A Superman ’78 #5 Micro-Review – Is that Shaggy?

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Superman 78 5, cover, 2021, Francis ManapulTITLE: Superman ’78 #5
AUTHOR: Robert Venditti
ARTISTS:
Wilfredo Torres, Jordie Bellaire (Colorist), Dave Lanphear (Letterer). Cover by Francis Manapul.

RELEASED: December 28, 2021

For whatever reason, this issue decides to give us a cameo from Shaggy of Scooby Doo fame (among various others). Why? Well, why the hell not…?

I really can’t say enough good things about Wilfredo Torres’ art in these issues. This is truly a career performance for him. His art really sells you on the idea that this could have been one of the Christopher Reeve Superman movies.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Superman ’78 #2 Micro-Review – The Joy of Lex

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Superman 78 2, cover, 2021, Ben OliverTITLE: Superman ’78 #2
AUTHOR: Robert Venditti
ARTISTS: Wilfredo Torres, Jordie Bellaire (Colorist), Dave Lanphear (Letterer). Cover by Ben Oliver.
RELEASED: September 28, 2021

This issue captures the comedic side of the first two Superman movies very well, especially with its use of Lex Luthor. Venditti, and Torres really nail Lex’s introduction.

Remember Batman ’66: The Lost Episode? When DC adapted that unused Batman TV script featuring Two-Face, and used William Shatner’s likeness for the character? I’m finding myself wishing they’d tell us what ’80s era actor is playing Brainiac in this story. That’s what fan casting is for, I suppose.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Superman ’78 #1 Micro-Review – Richard Donner Lives On

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Superman 78, cover, 2021, Wilfredo TorresTITLE: Superman ’78 #1
AUTHOR: Robert Venditti
ARTISTS: Wilfredo Torres, Jordie Bellaire (Colorist), Dave Lanphear (Letterer)
RELEASED: August 24, 2021

This one evokes its source material a little better than Batman ’89 #1 did. I credit that to both Venditti’s writing, and Torres’ art, which captures the actors’ likenesses fairly well.

The highlight of this issue for me was the scene on the city streets with Clark Kent nervously bumbling behind Lois Lane. It felt very much like a scene pulled out of the Richard Donner film. There’s a dark irony to the fact that Donner just passed away last month. The issue is rightfully dedicated to him.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Lost on Planet Earth, Justice League, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Lost on Planet…Wait…This is Earth, Right?

A special thanks goes out to Superfan Promotions this week for an advance review copy of Lost on Planet Earth #2.

If you’re an independent creator who’d like to have their work spotlighted in “Weekly Comic 100s,” please feel free to reach out to yours truly at PrimaryIgnition@yahoo.com. I’m (almost) always happy to lend a helping hand!

TITLE: Lost on Planet Earth #2
AUTHOR:
Magdalene Visaggio
ARTISTS:
Claudia Aguirre, Zakk Saam (Letterer)
RELEASED:
May 20, 2020

When you take away all the space age dressings, Lost on Planet Earth is about a quarter-life crisis. The concept that translates surprisingly well into this medium. But this book still needs to earn its sci-fi elements. In other words, convince me why this story needed to happen in a space environment. Because thus far it seems rather needless.

On the plus side, despite a touch of overacting, Claudia Aguirre delivers the goods artistically. Lost on Planet Earth is a fun read, despite being a bit of an underachiever thus far.

TITLE: Justice League #44
AUTHOR:
Robert Venditti
ARTISTS: Xermanico, Romulo Fajardo Jr. (Colorist), Tom Napolitano (Letterer). Cover by Francis Manapul.
RELEASED: May 12, 2020

I haven’t looked at Justice League in quite awhile. I tagged out early in Scott Snyder’s run. Don’t @ me.

Venditti’s doing some great work on Superman: Man of Tomorrow, and this issue is very much in the same vein. Things are written and drawn very simply and are easy to digest.

As our team faces mythological beasts released from Tartarus, I was surprised to see John Stewart is now the team leader. I like that. It reminds me of when Brad Meltzer made Black Canary the leader back in the day.

TITLE: Lois Lane #10
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Andy Troy (Colorist), Simon Bowland (Letterer)
RELEASED:
May 12, 2020

Christopher Reeve and Margot Kidder got snuck into this issue. Look at the first two-page spread where Montoya talks about the multiverse. They’re near the top. Perkins gives Lois some great facials in this issue as well.

Maybe it’s just been too long since issue #9, but I got lost when they brought the multiverse into things. To the point that I got a little frustrated. I’m waiting to see how Rucka starts to tie things together. But despite my love for him, my enthusiasm is waning.

TITLE: Bruno Sammartino #1
AUTHOR: John E. Crowther
ARTISTS:
Rich Perotta, Vito Potenza (Colorist). Cover by Nathan Smith.
RELEASED:
May 13, 2020

This Patreon-sponsored biography of Bruno Sammartino from Squared Circle Press looks very much like an indie comic. But as a wrestling fan who appreciates was Sammartino meant to the business, I can very much appreciate where this issue’s heart is.

We start during Bruno’s childhood in (*stops to count the syllables*) Pizzoferrato, Italy. I can only assume the book will take us up to his death in 2018.

