Weekly Comic 100s: Champions #6

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Champions #6
AUTHOR: Danny Lore
ARTISTS: Luciano Vecchio, Federico Blee (Colorist), Clayton Cowles (Letterer). Cover by Toni Ifante.
RELEASED: April 21, 2021

This issue re-purposes the Roxxon corporation as a company trying to rehab its image by manipulating teens via a new app. I like the teens and tech angle. That’s the kind of thing you can’t necessarily do with a regular superhero book.

I also appreciate the way Lore writes the tension between Ironheart and the rest of the teens. It feels authentic. Like the kind of thing that could happen in a real group of high-school-aged friends.

Then again, it’s been a good 20 years since high school. So I could be way off.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Champions #5

By Rob Siebert
Fanboy Wonder

TITLE: Champions #5
AUTHOR: Eve L. Ewing
ARTISTS: Bob Quinn, Federico Blee (Colorist), Clayton Cowles (Letterer). Cover by Toni Ifante
RELEASED: March 17, 2021

I got easily distracted by small things during this issue. While the storyline involving the government outlawing teenage superheroes is reaching a major turning point, I was focused on the fact that Amadeus Cho is called Brawn now. He went from the Totally Awesome Hulk to…Brawn? Lame.

Also, Viv Vision at one point calls out, “Champions Charge!” Also lame.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Children of the Atom #1

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Children of the Atom #1
AUTHOR: Vita Ayala
ARTISTS: Bernard Chang, Marcelo Maiolo (Colorist), Travis Lanham (Letterer). Cover by R.B. Silva and Jesus Aburtov.
RELEASED: March 10, 2021

What this issue needed to do, for my money, is distinguish itself from Marvel’s prominent teenage superhero book, Champions. It starts to do that by focusing in on the friendship between two of its characters, Buddy and Carmen. Also, it portrays its heroes as upstarts and X-Men superfans.

But oddly enough, Children of the Atom #1 spends a little too much time with Wolverine, Storm, and some of the classic X-Men as they talk about what to do about this new group of teens. Let’s hope we learn more about our main characters next time.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Champions #4

By Rob Siebert
Fanboy Wonder

TITLE: Champions #4
AUTHOR: Eve L. Ewing
ARTISTS: Bob Quinn, Federico Blee (Colorist), Clayton Cowles (Letterer). Cover by Toni Ifante.
RELEASED: February 17, 2021

Good issue, with Quinn and Blee killing it on the art. Champions has once again become one of my favorite books at Marvel.

Cyclops helps the team out in this issue. He’s an adult now, but remembers his time with the team, despite it taking place amidst weird X-Men time-traveling shenanigans. I’m not even going to try to figure that out…

The Champions have breakfast in this issue, and nobody makes a “Breakfast of Champions” joke? I mean, that one’s a lay-up, is it not?

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Power Rangers Double-Feature, Crossover, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Power Rangers #1
AUTHOR: Ryan Parrott
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Variant cover by Jung-Geun Yoon.
RELEASED: November 11, 2020

There’s a really cool scene in here between Jason and Rocky, where they talk about the latter being the Red Ranger, but not the team leader. Parrott is so good at creating character moments for characters who were pretty thinly written to begin with.

That being said, Mortarino draws Rocky like…there’s no other way to put it…a whiny little bitch.

Adding Drakkon to this book is smart. Between BOOM’s two new Power Rangers titles, I suspect this is the one that’s going to have more trouble staying afloat, simply because the characters aren’t the iconic Power Rangers.

TITLE: Wonder Woman #766
AUTHOR: Mariko Tamaki
ARTISTS: Steve Pugh, Romulo Fajardo Jr. (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Alejandro Sanchez.
RELEASED: November 10, 2020

Tamaki is taking a page out of Greg Rucka’s playbook and blinding Wonder Woman. For a few issues, at least. I’ll say this much: It makes for a pretty cool fight sequence in this issue.

