar…er, we’ll call “escort gear” as we see in that story. They also do a hell of a job on the gray David Mazzucchelli Catwoman costume, tail and all.

I was, however, initially confused. The story involves Selina stealing an old mezuzah that belonged to a woman who cared for her as a child. It took me a moment or two to figure out what a mezuzah is, and the identity of this elderly woman in a nursing home. I initially thought we might have jumped into another alternate future for Selina…

Still, they stick the landing. The story speaks to the idea that underneath all the theft and crime, Catwoman has a heart of gold. A great destination, even if the road to get there was a little rocky.

Chuck Dixon, one of the unsung heroes of modern Batman lore, returns alongside Kelley Jones for a Clayface story. Though I hate to say it, this isn’t one of his better outings. Not much to this one. I assume they went with Clayface to suit Jones’ horror strengths. Catwoman finds him, a confrontation ensues, rinse and repeat. I get the sense the only real purpose for this story was to have Selina be in the purple costume from the ’90s.

I know Kelley Jones has his crowd. I’ve just never really been one of them. I will say, though, that his Catwoman is very expressive here. I was pleasantly surprised to see that from him.

Things get downright meta for author Will Pfiefer’s return to the book, as he takes Selina to a comic book convention. He creates a world where the characters themselves are the autograph-signing, question-answering celebrities.

As someone who’s been to a number of these conventions, I found this story charming. Once I got the hang of it, that is. I initially found it difficult to get my bearings. But its a nice little anniversary story, and Pia Guerra’s art is very accessible.

I confess budget constraints caused me to fall off the monthly Catwoman series, so I’m not sure if her sister Maggie has been a regular or not. I have to assume she is, as “Addicted to Trouble” is about the sisters road tripping back to Gotham from Villa Hermosa. Naturally, it’s got a cool car in it. Hijinks ensue.

Thanks to the actions of Black Mask in an early 2000s story by Ed Brubaker and Cameron Stewart (who oddly enough are on the next story), Maggie is unable to speak. But she still makes a nice road-trip buddy for Selina, and we even focus a little bit on that inability. I wish they would have at least mentioned Black Mask in passing, as he wound up being one of Catwoman’s most-hated rivals.

Brubaker and Stewart evoke memories of 2000s Catwoman the same way Kelley Jones does 90s Batman. So their closing story, “The Art of Picking a Lock,” is an automatic sentimental favorite for yours truly. This book wasn’t cheap, but seeing Stewart draw Selina, Holly, and Slam Bradley again is almost worth the price of admission by itself. And as you’d expect, Brubaker’s pulpy writing style is right at home in Gotham City. God damn I miss him being on a Bat-book.

I wouldn’t call this collection memorable. But it’s a nice little tribute to Catwoman with some A-listers contributing, and a couple of nice nostalgia trips to boot. If nothing else, it should make Selina’s fans smile. I certainly did.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Batman, Vol 11: The Fall and the Fallen Deep Dive – Too Much Canvas

TITLE: Batman, Vol. 11: The Fall and the Fallen
AUTHORS:
Tom King, Andy Kubert, Collin Kelly, Jackson Lanzing, Mairghread Scott, Steve Orlando, Tim Seeley
ARTISTS:
Mikel Janin, Jorge Fornes, Amancay Nahuelpan, Carlos D’Anda, Giuseppe Camuncoli, Cam Smith (Inker). Eduardo Risso, Patrick Gleason. Cover by Kubert.
COLORIST:
Jordie Bellaire, Trish Mulvihill, Luis Guerrero, Tomeu Morey, Dave Stewart, John Kalisz
LETTERER:
Clayton Cowles, Steve Wands, Andworld Design, Tom Workman, Tom Napolitano
COLLECTS:
Batman #7074, Batman: Secret Files #2
PUBLISHER:
DC Comics
PRICE:
$24.99
RELEASED:
December 18, 2019

By Rob Siebert
Fanboy Wonder

As a whole, City of Bane, which essentially starts here, is Tom King’s version of The Dark Knight Rises. Or if you want to go back further, the Knightfall storyline from the ’90s.

It’s also where the wheels come off King’s Batman run. I take no joy in saying that. But the proof is in the pudding, kids. So let’s dip our spoons in…

1. Daddy’s back.
The Fall and the Fallen is when we finally see Bane and Flashpoint Batman, a.k.a. Thomas Wayne from an alternate universe, team up to break our hero once and for all.

Yes friends, Thomas Wayne, one of Bruce Wayne’s parents, is here. You know about Bruce Wayne’s parents, right? They were murdered in front of their young son. It was that heinous act of violence that inspired Bruce’s vow to wage war on criminals for the rest of his life, and ultimately the creation of Batman. We saw these two come face-to-face in The Button, and it was a tremendously emotional experience for Bruce. One can only imagine what would go through his head if his father, even an alt-universe version, masterminded some kind of plot against him…

So tell me something: Why is Bane our big bad in this story? Why bring him into this when Bruce’s father shakes his son’s world to its core simply because he exists? Add the fact that this version of Thomas Wayne is his universe’s Batman, and Bane becomes redundant by comparison.

Batman #72 takes us back through the events of the series and outlines Bane’s plan, which all centers around the Bruce/Selina marriage. In the end, Thomas proposes a partnership.

But picture this, Thomas Wayne somehow survives the destruction of the Flashpoint universe and winds up in the DC Universe proper. He initially wants to seek out his “son,” but this alternate world intrigues him. So he opts to lay low, observe, and learn.

Remember, in The Button, Thomas pleaded with Bruce to stop being Batman and simply live his life. Devastated that Bruce hasn’t heeded his words, he decides he’s the only one that can stop his “son.” So he opts to do what must be done, by any means necessary.

In the end, it comes down to Batman against Batman. Father against son. It can be on the rooftops of Gotham, the Batcave, or anywhere really. All we need is the emotional impact of that showdown.

In the end, Catwoman shoots and kills Thomas in an act of desperation. Bruce then has to decide if he can forgive her or not. This would pay off the revelation from The War of Jokes and Riddles.

Not bad, huh? But no, instead we got another big fight with Bane. Yippee…

2. Father/Son Time
And what of what we actually get from father and son? They journey through the desert to get to a Lazarus Pit, occasionally stopping to fight members of Ra’s al Ghul’s personal guard. They take turns riding a horse, which is dragging a casket behind it. I won’t say who’s in it. But if you consider who we have in this scene and where they’re going it’s not too hard to figure out. There’s a really nice subtle reference to Batman: Knight of Vengeance, which is low key one of the best Batman stories of the last decade.