The amateuer-ish look of this issue would normally be enough to get me to drop it. But the subject matter is strong enough to bring me back for another issue.

TITLE: X-Men #3
AUTHOR:
Jonathan Hickman
ARTISTS:
Leinil Yu, Gerry Alanguilan (Co-Inker), Sunny Gho & Rain Beredo (Colorists), Clayton Cowles (Letterer).
RELEASED: December 4, 2019

This series has a habit of slapping in big text pages filled with exposition. It’s unorthodox and a little off-putting. But I, for one, am just happy the exposition is there to begin with.

Emma Frost has a fantastic issue here. First a really fun little exchange between Jean Grey, then an encounter with a villain who’s more than a little honest about her costume. The art by Yu and the team compliments that moment brilliantly.

The villainous Hordeculture group returns for this issue. They’re botanists and terrorists. God, I love comics.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Alex Ross Spotlight: Superhero Costumes as “Skin”

By Rob Siebert
Fanboy Wonder

See, I could have gone with a headline about “naked superheroes.” But that might have led us to some rather flamboyant pornography. Not that I’ve ever seen such things…

Is Alex Ross actually talking about naked people? Of course not. He’s discussing superhero costumes, and how artists essentially draw them as human skin. It’s not about the practicality of the costume, but the use of what is essentially “the human form in its purest state.”

He elaborates, “That’s the kind of entertainment you’re absorbing when you follow comics. It’s sort of like a pure id of humanity. … It’s just stripping the human avatar down to its most fundamental component.”

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Panels of Awesomeness: Putin and Superman

By Rob Siebert
Fanboy Wonder

CREATORS: Geoff Johns (Author), Gary Frank (Penciller), Brad Anderson (Colorist)

THE SCENE: After a tragic accident in which Firestorm turns hundreds of people into glass statues, presumably killing them, Russian President Vladimir Putin is prepared to declare war on the United States. Superman arrives to resolve the matter peacefully.

WHY THEY’RE AWESOME: Naturally, Doomsday Clock has been working hard to mimic the tone of Watchmen. The ticking clock, the sense of inevitable impending doom, etc. Taking that into consideration, along with current world events, I’m actually surprised it took eight issues for him to show up. It’s incredibly surreal seeing him on the page like this. Talking to an American icon like Superman, no less.

It’s all very surreal. Uncomfortable, even. Which of course, it’s supposed to be. Especially when we see Putin getting mad, and saying things like “We are at war…” The fact that Gary Frank’s Superman looks so much like Christopher Reeve just adds to the weirdness.

 I really like the way Johns wrote Superman here. Peaceful. Non-violent. Only taking physical action when he has to, saving lives in the process. To some, that’s what makes Superman boring. But to yours truly, it’s just the opposite.

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A Man of Steel Review – Superman Begins

Man of Steel posterTITLE: Man of Steel
STARRING: Henry Cavill, Amy Adams, Russell Crowe, Michael Shannon, Kevin Costner
DIRECTOR: Zack Snyder
STUDIOS: Warner Bros. Pictures, Legendary Pictures, Syncopy, DC Entertainment
RATED: PG-13
RUN-TIME: 143 min
RELEASED: June 12, 2013

By Rob Siebert
Editor, Fanboy Wonder

Man of Steel is one of the most polarizing fanboy flicks I’ve seen in recent memory. People either seem to have really enjoyed it, or really disliked it. Either way, things probably aren’t as good or as bad as they seem. But that passion is understandable, given all the struggles the Superman film franchise has gone through, even since Christopher Reeve was still in the suit. Superman fans have been dying for a film adaptation worthy of their hero. Is Man of Steel it? Eh…maybe. It depends on what you’re looking for.

We all know the story: On the distant planet of Krypton, Jor El (Russell Crowe) and his wife Lara send their infant son to Earth to save him from the planet’s immediate destruction. Once there, he’s adopted by a kindly couple in Smallville, Kansas. Earth’s yellow sun grants young Clark Kent with powers and abilities far beyond those of normal men. He becomes Superman (Henry Cavill), the ultimate champion of truth, justice, and the American way. In this film, our hero takes on General Zod (Michael Shannon), a survivor of Krypton who will stop at nothing to ravage Earth, and effectively make it a new Krypton.

Man of Steel, Superman, Henry Cavill, image 1When Bryan Singer’s Superman Returns came out in 2006, one of the major recurring complaints was that it was too low on action. There was nobody for Superman to punch or fight with. When Brandon Routh was in the costume, he spent most of the his time either putting out fires or trying to impress with special effects stunts. So when it came time to dump the game board over and start again, they made sure to fill the super-powered action quotient by giving the director’s chair to Zack Snyder, the man behind 300Watchmen and Sucker Punch. But wouldn’t ya know it, Man of Steel wound up having the exact opposite issue Superman Returns had: It overdoes the action to the point where it almost jumps the shark. And for some moviegoers, it did.