It seems like they’re wrapping up the story of the reluctant Wondie/Maxwell Lord team, which is a shame. For my money, the concept had a lot more mileage to it. It had become something I looked forward to seeing with each new issue.

I know I’m a broken record, but I still miss Mikel Janin on this book…

TITLE: Darth Vader #7
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by Daniel Acuna.
RELEASED: November 11, 2020

Boy, some of this is really dumb.

I like the idea of the Emperor giving Vader a sadistic test by leaving him to die on Mustafar. But early in the issue we once again backtrack to a location from the prequels, and literally see Nute Gunray’s corpse. Is that all this series has to offer? “Hey! This is something you remember from the movies!”

This character, and this universe, deserve better.

TITLE: Detective Comics #1030
AUTHOR: Peter Tomasi
ARTISTS: Bilquis Evely, Mat Lopes (Colorist), Rob Leigh (Letterer). Variant cover by Lee Bermejo.
RELEASED: November 10, 2020

I think this is the first time I’ve seen Evely’s art. It’s got a cool sketchy look to it that doesn’t always go well with Batman’s world. But paired with Lopes’ colors, it works. Evely really gets to flex in this issue, drawing much of Batman’s surrogate family.

Tomasi is looping Damian into things, which bodes well for the book’s immediate future. His work with Bruce and Damian on Batman & Robin is some of his best. I’m interested to see if he can recreate some of that magic.

TITLE: Champions #2
AUTHOR: Al Ewing
ARTISTS: Simone Di Meo, Bob Quinn, Federico Blee
RELEASED: November 11, 2020

The division among civilians over Kamala’s Law, the law against teen superheroes, is really compelling. Mostly because it’s such an unsettling reflection of the actual division we’re seeing in the United States. It’s a tremendous example of how superhero comics can reflect what we see in the real world.

We open up this issue in a “reeducation center” that’s straight up chilling. It’s actually downright dystopian. I can’t remember the last time a comic book left me this unsettled.

TITLE: Superman #27
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Danny Miki (Inker), Alex Sinclair (Colorist), Dave Sharpe (Letterer). Cover by Tony Daniel.
RELEASED: November 11, 2020

Superman spends a small portion of this issue trying to avoid hitting the big scary alien. Imagine that. A superhero trying to dodge conflict with someone who looks and talks differently. God damn, Superman is so the hero this world needs right now. While I may not be in love with his work over on Action Comics, make no mistake about it, Bendis gets Superman. That’s so important, as the vast majority of writers don’t.

Reis, Miki, and Sinclair have been killing it, giving us some of the best art we’ve seen in Superman in years. Don’t sleep on them here.

TITLE: Crossover #1
AUTHORS: Donny Cates, Mark Waid (Story Edits)
ARTISTS: Geoff Shaw, Dee Cunniffe (Colorist), John J. Hill (Letterer). Cover by Shaw & Dave Stewart.
RELEASED: November 4, 2020

There’s a character in this book wearing a shirt that says “Wertham was right.” That’s a pretty cool Easter egg for people up on their comic book history.

Crossover is a book about comic book characters coming to life in the real world. All of them. It’s a silly concept, but the book treats it pretty seriously. As such, we have a series that people with a passion for the comic book medium will likely enjoy, but more casual fans may find a little too out there. Heck, I’m passionate about comics and it’s pretty far out even for me…

TITLE: Mighty Morphin #1
AUTHOR:
Ryan Parrott
ARTISTS:
Marco Renna, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Variant cover by Daniele Di Nicuolo.
RELEASED:
November 4, 2020

The way Parrott writes Zordon in this issue is a departure from how we’re used to seeing him. Less a wise sage and more of a friendly uncle. It’s a risk that doesn’t pay off, in my opinion.

So wait…Drakkon’s not the Green Ranger? I’m confused…

I prefer Marco Renna’s work on this book to what we’re seeing in Power Rangers, particularly when it comes to action sequences. His panels with the Green and White Rangers are particularly strong, and the colors really pop. I’m hopeful this book will keep building momentum going forward.