Old timey music has been a theme during Tom King’s run. In issue #73, he has Flashpoint Batman singing “Home, Home on the Range” to himself. Fun fact: It’s really weird to read that scene while playing Bing Crosby’s version of the song in the background…

Issue #74 is where things finally boil over between our Batmen. Thomas’ motivation, as always, is to get Bruce to surrender his life as Batman and live a normal life. That’s a hell of a premise for an issue. The trouble is, King spends far too much time harping on a story about a bedtime story Thomas told Bruce as a child about a bunch of animals eating each other in a pit. If I’m not mistaken, it’s an actual story written by Alexander Afanasyev, who’s widely considered to be the Russian counterpart to the Brothers Grimm. Father and son talk about the horror of it all, and why Bruce supposedly liked the story. They eventually get to the real meat of their conflict. But by the time they do, you feel frustrated because they’ve spent so much time talking about that damn story. Even during their inevitable battle in the pit, King uses the story as a narrative backdrop.

And all the while, I can’t help but think…Thomas Wayne, Batman’s dad, is standing right there. And this was the best they could do?

3. Dump the Duster
Okay DC, we get it. Batman v Superman was a thing. You guys liked the image of Batman in a duster and goggles, so you decided to use it. Fair enough.

But these issues came out in 2019. The movie came out in 2017. There was no need whatsoever to put the Flashpoint Batman in a duster and goggles just like the ones his “son” happened to wear several issues earlier in The Rules of Engagement.

If it looked cool, that would be one thing. But it doesn’t. Plus, it’s impractical and redundant even by superhero standards, and therefore silly.

What’s done is done. But let’s make this right. If you want to have Batman wearing his costume in the desert, that’s fine. Heck, if you want to have Bruce Wayne wear a duster and goggles, that’s fine. But you can’t have Batman wearing his costume in the desert with a duster and goggles. The two ideas are mutually exclusive. That’s got to be a rule in writing Batman from now on.

4. Batman Gone Batty?
Issues #70 and #71 focus on a needless, and at times silly plot point about people thinking Batman is losing it, and Jim Gordon severing ties with him.

When we open the book, our Caped Crusader is punching his way through Arkham Asylum, facing off with most of the supervillains you’d expect to see. It’s a great opportunity for Mikel Janin and Jorge Fornes to draw virtually all of the iconic rogues gallery.

The trouble is, King once again supplies us with bad Batman dialogue. Not the least of which is: “You challenge me with…nightmares? I live the nightmare! Bane! Why can’t you understand! I’m Batman! I am the nightmare.”

Shut up, already.

Given how convinced Batman is that Bane is faking insanity to remain in Arkham, and how intense and violent he is in his pursuit of the truth, Gordon becomes convinced that the Dark Knight has gone off the deep end. In issue #71 he tries to kick him off the roof of police headquarters (shown above).

That skepticism spreads to his extended family of superheroes, who are convinced Bruce is still grieving over his broken engagement to Selina Kyle. The situation is punctuated when he punches Tim Drake in the face.

There’s no worthwhile payoff to any of this. It all comes off like padding. Because it is padding. You can revolve an entire story arc around either of those moments. But instead they just come and go. That’s particularly a shame when it comes to the Gordon story, as there could have been some real substance to that.

5. Where’s Wesker?
This trade also contains Batman: Secret Files #2, which in theory is supposed to spotlight all “the villains who broke the Bat.” Okay, sure.

For what I think is the first time since Batman #23.1, Andy Kubert gets to write a Batman/Joker story. Things fare much better this time, largely because he goes the comedic route. Also, Amancay Nahuelpan draws a hell of a Clown Prince of Crime.

Colin Kelly and Jackson Lanzing put together a so-so story about the Psycho-Pirate leading a cult. Artist Carlos D’Anda overachieves on this one, which I did not expect.

Mairghread Scott and Giuseppe Camuncoli turn in a Riddler story that holds up pretty well. More amusing to me is the fact that “Sideburns Riddler” is still a thing.

Steve Orlando and Eduardo Risso steal the show with a Hugo Strange tale featuring multiple Batman “specimens.” Given he’s a mad doctor, I’ll let you jump to your own conclusions on what that story is about…

Tim Seeley teams with one of my personal favorites, Patrick Gleason, for a story late in Bane’s pre-Gotham days. I’m used to Gleason working with a much brighter color palette than John Kalisz provides here. That’s not a bad thing. It’s just different.

My big problem with this issue? No story about Arnold Wesker, a.k.a. the Ventriloquist. He’s on the cover, and plays one of the more interesting roles in Bane’s big scheme, as sort of Bane’s counterpart to Alfred. It’s a little disturbing, considering what happens to Alfred in the next volume.

6. Consistence and Versatility
The Secret Files issue notwithstanding, our drawing duties are split between Mikel Janin and Jorge Fornes. While The Fall and the Fallen may have its share of story problems, I can’t find much to complain about artistically. Both these men are awesome Batman artists very much in their element.

Mikel Janin was a star coming into this series. But he’s a superstar coming out of it. Speaking for myself, Janin’s art can now sell a book on its own. His line work is always super clean, his figure work consistent, and his character acting on point. I now look forward to specifically seeing his versions of Batman, the Joker, and even less flashy characters like Alfred and the Penguin. The fact that he’s got colorist extraordinaire Jordie Bellaire backing him up in this book does nothing but help, of course. But Janin’s style on its own is versatile enough to handle any story. Whether we’re on the streets of Gotham, the Source Wall at the edge of the universe, or anywhere in between.

Objectively, Janin’s best work in this book is probably issue #74, as that’s where the book hits its emotional crescendo and is really firing on all cylinders. But selfishly, I’m partial to issue #70 because Janin gets to draw some of the more obscure Batman villains. Calendar Man, Doctor Phosphorus, the Cavalier, etc.

It’s difficult to look at Jorge Fornes’ work without thinking of what David Mazzucchelli did with Batman: Year One. The figure rendering is similar, the texture is similar. Bellaire’s coloring doesn’t have the same faded palette that Richmond Lewis’ did. But it’s still reminiscent.

