Weekly Comic 100s: Darth Vader, Batman, X-Men/Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Darth Vader #1
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Variant cover by Chris Sprouse.
RELEASED: February 5, 2020

After the events of Empire, Darth Vader starts investigating Luke’s birth/origins. He journeys back to Tatooine (again). He then goes to Padme’s old apartment on Coruscant, which remains more or less preserved after 20 years. As if it’s a crime scene or something. Based on the ending, I assume we’ll learn more next issue.

I understand it from a storytelling perspective. But in-universe, it’s always a little too convenient that these landmark places all essentially look the same no matter when we see them. That Lars Homestead will still be standing 30 years later

TITLE: Batman #88
AUTHOR:
James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: February 5, 2020

I wasn’t very nice to Guillem March last time. In fact, I’m rarely depict his work positively. But to his credit, he won me over with this issue. At least a little bit. His rendering of Catwoman in a graveyard on a rainy night is damn near beautiful. The scene with Batman, Penguin, Deathstroke, and the others is also very strong.

At more than one point, it seemed to me like this issue was laying the groundwork for the long-awaited Three Jokers book. Remember, we’re building toward a story in the pages of Batman called “Joker War.”

TITLE: X-Men/Fantastic Four #1 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS: Terry Dodson, Rachel Dodson (Inker), Dexter Vines (Inking Assistant), Karl Story (Inking Assistant), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: February 5, 2020

I’m terrified of X-Men comics. Specifically, the decades worth of continuity and characters. But to this book’s credit, it’s fairly accessible.

Franklin Richards, the mutant teenage son of Reed Richards and Sue Storm, is summoned by Charles Xavier to live with Earth’s mutants on the island nation of Krakoa. This doesn’t sit well with Reed. Naturally, conflict and teen angst ensue.

I’ve been looking for a bridge back into the Marvel Universe. X-Men/Fantastic Four #1 might be it, as it does a nice job setting up both teams, and giving us a compelling main character in Franklin.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #3
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Alessio Zonno, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: February 5, 2020

We get a fight between Rita and Shredder in this issue. It’s a relatively lengthy battle. And you know what? I’m just going to come out and say it: I wanted this to be one of those fights where the guy and girl hook up at the end. You know how it goes. The passion overcomes them, etc. These two have a lot in common, after all.

What that says about me and these characters from my childhood, I’ll let you decide.

Oh my God. What if Shredder, not Zedd, was actually Thrax‘s father?!?!? Mind blown!!!

TITLE: Young Justice #13
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Michael Avon Oeming, Mike Grell, John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: February 5, 2020

Well hey there, Mike Grell! It’s been too long! What’s more, Grell gets to once again draw a character he created in Warlord. Warlord and Superboy actually have a pretty nice dynamic in this issue. The experienced elder statesman offering calm words of wisdom to an upset Superboy.

For the moment at least, the Young Justice cast has expanded greatly. If these additional characters stick around, it’s a lot to balance. But it’s still damn good to see a couple of them.

TITLE: Lois Lane #8
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: February 5, 2020

As much as I’m enjoying having Greg Rucka back at DC, I’m wondering if this needed to be a 12-issue maxi-series. This entire issue felt mostly like filler.

For instance, there’s a scene in this issue where Superman shows up after an attempt on Lois’ life. We take four pages to see husband and wife re-united, and then to see the attention the Man of Steel gets from the local police.

Am I missing something? Why are we seeing this?

On the upside, the assassin that comes after Lois has a pretty cool look.

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A Batman: The Return of Bruce Wayne Review – Get Me Back in Time

Batman: The Return of Bruce Wayne, covertTITLE: Batman: The Return of Bruce Wayne

AUTHOR: Grant Morrison
PENCILLERS: Chris Sprouse, Frazer Irving, Yanick Paquette, Georges Jeanty, Ryan Sook, Pere Perez, Lee Garbett. Cover by Andy Kubert.
COLLECTS: Batman: The Return of Bruce Wayne #1-6
FORMAT: Hardcover
PUBLISHER: DC Comics
PRICE: $29.99
RELEASE DATE: February 2, 2011

By Rob Siebert
Editor, Fanboy Wonder

My feelings on The Return of Bruce Wayne  are a mixed bag, because my feelings on Grant Morrison’s writing are often a mixed bag. In general, I think when he deals with stories that are smaller in scope, i.e. his Batman & Robin stories, he’s fantastic. But when his stuff explodes on to a more cosmic scale, things get needlessly convoluted.

In Return, we get a little of both. After the events of Final Crisis, as a result of Darkseid’s Omega Sanction, Bruce Wayne has been sent into the past with no memory of who he is. Throughout the story, Bruce experiences several time jumps, taking him to various periods in history. But per the Omega Sanction, if Bruce makes it back to his own time, he’ll bring about the end of the world.

Batman: The Return of Bruce Wayne #1I’ve been split on the idea of sending Bruce back in time. Obviously they had to send him away for awhile so they could do the  story line with Dick Grayson and Damian becoming the new Batman & Robin. But having him be stuck in time seems a little corny to me. I don’t really want to see Bruce as a caveman, I want to see him as Batman. On the other hand, the idea of Batman functioning in different time periods isn’t a bad one, even if he doesn’t remember he’s Batman. So there were times when I found myself begrudgingly enjoying this story.

Each issue seems to examine a different aspect of the Bruce Wayne/Batman character. When he’s a cave man we see the raw, emotional animal in him. When he’s a puritan witch hunter, we see the detective. When he’s a pirate, we see the swashbuckling fighter, etc. Morrison also uses many of the traditional symbols and motifs from Batman’s world very well. For instance, the image of Martha Wayne’s falling pearls, to the small bell Bruce rang to summon Alfred in Batman: Year One. Those are done quite well.

The most enjoyable issue for yours truly was the second one, with art by Frazer Irving. Each artist is married to their issue/time period very well, but Irving’s work suits his setting wonderfully, and his colors are beautifully dreary.

The Return of Bruce Wayne #2I must admit, I’m a bit torn as to what my end verdict on this book should be. It’s received a great deal of acclaim, but I can’t muster up the enthusiasm for it that others seem to have. I understand what it was trying to do in terms of character study, and much of the art is done masterfully. The last few pages are also very well done. But in my book The Return of Bruce Wayne doesn’t measure up to the greatness of some of Morrison’s other work, like Arkham Asylum, Batman #663 with John Van Fleet, Batman R.I.P., and his Batman & Robin issues. It’s filled with some of the “Morrisonian” convolution that plagued Final Crisis, and it was a story I really just wanted to see end so we could get Bruce back where he belongs.

There’s also an inherent cheesiness to this story that I just can’t get past. At times it almost feels like Morrison got this story idea from playing with some Batman action figures from the ’90s. We’ve got Caveman Bruce, Pirate Bruce, Cowboy Bruce, etc.

Nevertheless, good work deserves it’s due, even if I personally don’t appreciate it as much as many other fans do. So I’ll be fair, if not a little generous in terms of my own opinions.

RATING: 6/10

Image 1 from amazon.com. Image 2 from doublearticulation.wordpress.com.

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