TITLE: Batman #102
AUTHOR: James Tynion IV
ARTISTS: Carlo Pagulayan, Carlos D’Anda, Danny Miki (Inker), David Baron (Colorist), Clayton Cowles (Letterer). Cover by Jorge Jimenez & Tomeu Morey. Variant cover by Francesco Mattina.
RELEASED: November 3, 2020

Tynion says he came up with this new Ghost-Maker villain while he was writing back-up stories for Zero Year. That counts as a strike against him, in my book…

I’m not crazy about the name Ghost-Maker. But he’s pretty cool nonetheless. He’s got a cool costume, and a nice ninja aesthetic.

Carlos D’Anda pops up for a few pages in this issue to draw a scene where Harley Quinn gets a new apartment. It feels randomly dropped in. But I’m assuming that means Harley is sticking around in Batman for the near future.

TITLE: Star Wars #8
AUTHOR: Charles Soule
ARTISTS: Ramon Rosanas, Rachelle Rosenberg (Colorist), Clayton Cowles (Letterer). Cover by Carlo Pagulayan, Jason Paz, & Rain Beredo.
RELEASED: November 4, 2020

I’m in awe of just how much detail some artists put into these starships and the machinery. It’s a credit to not only to the talent of the artists they get on these Star Wars books, but the devotion they have to the franchise.

The writing, on the other hand, has been fairly stale across the entire line. In this book’s case, Commaner Zahra, a disciple of Grand Moff Tarkin, is a fairly interesting villain. But this just isn’t a terribly interesting story. She’s after Leia. Big whoop.

On the bright side, it’s not another story about a damn lightsaber…

TITLE: Young Justice #20
AUTHORS: Brian Michael Bendis, David Walker
ARTISTS: Scott Godlewski, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by John Timms & Eltaeb.
RELEASED: November 3, 2020

Teen Lantern gets a nice spotlight here. Now if only this weren’t the final issue.

It’s an honest-to-God crime that this series is ending at only 20 issues. It’s one of the best teenage superhero books I’ve read in a long time, in that it delivers on both the action front and the teen angst front. I dig the expansive roster, as well. Sort of a Young Justice League Unlimited feel. If there’s any justice in this world, this team will be back with a vengeance.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman #100, Champions, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Batman #100
AUTHOR: James Tynion IV
ARTISTS: Jorge Jimenez, Carlo Pagulayan, Danny Miki (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer). Variant cover by Francesco Mattina.
RELEASED: October 6, 2020

In the end, “Joker War” was pretty unremarkable. Though at least not flat-out offensive the way “City of Bane” was. It wound up being, in my opinion, as much about Harley Quinn as it was about Batman. That’s exactly what I was afraid it would be.

To his credit, though, Tynion gives Barbara Gordon a pretty awesome moment in this issue.

And hey, we got a “Jokerized” Batsuit out of the deal that’s just dying to be made into an action figure or a Funko Pop. So there’s that I guess.

TITLE: Champions #1
AUTHOR: Al Ewing
ARTISTS: Simone Di Meo, Federico Blee, Clayton Cowles. Cover by Toni Ifante.
RELEASED: October 7, 2020

I like this angle on the Champions. Superheroes under 21 are outlawed, which gives them something to rebel against. Teenage defiance and all that. This series isn’t starting off with the same sort of real-world intrigue the 2016 Mark Waid book did. But it’s making up for it with superhero drama.

So wait, Kamala Khan is the face of the law banning teen heroes, but Ms. Marvel is the leader of the Champions? How does that work? Superhero logic, I guess…

TITLE: Star Wars #7
AUTHOR: Charles Soule
ARTISTS: Ramon Rosanas, Rachelle Rosenberg (Colorist), Clayton Cowles (Letterer). Cover by Carlo Pagulayan.
RELEASED: October 7, 2020

Charles Soule starts to get this book on track here, as we get a pretty darn good origin story for our new villain, Commander Zahra. The Zahra character was mentored by Grand Moff Tarkin, who Soule has historically been very strong with.