I can’t bring myself to complain about the similarities, because Year One is obviously one of the all-time greats. But that means Fornes is better in environments that are a little more mundane, and can have that noir-ish spin put on them. Street level scenes, Wayne Manor and Batcave scenes, etc. It’s no accident that a hero like Daredevil is also on his resume. But something tells me that, like Janin, he’s got a versatilty to him. One that isn’t necessarily apparent here. I’m anxious to see what he does next.

7. Too Much Canvas
When someone mentions Tom King the first thing that comes to mind, at least for me, is his 12-issue run on Vision. That was such a masterclass in comic book storytelling. It’s frustrating to think that someone who wove such a classic at Marvel could make these kind of mistakes on Batman.

What it all comes down to is too much canvas. Give an artist too much canvas to work on, and suddenly the focus of the art wavers. If any story has ever had too much canvas it’s City of Bane.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Lost on Planet Earth, Justice League, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Lost on Planet…Wait…This is Earth, Right?

A special thanks goes out to Superfan Promotions this week for an advance review copy of Lost on Planet Earth #2.

If you’re an independent creator who’d like to have their work spotlighted in “Weekly Comic 100s,” please feel free to reach out to yours truly at PrimaryIgnition@yahoo.com. I’m (almost) always happy to lend a helping hand!

TITLE: Lost on Planet Earth #2
AUTHOR:
Magdalene Visaggio
ARTISTS:
Claudia Aguirre, Zakk Saam (Letterer)
RELEASED:
May 20, 2020

When you take away all the space age dressings, Lost on Planet Earth is about a quarter-life crisis. The concept that translates surprisingly well into this medium. But this book still needs to earn its sci-fi elements. In other words, convince me why this story needed to happen in a space environment. Because thus far it seems rather needless.

On the plus side, despite a touch of overacting, Claudia Aguirre delivers the goods artistically. Lost on Planet Earth is a fun read, despite being a bit of an underachiever thus far.

TITLE: Justice League #44
AUTHOR:
Robert Venditti
ARTISTS: Xermanico, Romulo Fajardo Jr. (Colorist), Tom Napolitano (Letterer). Cover by Francis Manapul.
RELEASED: May 12, 2020

I haven’t looked at Justice League in quite awhile. I tagged out early in Scott Snyder’s run. Don’t @ me.

Venditti’s doing some great work on Superman: Man of Tomorrow, and this issue is very much in the same vein. Things are written and drawn very simply and are easy to digest.

As our team faces mythological beasts released from Tartarus, I was surprised to see John Stewart is now the team leader. I like that. It reminds me of when Brad Meltzer made Black Canary the leader back in the day.

TITLE: Lois Lane #10
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Andy Troy (Colorist), Simon Bowland (Letterer)
RELEASED:
May 12, 2020

Christopher Reeve and Margot Kidder got snuck into this issue. Look at the first two-page spread where Montoya talks about the multiverse. They’re near the top. Perkins gives Lois some great facials in this issue as well.

Maybe it’s just been too long since issue #9, but I got lost when they brought the multiverse into things. To the point that I got a little frustrated. I’m waiting to see how Rucka starts to tie things together. But despite my love for him, my enthusiasm is waning.

TITLE: Bruno Sammartino #1
AUTHOR: John E. Crowther
ARTISTS:
Rich Perotta, Vito Potenza (Colorist). Cover by Nathan Smith.
RELEASED:
May 13, 2020

This Patreon-sponsored biography of Bruno Sammartino from Squared Circle Press looks very much like an indie comic. But as a wrestling fan who appreciates was Sammartino meant to the business, I can very much appreciate where this issue’s heart is.

We start during Bruno’s childhood in (*stops to count the syllables*) Pizzoferrato, Italy. I can only assume the book will take us up to his death in 2018.

The amateuer-ish look of this issue would normally be enough to get me to drop it. But the subject matter is strong enough to bring me back for another issue.

TITLE: X-Men #3
AUTHOR:
Jonathan Hickman
ARTISTS:
Leinil Yu, Gerry Alanguilan (Co-Inker), Sunny Gho & Rain Beredo (Colorists), Clayton Cowles (Letterer).
RELEASED: December 4, 2019

This series has a habit of slapping in big text pages filled with exposition. It’s unorthodox and a little off-putting. But I, for one, am just happy the exposition is there to begin with.

Emma Frost has a fantastic issue here. First a really fun little exchange between Jean Grey, then an encounter with a villain who’s more than a little honest about her costume. The art by Yu and the team compliments that moment brilliantly.

The villainous Hordeculture group returns for this issue. They’re botanists and terrorists. God, I love comics.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Batman, Vol.10: Knightmares Deep Dive – Over His Head

TITLE: Batman, Vol. 10: Knightmares
AUTHOR: Tom King
ARTISTS: Travis Moore, Mitch Gerads, Mikel Janin, Jorge Fornes, Lee Weeks, Amanda Conner, Dan Panosian, John Timms, Yanick Paquette
COLORISTS:
Tamra Bonvillain, Jordie Bellaire, Dave Stewart, Lovern Kindzierski, Paul Mounts, Timms, Nathan Fairbairn
LETTERER:
Clayton Cowles
COLLECTS: Batman #6163, #6669
PUBLISHER: DC Comics
PRICE: $17.99
RELEASED: September 11, 2019

***WARNING: Spoilers lay ahead***

Need to catch up? Boy, have I got you covered. Check out Vol. 1: I Am Gotham, Vol. 2: I Am Suicide, Vol. 3: I Am Bane, Batman/The Flash: The Button, Vol. 4: The War of Jokes and Riddles, Vol. 5: The Rules of Engagement, Vol. 6: Bride or Burglar?, Vol. 7: The Wedding, Volume 8: Cold Days, and Volume 9: The Tyrant Wing.

By Rob Siebert
Fanboy Wonder

He did it again, didn’t he? That sly son of a…

You’ll recall back in Batman #24, Bruce Wayne proposed to Selina Kyle. Huge deal. Huge. A historic moment for both characters. One that could shake up Batman’s whole world depending on Selina’s answer. But of course, they left us with a cliffhanger.

But when Batman #25 came out, we didn’t get one. What we got was the beginning of The War of Jokes and Riddles, a tale from Batman’s past that he had to tell Selina about before she answered. Issue #24 came out on June 7, 2017. Batman #32, the issue where we finally get Selina’s response, didn’t come out until October 4. We had to wait until fall to get the answer because…um…because DC said so. (Although it was pretty obvious she was going to say yes.)