Most of the last 45 minutes of Man of Steel consists of an all out super-powered war between our hero and General Zod’s forces. With seemingly unlimited power and strength, they send each other flipping and flying through the air, crashing through countless structures and effectively reducing them to scrap. A large portion of Metropolis, one of the biggest and highest-populated cities in the DC Universe, is ripped apart. Skyscrapers literally crumble and topple over as civilians run for cover. To an extent, it’s actually really cool to see Superman unload on somebody, and actually unleash all his power. Some of us have been waiting to see this kind of thing for years. But unfortunately, Snyder stays at the party 10-15 minutes longer than he needs to. As such, the novelty and the shock value of all the crashing and smashing begins to wear off, and they’re basically fighting in a city made of building blocks. Considering this movie is 143 minutes, they could have afforded a bit more brevity.

Man of Steel, Amy Adams, Lois LaneStill, the movie manages to do one thing better than arguably any Superman film before it: Capture the essence of Superman’s moralistic mission and peaceful soul. I can’t stress enough that Superman is an idealist. He’s here to inspire us, instill us with hope, and teach us about the human spirit. Man of Steel illustrates this very well, and frankly I didn’t know Snyder had it in him. Because his abilities do to an extent make him a hazard to those around him, our hero is forced to learn the value of restraint and a cool head growing up, which the story uses to contribute to his career as Superman. It’s very well done.

From a performance standpoint, Henry Cavill isn’t going to win any Oscars for the role of Superman. But he does an adequate job. Oddly enough, in terms of getting us to care about Clark Kent, the heavy lifting is actually done by Cavill’s younger counterparts: Cooper Timberline (9-year-old Clark) and Dylan Sprayberry (13-year-old Clark). Their scenes with Kevin Costner (Jonathan Kent) really sell the torment and anguish the character has endured for the sake of doing the right thing. In that sense, Cavill just has to take the baton and not drop it.

But to his credit, he IS believable in the cape and boots. He’s quieter and more subtle, which is what this movie calls for. But he nevertheless has a strong presence about him, which is what Superman should have. Unlike Brandon Routh, whose job in Superman Returns was to essentially impersonate Christopher Reeve, Cavill is his own Man of Steel. That being said, his scenes with General Swanwick (Harry Lennix) and Colonel Hardy (Christopher Meloni) do call back to some of what Reeve did. But to this day, Reeve is so closely identified with this character, and that’s to be expected on some level. So kudos to Cavill and his counterparts for making us believe again.

Man of Steel, Superman, Henry Cavill, image 2Surprisingly, Amy Adams runs into some trouble as Lois Lane. She’s not bad for the role, per se. But the character is missing some of her trademark confidence, ferocity and snark. The material is there in the writing, but Adams doesn’t fully capitalize on it. Her Lois feels more like a traditional damsel in distress, with some extra passion added in. The way I’ve always interpreted the Lois Lane/Superman romance is that the source of their mutual attraction is their shared ferocity and dedication toward truth and justice. We don’t necessarily see that here. Adams is more like the girl next door, who happens upon this extraordinary person and falls for him. She’ll need to work on that for Man of Steel 2, if we get that far (which I’m guessing we will).

Marlon Brando is a pretty tough act to follow, but Russell Crowe does very well as Jor El. The way he’s incorporated into the entire story, as opposed to just the first half hour or so, is similar to the way it was done with Brando and Reeve in Superman: The Movie, but different enough that it feels like a fresh spin. I found myself caring about the Jor El character, and the Krypton side of things more than I ever have. Michael Shannon also surpassed my expectations as General Zod. He’s menacing, creepy and crazy, but he’s not reminiscent of Terrence Stamp’s take on the character at all. I’d love to see more…

latestLongtime Superman fans will no doubt notice certain trademark Superman elements, which you’d expect to see in a reboot film, are missing from this movie. Lex Luthor is conspicuous by his absence, though we do see a few quick shots of the Lexcorp logo. Jimmy Olsen isn’t there, the big Daily Planet globe is missing. The classic Clark Kent glasses disguise is, for the most part, also absent. The cartoony Superman spit curl, which both Reeve and Routh sported, is thankfully gone as well. For most of this stuff, I assume it’s just a matter of waiting for the sequel, much like we had to wait for The Dark Knight to come out to get a lot of the stuff we were clamoring for in Batman Begins.

While I’ll stay spoiler-free here, Superman does something at the climax of the film that’s very un-Superman-like. It’s something we’ve seen in superhero movies before (Tim Burton’s Batman movie comes to mind), but it’s generally considered a no-no. It was a surprise to say the least. But it’s passable, especially given what had been established up to that point. It’ll be interesting to see how that plays into the next movie, if at all.

So is Man of Steel the movie Superman deserves? I think, much like Batman Begins, it’s a nice first chapter. The movie has its flaws. But show me a movie that doesn’t have flaws. It’s not necessarily what I expected, but that’s not a bad thing. Unlike what we saw in Superman Returns, our hero’s super-powered exploits were awe-inspiring at times, and the action was suspenseful. More importantly, Man of Steel seems to understand what separates Superman from every other hero in theaters today. At the end of the day, much of Man of Steel‘s legacy will depend on what comes next in the Superman film franchise.

So for now, I suppose the answer to that question is: To be continued.

RATING: 7.5/10