This is our second time seeing Carlo Pagulayan this week. He impressed me with this cover. It reminded me quite a bit of Olivier Coipel’s work. For my money, that’s a compliment.

Ramon Rosanas turns in a strong performance as well. A suitable replacement for Jesus Saiz on this series.

TITLE: We Only Find Them When They’re Dead #2
AUTHOR: Al Ewing
ARTISTS: Simone Di Meo, Mariasara Miotti (Color Assistant), Andworld Design (Letters)
RELEASED: October 7, 2020

We Only Find Them When We’re Dead is a gorgeous blaze of vibrant colors. Truly wondrous from an artistic standpoint.

The trouble is, and perhaps this is just my ADD talking, I’ve been having some trouble following along. We’re learning about some intriguing characters. But there’s a lot of spaceship tech jargon in here, much of which feels like fat to be trimmed. My hope is the book starts to take off (pun intended) as we get into the real meat of the story.

TITLE: Batman: The Adventures Continue #13
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Kubina (Colorist), Josh Reed (Letterer). Cover by Becky Cloonan.
RELEASED: October 1, 2020

One of the things Batman: The Adventures Continue does is answer certain questions left unanswered from the show. Including one I didn’t think to ask: Why isn’t Leslie Thompkins in The New Batman Adventures? Hint: It involves Jason Todd.

Oddly enough, in this issue Red Hood throws a grenade that’s read and has white “eyes” like his helmet. It looks like he’s throwing a Spider-Man grenade.

That’s right, folk. A Spider-Man grenade. That’s the kind of keen insight you’ll find here at PrimaryIgnition.com.

TITLE: The Department of Truth #1
AUTHOR: James Tynion IV
ARTISTS: Martin Simmonds, Aditya Bidikar (Letterer)
RELEASED: September 30, 2020

This first issue is packed with intrigue and possibility. Not to mention a sense of dread. As if we’re about to learn some horrible secret about how the world works. And we do…kinda…

Simply put, I don’t buy the big twist in The Department of Truth #1. The book is written and drawn like a government espionage type drama. But the revelation is a piece of comic book science so far-fetched that even I don’t buy it. Such a shame, as I’d been looking forward to this for months.

TITLE: Batman/Superman Annual #1
AUTHOR: Joshua Williamson
ARTISTS: Gleb Melnikov, Dale Eaglesham, Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer). Cover by Gabriel Rodriguez & Sanchez.
RELEASED: September 29, 2020

Wanna have some fun? Read Mr. Mxyzptlk’s dialogue in Gilbert Gottfried’s voice, and Bat-Mite’s in Paul Reubens’ voice. Just like on those old cartoons.

This annual is about our two fifth-dimensional imps arguing about whether Batman or Superman would win in a fight. It’s played for laughs, and it’s a lot of fun. But most important of all? The story has the right ending.

Remember, kids: Superman and Batman are both heroes. They shouldn’t be fighting. They’d find another way to work things out.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Star Wars Adventures, Lois Lane #9, and..Other Stuff…

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

So yeah…how’s your quarantine been?

Like every other business on Earth, the comic book industry is being hit hard by the Coronavirus pandemic. As such, comic shops will receive no new issues this week. What exactly will happen with digital releases remains to be seen. But Image, IDW, Dark Horse, and Oni Press have all opted out of digital releases until print issues return to stores.

As for me, “social distancing” kept me out of my comic shop this week. My issues are being shipped to me, but they won’t arrive until….today. Because of course.

But in the spirit of wanting to put something in this space this week, I’ve done some digital shopping of my own. I put some issues in my cart that aren’t the most recent, but that piqued my interest. First among these was Lois Lane #9, which for some reason has alluded me for several weeks now…

As for what’ll be in this space over the next several weeks, all I can say is something will be here. Even if I’ve got to review comics from decades ago. But next time, we’ll get into the issues I’m about to get in the mail. Such issues include Batman/Superman, Star Wars: Bounty Hunters, andI Can Sell You A Body, and more.