Fast-forward to December 5, 2018. Batman #60 is released, and another bombshell is dropped. The Batman of the Flashpoint universe, Thomas Wayne, not only survived the events of The Button, but has teamed up with Bane against his alt-universe son. Thomas Wayne vs. Bruce Wayne. Father vs. Son. Batman vs. Batman! The stage was set!

Then in the very next issue we got…no answers. Instead we got the issues collected in this book (with two exceptions that we’ll get to in a later date). We wouldn’t see Flashpoint Batman again until May 1, 2019.

Why DC and Tom King loved making us wait so long for cliffhanger payoffs is a mystery to me. But I’ll say this much: Knightmares is a better book than The War of Jokes and Riddles.

1. I Dreamed a Dream…
Toward the end of the book, we discover Batman is hooked up to a contraption that’s giving him very vivid nightmares. I say that not to spoil anything, but to provide context. Plus, between the Knightmares title and what happens once the book starts rolling, it’s pretty easy to see something’s up. Each collected issue contains one of our hero’s bad dreams.

This is the final volume before we get into the “City of Bane” story, which is an astounding 16 issues long. With that many pages to fill, it’s no wonder it felt immensely padded. Like they were just trying to fill space between plot points. While I consider Knightmares a good read, I’ll argue King starts to do that here. It’s a trend that ultimately forces him to limp into the home stretch. For the most part, these issues work. The “City of Bane” issues don’t.

We kick things off in issue #61, as Batman investigates the murder of Thomas and Martha Wayne. The catch? We seem to be in the present day, and young Bruce Wayne is very much present and able to interact with his older self. Obviously it’s a “What if?” story. But it’s not what you might expect.

Travis Moore returns for this story. Once you reach the end, you’ll see how that’s fitting. Colorist Tamra Bonvillain really shines, especially early on. Her use of reds and oranges to depict the lights of Gotham City, contrasted with the deep blacks you’d expect from a Batman story are reminiscent of Francesco Francavilla’s more recent work on the character. That’s damn good company to be in.

2. “They call me MISTER PIG!!!”
Issue #61 is a good start. But here’s where business really picks up. Our sole artist is Mitch Gerads, who almost always does phenomenal work with King. With Batman #62, they create something truly unsettling. At times even horrifying. It opens with our hero hanging upside down in the back of a butcher’s shop, and he’s got some company: Professor Pyg.

And there’s blood. Lots and lots and lots of blood.

I think Professor Pyg, or at least this King/Gerads version of Professor Pyg, is what a lot of fans want the Joker to be like. A horror movie villain with a funny gimmick. Of course, the Joker is so much more than that. But Professor Pyg? As far as that horror villain territory is concerned, he’s got a solid cut of the market share.

This is a really beautiful issue in a twisted sort of way. It’s like a Saw movie with terrifying, horror flick lighting. Perhaps more importantly, when we start the story, Batman is scared. Not that fear gas-induced fear either. He’s genuinely afraid, as any of us would be. Thus, we’re pulled that much harder into the issue. There’s also a lot of confusion on Batman’s end. Why is he there? How did he get there? Why is he unable to hear what Pyg is saying? We follow Batman’s train of thought as he pushes through his fear to defeat his opponent.

And every bit as unsettling as the setting, the villain, and the frantic confusion, is the swerve turn on the final page.

3. Guest-starring…
A Batman/Constantine team-up sounds pretty cool, right? Unfortunately, that’s not what we get here. Not exactly, anyway.

In issue #63, Mikel Janin returns to give us the ending we all wanted for Bruce and Selina. They get married, go on a tropical honeymoon, share big romantic kisses on rainy Gotham City rooftops. All seems well. Then Constantine shows up to tell Batman not only is this a dream, but something awful is going to happen. Remember this is a Batman story, where everybody has dead parents, dead spouses, etc. So even if it weren’t a dream, there’s a 50/50 chance he’d be right anyway.

Why Constantine? I think the logic is “Why not?” Are there characters from Batman’s world that might fit this role better int theory? Sure. But no one so obvious that it ruins anything. I get the sense King just wanted the chance to write Constantine, so he wound up in this issue.

Ditto for the Question in issue #66, in which the framing device is Selina being interrogated about why she left Bruce at the altar. Jorge Fornes is on the pencil here, and he fits a Question story like a glove. Less fitting is Selina smoking a cigarette during the exchange, which I don’t think we’ve seen her do at all in King’s run up to this point. It feels very forced. Like they were looking for that one detail to hit that noir-ish nail on the head, and they just gave her a cigarette because they could.

Issue #66 is also where we start re-treading ground. All this stuff about how Selina sees Bruce? We’ve been reading about it for much of the last 60 issues. There’s no reason to go back there, with the Question no less, unless you’re trying to fill space. It’s a fun issue. But its intentions are clear in hindsight.

Issue #67 consists of one long chase scene, as Batman pursues another masked man across Gotham City. Telling you who the individual in question is would take the punch out of the issue. But it’s worth it for those last two pages. There’s some subtext that you have to read into. But it’s pretty easy to get. Fornes is back for this one, alongside the amazing Lee Weeks. Both those men do a hell of a job capturing that Batman: Year One vibe. Again, mostly stuff we’ve already seen. But there’s still greatness here, in one of the best single issue’s of King’s Batman run.

4. “Make a lane for Lane!”
Amanda Conner does a guest spot for issue #68. As such, it’s not surprisingly we focus mostly on female characters. Superman and Lois Lane are back, as we see what might have been a bachelor and bachelorette party respectively. While Bruce and Clark have a quiet night in, an intoxicated Selina Kyle and Lois most certainly do not. The Fortress of Solitude has never seen that kind of fun…

Yes, King backtracks again here. But if I had to choose one thing for him to go back to, there’s a hell of an argument to be made for the “Super Friends” dynamic. Specifically between Catwoman and Lois Lane. Their dynamic in this issue specifically is sheer joyful and colorful comic book fun. The kind of story that’s practically begging to be adapted into animation. Though if it’s for one of the kids shows they’ll have to cut out the liquor. (Not to mention all the stripping Superman robots.) By God, that almost defeats the whole damn purpose.