TITLE: Lois Lane #9
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Andy Troy (Colorist), Simon Bowland (Letterer)
RELEASED: March 4, 2020

Batman shows up in this issue, seemingly for no reason other than to pad the story. Still, it is good to see Rucka writing him again. Even like this.

As the cover suggests, there’s an immigration angle here. If, like Batman, it were shoehorned in for no reason I’d take issue with it. But Rucka weaves it into the mystery of who is out to kill Lois. So it works for me.

Also, do yourself a favor and Google “Jessica Midnight.” Just a heads up.

TITLE: Star Wars Adventures #31
AUTHORS: Michael Moreci, Cavan Scott
ARTISTS: Arianna Florean, David M. Buisan, Valentina Taddeo (Colorist), Charlie Kirchoff (Colorist), Jake M. Wood (Inker)
RELEASED: March 18, 2020

I’ve had my eye on this title, as it was recently announced it’ll contain stories set after The Rise of Skywalker. But apparently that’s not until May…

What we get here is perfectly serviceable. First is a story about Rey flying an X-Wing for the first time. I assume that’s meant to foreshadow what she does near the end of Rise. Then we get a back-up about a young explorer in wild space. Frankly, the back-up intrigued me more than the main story did. We haven’t seen much (or any?) of wild space, have we?

TITLE: Outlawed #1
AUTHOR: Eve L. Ewing
ARTISTS:
Kim Jacinto, Espen Grundetjern (Colorist), Clayton Cowles (Letterer). Cover by Pepe Larraz and David Curiel.
RELEASED:
March 18, 2020

This book is here to set the table for yet another Champions relaunch. After the most recent relaunch ended this past October with only 10 issues. I mean…alright? If you’re sure.

This issue feels very Civil War-ish. A big explosion during a battle involving the Champions prompts the government to adopt a law prohibiting those under 21 from acting as superheroes.

This issue on its own didn’t do much for me. But I really liked the Mark Waid/Humberto Ramos Champions line-up. So if this kicks off a good story for them, I’m all in.

TITLE: Marvels Snapshots: Sub-Mariner
AUTHOR:
Alan Brennert
ARTISTS:
Jerry Ordway, Espen Grundetjern (Colorist), Travis Lanham (Letterer). Cover by Alex Ross.
RELEASED:
March 11, 2020

I’ve got the unique perspective of reading Marvels at the same time all this supplemental material is coming out. It’s a lot to take in. But the process has been fun.

Though he comes from Atlantis, virtually a different world, this issue shows us Namor is just as vulnerable to the scars of war as his human cohorts. Set shortly after World War II, and told from the perspective of his love interest Betty Dean, this “snapshot” shows us how Namor both is and isn’t human. Ordway and Grundetjern set the period brilliantly with their art.

TITLE: The Resistance #1 (of 6)
AUTHOR: J. Michael Straczynski
ARTISTS:
Mike Deodato Jr., Frank Martin (Colorist), Sal Cipriano (Letterer). Cover by Rahzzah.
RELEASED:
March 18, 2020

Good lord. This one might actually be too timely. Read at your own risk as far as triggers go.

Quick summary: A deadly virus sweeps the planet, killing hundreds of millions. Then suddenly, it goes dormant. In response, a new American president is elected that promises to keep the pubic safe if the virus returns. But some of the survivors have inexplicably acquired superpowers. So what the hell happens now?

This sparked my interest enough to read more. Much of what we see here feels disturbingly realistic, particularly in terms of how the public reacts to certain things…

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

 

A Teen Titans: Damian Knows Best Review – A Return to Glory?