The downside? With just three pages left we lose Conner. As her style is so distinct, it’s an abrupt jolt to suddenly switch to fill-in artists. Pun intended: It’s a real buzzkill.

5. “Will You Dance With Me?”
The book closes with, of all things, a dance.

It’s only natural that we close with Bruce and Selina. Especially since almost this entire book takes place in Bruce’s head. While the issue does bounce back and forth between them and a Mikel Janin training scene with Bane and Flashpoint Thomas Wayne, the meat of the issue is in an extended dance sequence. But it’s hardly the Batusi. Yanick Paquette puts out a career issue as the two characters literally slow dance through a dream, through Gotham, through their history.

It’s a positively outstanding, and truly unique usage of the visual nature of the comic book medium. In yet another backtrack, Selina goes through multiple costume changes as she did in issue #44. But in two-page spreads such as the one above, we literally track our characters’ dance steps across the page. The use of sheet music is an absolute stroke of genius, which instantly makes this comic distinct among the thousands upon thousands in Batman’s history.

What’s more, because this is a dream there’s a subtext to it that I really enjoy. The scene is written as Bruce asking Selina why she left him. Her response involves his vow as a child, and how he can never really love her because of his devotion to the Batman, etc. But of course, the question Bruce is really asking is, “Why did she leave me?” Via a dream, he’s venting his own doubts about whether he can ever really love another person. And it ends in pretty much the manner you’d expect such a dream from Batman to end.

But the creme de creme, the moment of moments, comes on the final page of the issue and the final page in Knightmares overall…

Batman friggin’ cries. He doesn’t openly weep. But he cries. It’s not even played up at all. It’s beautifully subtle. Just two little strokes of Paquette’s pencil.

Issues like this are part of what makes Tom King’s Batman run so frustrating. Because he is a good writer. He’s a good Batman writer! He knows what he’s doing. But it feels like he got in over his head. The larger story he was trying to tell got too large and in the end he lost focus. That’s such a damn shame, given how many little gems we find in this run.

Incidentally, the song from issue #69 is one King has used before in his series. Sophie Turner’s “Some of these Days.” It dates back to the ’20s. It’s not required listening. But it’s a great little supplement. I recommend it.

6. Waking Up
There are a few collections in this Batman series that you flat out don’t need to read. Technically, this is one of them. But like Cold Days, it gets a recommendation from me. It’s not an amazing character study altogether. But like Tom King’s Batman run as a whole, it surprises you with moments that are absolute classics.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Star Wars: Doctor Aphra, Batman, X-Men, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Not A Doctor. Even in Space.

So it looks like, at least as far as the comic book industry is concerned, our long global nightmare is finally starting to wind down.

Between the launch of Lunar and UCS as new alternative distribution, and Diamond announcing a return to form on May 20, the comic book industry is a few steps closer to being back in business. In the meantime, last week Marvel published Doctor Aphra #1 in celebration of Star Wars day. Meanwhile, issues of Justice League, Lois Lane, among other issues from DC are set to hit the stands tomorrow. I knew I liked Rucka’s Lois Lane maxi, but I had no idea absence would make the heart grow this much fonder…

I also tacked X-Men #2 on. I don’t know that I’ll start picking up the book after it starts shipping again. But curiosity has been getting the better of me. Plus, there’s no better time than now, is there?

TITLE: The Flash: Fastest Man Alive #3
AUTHOR: Gail Simone
ARTISTS: Clayton Henry, Marcelo Maiolo (Colorist), Rob Leigh (Letterer). Cover by V Ken Marion, Sandu Florea, & Maiolo.
RELEASED: May 8, 2020

This issue is titled, “The Accelerated and the Infinitismal.” Heh. I dig it.

The Infinitismal in this case is the Atom, a.k.a. Ryan Choi, as opposed to Ray Palmer. Some dialogue between them suggests this story takes place early in Flash’s career. Which doesn’t necessarily jive with the timeline as I know it. But oh well.

As their target audience is the superstore crowd, most of these DC Digital-Firsts are drawn very accessibly with new readers in mind. As it’s a little more cartoony, Clayton Henry is able to separate himself from the pack.

TITLE: Star Wars: Doctor Aphra #1
AUTHOR:
Alyssa Wong
ARTISTS:
Marika Cresta, Rachelle Rosenberg (Colorist), Joe Caramagna (Letterer). Cover by Valentina Remengr.
RELEASED:
April 6, 2020

This series, at least at this early juncture, more or less casts Aphra as the Indiana Jones of the Star Wars Universe. She’s an archaeologist looking for priceless artifacts.

Despite enjoying her Kieron Gillen’s Darth Vader series, I could never get into Aphra as a solo act. In all honesty, not much has changed now. I just don’t think she’s the flavor of Star Wars I’m looking for at the moment. But the book is written and drawn just fine. Also, good on Marvel for hiring a mostly-female team for this one.

TITLE: Batman: The Adventures Continue #3
AUTHORS: Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Sean Murphy & Matt Hollingsworth.
RELEASED: May 6, 2020

Now this is more like it. A slightly different take on Deathstroke. Not changing him too much. But just enough.

Jason Todd continues to look on. Is it a coincidence that he looks a little bit like the DCAU Jason Blood? Or are they just giving him the white streak in his hair from the comics? I imagine it’s the latter.

My sole artistic critique? Some bad coloring on the steam rising from Bruce Wayne’s coffee. Or maybe it’s tea.

TITLE: Wonder Woman: Agent of Peace #3
AUTHORS: Amanda Conner & Jimmy Palmiotti
ARTISTS:  (Inker), Adriano Lucas (Colorist), Travis Lanham (Letterer). Cover by Chad Hardin & Paul Mounts
RELEASED: May 6, 2020

Diana attempts to take a vacation day with Steve Trevor in this issue. Bad call. That’s always when the bad guys strike. In fact, Wondie then has an extremely busy couple of days stopping a meteor from colliding with Earth, then solving a murder mystery in Gorilla City. It’s all very nicely drawn by Daniel Sampere.

I always thought the Gorilla City idea was a better fit for Wonder Woman and the Amazons, rather than the Flash. Both are more or less primitive societies. But we get the best of womankind against the worst of mankind’s primate impulses.