TITLE: Teen Titans, Vol. 1: Damian Knows Best
AUTHOR: Benjamin Percy
PENCILLERS: Jonboy Meyers, Diogenes Nieves, Khoi Pham
COLLECTS: Teen Titans #15Teen Titans Rebirth #1
FORMAT: Softcover
PUBLISHER: DC Comics
PRICE: $16.99
RELEASED:
June 14, 2017

By Rob Siebert
Editor, Fanboy Wonder

The Teen Titans have had a pretty awesome run on television over the last decade and a half. The comics, on the other hand? They’ve been a mixed bag. But this new Teen Titans series under the DC Rebirth banner offered yet another fresh start for one of the most iconic and prolific superhero teams in all of comics. A chance to make the Teen Titans great again!

I wouldn’t call Damian Knows Best a great book. But these still manage to be the best Teen Titans comics we’ve gotten in several years. Since 2011 at the very least.

In the wake of his 13th birthday, Damian Wayne, a.k.a. Robin, summons his own team of young heroes to combat a threat from his past. Damian’s grandfather, Ra’s al Ghul, has sent his own team of young assassins after the Boy Wonder. Their mission? Either bring Damian back into the League of Assassins or kill him. But as his new teammates are about to find out, Damian isn’t one to make things easy.

Damian should have been on the Teen Titans a long time ago. That last really good Teen Titans story I alluded to above? It sees Damian barge in and briefly anoint himself team leader. Why it took so long to get him back on the team is beyond me. Sticking a character as abrasive as Damian in a team environment is a natural source for tension and conflict. Making it a team of adolescents ups the ante even more. It’s an update this book has desperately needed since…well, 2011.

Perennial team members Starfire, Beast Boy, and Raven are back. I’ve lamented previously about how the series can’t move away from them, presumably because DC wants to match the cartoon show. Plus, they’re synonymous with the iconic Wolfman/Perez era. Swapping one or two of them out for newer characters might open the door for even more new possibilities. That’s what a relaunch is supposed to be about, after all. We at least get a little of that with the inclusion of Kid Flash.

However, Ben Percy does a commendable job turning up the teen angst with most of our heroes. The common theme among them is the feeling they don’t belong anywhere. Like so many young people, they feel isolated.. That commonality that makes them feel like they belong together, instead of being lumped together for no real reason (other than editorial mandate). The opening sequence with Beast Boy is one of the character’s best in quite some time. As he behaves in his typical animated and boisterous fashion, the narration captions highlight his inner turmoil, most notably over the “death” of Tim Drake. Throw in how wonderfully drawn and colored the whole thing is, and you’ve got a knock-out intro.

That’s one of the things DC has failed to do with Teen Titans for so many years: Really amp up the teen element effectively, making this book considerably different from Justice League and the other team books out there. Need an example? Look what Mark Waid is doing in Champions. All those characters feel like teenagers trying to find their way in the world and blaze a new trail that’s different from the previous generation’s. Teen Titans doesn’t have that rebellious streak to it. But having these characters feel young and a little less sure of themselves is damn sure a step in the right direction.

Most of the Demon’s Fist characters are forgettable. They’re led by Damian’s cousin Mara. Despite being fairly forgettable herself, she has a strong origin story. She trained alongside Damian growing up, competing with him but never quite besting him. Damian was intended to lead the Demon’s Fist, but Mara took over in his absence. If you subscribe to the idea that all of Batman’s villains represent a distorted mirror image of him, then Mara would be the equivalent for Robin.

Jonboy Meyers was supposed to be the regular artist for Teen Titans. He made it through issue #1 before leaving due to “creative differences.” That’s a damn shame. Meyers breathed so much new life into this series, giving us an Anime-inspired expressiveness, and thus a sense of fun the book has sorely lacked for a long time. Make no mistake about it, the guy knows his way around a superhero action sequence. I’ll specifically cite the Kid Flash pages from the Rebirth issue as evidence.

Diogenes Nieves has the unenviable job of tagging in for Meyers in issue #2. To his credit, the transition goes about as smooth as you could ask. He gives us a couple of gorgeous pages of a rainy rooftop scene between Damian and Talia al Ghul. Still, the little quirks in Meyers’ art are still sorely missed. The same, sadly, can be said for when Khoi Pham takes over on issues #3-5. Objectively, he’s a fine artist. When it’s time for our team to rise up in issue #5, Pham nails it. It’s just that Meyers has that certain flair. Starting with it and then taking it away doesn’t do the book any favors.