TITLE: Superman: Man of Tomorrow #3
AUTHOR:
Robert Venditti
ARTISTS:
Paul Pelletier, Andrew Hennessy (Inker), Adriano Lucas (Colorist), Clayton Cowles (Letterer). Cover by Dan Mora.
RELEASED:
May 4, 2020

Dan Mora drawing Superman? Yes please.

Yet another awesome “shirt opening” sequence by Pelletier and the team this week. This one actually lasts a page and a half.

I don’t know if it’s because I have a baby girl now and it hit me in the feels to see Big Blue save a mom and daughter, but I can’t get enough of “boy scout” Superman.

Though at one point while dismantling a robot he gives us, “This game will cost you an arm and a leg!” Even I have my limits, folks.

TITLE: X-Men #2
AUTHOR:
Jonathan Hickman
ARTISTS:
Leinil Yu, Gerry Alanguilan (Inker), Sunny Gho (Colorist), Clayton Cowles (Letterer).
RELEASED:
November 13, 2019

I haven’t done the research yet on how a teenage (?) Rachel and Nathan Summers are with Cyclops in he present so that they can “help your old man beat up some monsters”. I’m just going with it. That’s pretty much what you have to do with most X-Men books.

Some cool creature art from Leinil Yu in here, though. Along with an awesome line from Cyclops: “I’ve got more hours in a cockpit than I do in therapy, son, and let me tell you…I have done the work.”

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: X-Men #1 For the Heck of It, Plus DC Digitals

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Calls it Soda. Not Pop.

The other day I said I wanted to feature the X-Men a little more. So this week I tossed in X-Men #1 from back in November. Along with DC’s digital-first stuff, of course.

TITLE: X-Men #1
AUTHOR: Jonathan Hickman
ARTISTS: Leinil Yu, Gerry Alanguilan (Inker), Sunny Gho (Colorist), Clayton Cowles (Letterer).
RELEASED: November 14, 2019

Jonathan Hickman intimidates me. He tends to go a little too far out of this world, and I get lost.

Thankfully, X-Men #1 is relatively straightforward. Mutants have established their own nation on the island of Krakoa. And of course, there’s a group of humans that don’t like mutants that are trying to destroy them.

Had do to a Marvel Wiki search on Cyclops to see how the hell he could be leading the team again. He’s a more interesting character than most casual fans give him credit for.

TITLE: The Flash: Fastest Man Alive #2
AUTHOR:
Gail Simone
ARTISTS:
Clayton Henry, Marcelo Maiolo (Colorist), Rob Leigh (Letterer). Cover by Cully Hamner and Dave McCaig.
RELEASED:
May 1, 2020

Clayton Henry’s style, let’s call it moderately cartoony, is a perfect fit for Flash. When Barry’s zipping around in the costume, Henry stretches his body just a bit for effect. But at the same time, all the scenes about his civilian life have the weight they need. He can exaggerate, but he doesn’t overdo it.

Once again Simone gives us a scene that’s unintentionally poignant given the times, as Flash saves a pair of kids whose mom is a nurse.

Cool time-travel shenanigans make this the highlight of DC’s digital releases this week. (Or at least the ones here.)

TITLE: Aquaman: Deep Dives #2
AUTHOR:
Michael Grey
ARTISTS:
Aaron Lopresti, Matt Ryan (Inker), Hi-Fi (Colors), Wes Abbott (Letters). Cover by Philip Tan and Elmer Santos.
RELEASED:
April 30, 2020

Aquaman vs. Russian Mobsters? Not a pairing I expected, I’ll give you that. But it works.

The Sea Devils make an appearance in this issue. If you have no idea who they are, I was right there with you. Somehow they’re in one of the few corners of the DCU I haven’t explored yet.

Not an amazing issue from a story perspective. But mad respect to Aaron Lopresti, who’s low key one of my favorites, for drawing fish deformed by poison dumped into the sea. Legit creepy.

TITLE: Wonder Woman: Agent of Peace #2
AUTHORS: Amanda Conner, Jimmy Palmiotti
ARTISTS: Daniel Sampere, Juan Albarran (Inker), Hi-Fi (Colors), Travis Lanham (Letterer). Cover by Conner and Paul Mounts.
RELEASED: April 29, 2020

So here we have Diana in another team-up issue, this time with Lois Lane. I’m curious if this is just a coincidence, of if they wanted to throw another big name character in there to help support her. With the Gal Gadot movie under her belt, and another one coming out in the near future, I’m not sure Wondie needs it right now.

We get a really nice fight sequence between her and what basically amounts to a demonic abominable snowman who spouts textbook supervillain speak. (“Give up impudent morsel! Death awaits!”) Steve Orlando gets Wonder Woman and knows how to write her. But from a story perspective, I haven’t been overly impressed by these last two outings.

TITLE: Batman: Gotham Nights #2
AUTHOR: Michael Grey
ARTISTS: Ryan Benjamin, Richard Friend (Inker), Alex Sinclair (Colorist), Troy Peteri (Letterer). Cover by Eddy Barrows, Eber Ferreira, and Lucas.
RELEASED: April 28, 2020

Pretty standard Batman stuff here. It’s not bad, but it’s not overly remarkable either. Crime involving an old theater, theater lead traces back to…well, you can probably guess based on the cover.

My favorite line in this issue: “Who was it that said every villain is the hero of their own story? Probably a villain.”

TITLE: Superman: Man of Tomorrow #2
AUTHOR: Robert Venditti
ARTISTS:
Paul Pelletier, Andrew Hennessy (Inker), Adriano Lucas (Colorist), Clayton Cowles (Letterer). Cover by Rafa Sandoval, Jordi Tarragona and Tomeu Morey.
RELEASED:
April 27, 2020

Another great issue from Venditti, Pelletier, and the crew as our Man of Steel faces off against a new villain called the Gambler.

In addition to a great “shirt opening” sequence, this issue contains a panel reminiscent of a famous Alex Ross painting where Superman is sitting in a chair with his shoulders slumped a bit. Like he can feel the weight of the world on his shoulders. Only in this issue, he’s holding what looks like a beer bottle. It’s soda, of course. I love that.

He’s got a few great one-liners too. “Don’t bet on it, Gambler!”

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman, Superman, and DC’s Digital Offerings

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
A Giant Something or Other

In response to the comic book industry being essentially stuck in limbo due to the Coronavirus pandemic, DC is releasing stories digitally that were previously exclusive to their DC Giants line. The Giants books were originally exclusive to mass market outlets, most notably Walmart. So what we’re getting here are basically re-prints.

But hey, they’re new to me. Plus, there’s some all-star talent attached to this stuff. We’ve got Brad Meltzer and Jim Lee on Batman, Amanda Conner and Jimmy Palmiotti on Wonder Woman, Gail Simone on the Flash. Hey, sign me up!

I was also finally able to purchase that Superman: Villains one-shot. So I threw that in too.

TITLE: Superman: Man of Tomorrow #1
AUTHOR: Robert Venditti
ARTISTS: Paul Pelletier, Andrew Hennessy (Inker), Adriano Lucas (Colorist), Clayton Cowles (Letterer). Cover by Rafa Sandoval, Jordi Tarragona and Tomeu Morey.
DIGITAL RELEASE: April 20, 2020

Our story here is about the Parasite leeching off the city’s power grid and causing a mass blackout. In response, Superman tells the people of Metropolis to stand by one another. To share food, help find medicine for people in need, check on their neighbors, etc. Seems like a pretty poignant message right now, eh?

It’s so awesome when somebody gets Superman right. What we get here is also very accessible to new readers, and Paul Pelletier absolutely nails the art, particularly with the Parasite.

At the end of the day, this is the Superman I want to read.

TITLE: Batman: Gotham Nights #1
AUTHORS: Sal Giunta, Brad Meltzer, Larry Hama,
ARTISTS: Jim Lee, Mirko Colak, Scott Williams (Inker),
COLORISTS: Alex Sinclair, John Kalisz
LETTERERS: Chris Eliopoulos, Travis Lanham
DIGITAL RELEASE: April 21, 2020

What Sal Giunta and Brad Meltzer do with “Medal of Honor” is really special. So I’m simply going to encourage you to read it without going into things.

The Lee, Williams, and Sinclair trio give me Hush flashbacks. In a good way.

The second story follows a similar “service” theme, only with Kate Kane instead of Batman. We go back to her military days, which is unexpected but not unwelcome. But I’m sure it was a surprise for casual fans looking for Batwoman.

TITLE: Wonder Woman: Agent of Peace #1
AUTHORS: Amanda Conner, Jimmy Palmiotti
ARTISTS:
Inaki Miranda, Hi-Fi (Colors), Travis Lanham (Letterer). Cover by Conner and Alex Sinclair.
DIGITAL RELEASE:
April 22, 2020

I’m not really a Harley Quinn fan. I know that’s enough to get me strung up in some circles. But I’ve almost always found her more annoying than humorous.

But with Wonder Woman as her “straight man” you get a pretty entertaining team. To their credit, they actually got me to chuckle when Harley appeared wearing what was supposed to be Amazonian armor.

Conner and Palmiotti write a hell of a Wondie. Early on, there’s an exchange between her and two security guards that I got a kick out of. Like Robert Venditti with Superman, they get her.

TITLE: Aquaman: Deep Dives #1
AUTHOR:
Steve Orlando
ARTISTS:
Daniel Sempere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Liam Sharpe and Romulo Fajardo Jr.
DIGITAL RELEASE:
April 23, 2020

“My name is Black Manta. You killed my father. Prepare to die.”

That’s basically what this issue is about.

I imagine because these were (at least in theory) released to a different audience, they wanted to start on the ground floor in some of these stories. That means a lot of expository dialogue. Superman: Man of Tomorrow did that. But this one really lays the expository dialogue on thick.

Great fight between Aquaman and Black Manta, though. At the “Museum of Unnatural History.” I adore that.

TITLE: The Flash: The Fastest Man Alive #1
AUTHOR:
Gail Simone
ARTISTS: Clayton Henry, Marcelo Maiolo (Colorist), Rob Leigh (Letterer). Cover by Dan Panosian.
RELEASED:
April 24, 2020

Coming out of this issue I know two things.

The Flash TV show has indeed ruined Iris West for me. Not because of the actress. Because of how she’s written.

Had it come out a month or two sooner, a few less people would have gotten on those disease-infested cruise ships.

Not surprisingly, Gail Simone writes a great Flash. Gail Simone writes a great almost-anything. Together with Henry, Maiolo, and Leigh, they’ve put together one of the highlights of this DC Giants digital-first campaign.

TITLE: Superman: Villains #1
AUTHORS: Brian Michael Bendis, Matt Fraction, Jody Houser
ARTISTS:
Michael Gaydos, Riley Rossmo, Scott Godlewski, Bryan Hitch, Cully Hamner, Steve Lieber, Jim Mahfood.
COLORISTS:
Gaydos, Ivan Plascencia, Gabe Eltaeb, Alex Sinclair, Dave McCaig, Nathan Fairbairn, Mahfood.
LETTERERS:
Dave Sharpe, Clayton Cowles, Tom Napolitano, Troy Peteri, Josh Reed.
RELEASED:
March 4, 2020

So here we have a bunch of villains reacting to Superman telling the world he’s Clark Kent. We hear from Toyman, Mongul, and a Joker-ized Supergirl (see Batman/Superman). We also get a story that bridges into future Superman and Action Comics storylines.

But by far the best part of the issue is a two-page Lex Luthor story, as he discovers he has 98 messages on his voicemail. And several of them (Possibly all of them?) are from the Joker. And he’s laughing. Take a wild guess at what he’s laughing at, folks…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Batman, Vol. 9: The Tyrant Wing Deep-Dive – Penguin Steals the Show

TITLE: Batman, Vol. 9: The Tyrant Wing
AUTHORS: Tom King, Ram V, Cheryl Lynn Eaton, Jordie Bellaire, Tom Taylor,
ARTISTS: Mikel Janin, Jorge Fornes, Elena Casagrande, Jill Thompson, Otto Schmidt
COLORISTS: Bellaire, Matt Wilson, Trish Mulvhill,
LETTERERS: Clayton Cowles, Steve Wands, Deron Bennett, Troy Peteri
COLLECTS: Batman #58-60, Batman Secret Files #1, Batman Annual #3
FORMAT:
Softcover
PUBLISHER:
DC Comics
PRICE: $16.99
RELEASED: March 20, 2019

***WARNING: There’s a minor spoiler ahead.***

By Rob Siebert
Fanboy Wonder

The Tyrant Wing is more or less a transitionary book. Bruce and Selina’s wedding has happened. Or rather, not happened. We dealt with a lot of the fall-out from it in Cold Days. In The Tyrant Wing we start setting the stage for Tom King’s big finale. A new opponent for Batman emerges. One that even the world’s greatest detective couldn’t possibly have anticipated.

But along the way King, Mikel Janin, and the Batman team unexpectedly do some justice for a character that doesn’t always get the love he deserves: The Penguin.

1. Penny In Your Thoughts
If you’re a guy who happens to be down on his luck romantically, I offer you this bit of consolation: If the Penguin can find a bride, so can you.

Then again, she’s dead now. So maybe that’s not the hopeful example we wanna go with.

Yes, apparently ol’ Pengers had a wife we never saw or heard about. Her name? Penny Cobblepot. Though almost 30 years younger than him, it’s quickly obvious Penguin loved her dearly. Suddenly, he’s a man with nothing left to lose. So he starts spilling secrets. Secrets about Bane…

To Tom King’s credit, this might be the most multi-dimensional take on the Penguin I’ve ever seen. We see pieces of virtually every version of the character. We get the squawking supervillain with the trick umbrellas. We get the freakish, portly gentleman with the soul of a poet. We get the unspeakably cruel crime boss. We even get a small trace of the fish-slurping monster we saw in Batman Returns. Like many Batman villains, we’re against him but we also manage to find some sympathy for him.

Like a lot of fans, I’ve given King my share of grief over some of the choices he’s made on this series. I’ll continue to do so, in fact. But he knocked ol’ Oswald Chesterfield Cobblepot right out of the park.

This is most evident in issue #60. A blindfolded Penguin is locked up in the Batcave talking to Alfred. This is instantly compelling, as we don’t often see Alfred interacting with the villains, much less one he might have something in common with. They bond over, of all things, poetry. At one point, Penguin even calls his anonymous keeper, “my friend.” Alfred then feeds him raw fish by hand. It’s one of those scenes that, considering both characters have been around for decades, it’s shocking it hasn’t been done.

As the Penguin endures heartbreak, Batman punches his way across Gotham searching for the truth about what Bane is plotting. Naturally, this causes a hell of a lot of friction with Gordon and the GCPD. None of this really grabbed me, as we’ve seen this kind of story many times before. Things get a little more engaging in issue #60 when Jorge Fornes tags in for the Batman sequences.

Unfortunately, I do need to make note of one the clunkier lines in this entire run. When Batman barges into Arkham to confront Bane, he’s met by a SWAT team. As he’s dismantling them, while generally being a raging prick about the whole thing, he says among other things…

“Right now, each of you has a choice to make. Do I pull that trigger and get a Bat-boot shoved through my face? Or do I let the man go about his business?”

Yup. Bat-boot. Our legendary hero, everybody.

2. The Butler Does It All
We shift gears here. Venturing away from the main plot, we move to author Tom Taylor and artist Otto Schmidt and one of the best Alfred Pennyworth stories of the modern era. If not all time.

Given the stunt DC recently pulled with Alfred, they put out an issue dedicated to him. Various members of the Batman family shared memories of him. But frankly, something like Batman Annual #3 is a much better tribute issue. It touches on the various things Alfred does to make the whole Batman operation work. But more importantly, it dives  into why he does it and what he gets from it.

Think of it this way: Gotham needs Batman. Batman needs Alfred. So at the end of the day, what does that make Alfred?

3. Batman in Quarantine (Kind of…)
The trade closes out with a Secret Files issue that’s very much a mixed bag. We open up with a three-page Tom King/Mikel Janin story. Or rather, part of a story. As Batman is feeling the wear and tear on his body, Superman just happens to offer him access to a new kind of Kryptonite. Platinum Kryptonite, of which a single touch will grant him the same powers as Superman. The story ends with Bruce asking Alfred, “Am I enough?”

I call BS on this for two reasons.

Firstly, to just end the story on that note, even if it’s only meant to serve as an introduction, is a crime. Batman is literally offered all the same powers as Superman. And you don’t give his answer? What kinda lazy garbage is that? Over a decade ago, DC put out a story called Super/Bat that more or less had this same premise, and Batman does get Superman’s powers. It was amazing. If you want to give your own take on that story, but all means go for it. But to leave it open-ended like that? Screw you.

Secondly, while it’s not a direct line of dialogue, it’s indicated that Superman tells Batman if he touches this new Kryptonite, “Then you can fight as I fight. As you should fight. With true strength.”

No. Wrong. I understand the implication they’re making about where true strength comes from. But Superman’s “true strength” does not come from his powers. It comes from his character. From his ideals. The way he views the world. I don’t have an issue with him offering Batman super powers. But for him to suggest that’s where “true strength” comes from is out of character. Bad form.

After a story about a cop feeling long-term effects from Scarecrow gas, we get one about Waynetech drones winding up in the wrong hands and what Bruce does about it. I actually got more of an Iron Man vibe from that one. The book closes with a team-up between Batman and Detective Chimp, which is fun.

But the only other story in the issue that really sticks out is a tale written by colorist extraordinaire Jordie Bellaire. On Man-Bat’s trail, Batman secludes himself in a cabin amidst Gotham’s snow-covered mountains. As it turns out, this notorious loner doesn’t do so well when he’s forced to be on his own.

The operative line of the story is, “Truth is, I’m not such a fan of myself.”

The central idea here is really compelling. What does Bruce Wayne’s self image look like? What does a man who goes out every night dressed like a bat to beat up criminals think of himself? You could do a whole story on that.

While this was written some time ago, it’s timely to discuss it now. As I type this we’re in the middle of the Coronavirus pandemic. People around the world are quarantined in their homes. Naturally, that’s not always an easy thing to do. Even if you’re Batman.

4. A Bridge Worth Crossing
Is The Tyrant Wing an essential read? No. But is it a good read? Yes. I enjoyed this book more than many of the earlier books in this series. Mostly because of the Penguin. I’ll go ahead and say it: Too many people sleep on him as a character. He’s more than just a portly dude with an umbrella. He’s a scoundrel. He’s a gentleman. He’s an iconic villain.

For more of Tom King’s run on Batman, check out I Am Gotham, I Am Suicide, I Am Bane, Batman/The Flash: The Button, The War of Jokes and Riddles, The Rules of Engagement, Bride or Burglar?, The Wedding, and Cold Days.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.