Thankfully, one constant in the book is colorist Jim Charalampidis, who brings a valuable consistency to the series despite the changing artists. These pages look a touch darker than I might have expected. But it’s still the beautiful blaze of color you’d hope to see from a superhero team book like this.

It’s been quite awhile since I picked up Teen Titans on a consistent basis. This new series changed that. Did Damian Knows Best make Teen Titans great again? No. But it made the series good again. That’s more than you can say for any other book to bear it’s name in the last several years. Now, here’s hoping things stay good for quite some time. These characters, and this series deserve at least that much.

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

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A Champions: Change the World Review – Social Justice League

TITLE: Champions, Vol. 1: Change the World
AUTHOR: Mark Waid
PENCILLER: Humberto Ramos
COLLECTS: Champions #1-5
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $15.99
RELEASE DATE: May 3, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Champions simultaneously is and is not a product of it’s time. Stories about the new generation rising up and righting the wrongs of the world have been around as long as storytelling itself. And of course, it’s a teenage superhero book. Not exactly a new concept.

At the same time, Mark Waid is going out of his way to be contemporary with Champions. You’ve got some standard teenage superhero stuff, sure. But the book also tackles Islamaphobia, Islamic Fundamentalism, feminism, and police brutality. This is very much a book for 21st century issues, as seen from one side of the political aisle.

In the aftermath of Civil War II, Ms. Marvel (Kamala Kham), Nova (Sam Alexander), and Spider-Man (Miles Morales) have left the Avengers. Determined to give the world heroes they can believe in again, they form a team of their own. A team that refuses to punch down or use unjust force, but instead win the day with wisdom and hope. With the addition of Hulk (Amadeus Cho), Viv Vision, and Cyclops, the Champions are born.

I feel like I owe Humberto Ramos an apology. HIs style is so exaggerated, cartoony even, that one can fall into the trap of underestimating just how good he is. I’ll admit it: That happened to me. But what makes Ramos so special is his versatility. Champions is a potpourri of what superhero comics can offer. It’s a teen dramedy. It’s a superhero action thriller. It’s a look at what it means to be a hero. It’s an inspiring look at what happens when seemingly ordinary people stand up for themselves. But Ramos’ work fits all of it, and ties everything together seamlessly. Visually, nothing feels awkward or out of place. I can only imagine the talent it takes to pull that off.

Mind you, there are some minor bumps in the road. Issue #2 give us a pretty pitiful case of panel duplication. There’s also a splash page where Hulk and Viv are making out that I still don’t get. Hulk is so much bigger than her. I just don’t get how their mouths would…match up? Nothing too intense. But it does briefly pluck you out of the story.

Both Mark Waid and Humberto Ramos have been outspoken regarding the Trump administration, and some of the moves they’ve made. Waid, along with other creators, has made efforts to create “safe spaces” at comic book conventions, and has generally been very public about his feelings toward bullies, hate-mongerers, etc. Ramos, on the other hand, has simply opted not to appear in states that voted for Trump.

Champions, issues #3 and #5 in particular, doesn’t hide that it’s a book written by people with those beliefs. The upside to that is we get some powerful material about standing up to hate, and not being afraid to put yourself at risk to do what’s right. The downside is that this isn’t what a lot of people want in their comics. Though I doubt Waid, Ramos, and the Champions team care who they piss off.

In this sense, the book can overplay it’s hand at times. Especially in issue #3, when we get to the Amal character. She’s a fierce young woman standing up against a militant extremist group committing gender apartheid. It’s pretty obvious how the reader is supposed to feel about her. But Waid makes a point of slipping in little lines about how she should be the leader of the Champions, and how she’s a bad ass. He’s coming from a good place, but that’s overkill.

Gwenpool pops up in issue #5 to join the team’s efforts against a crooked and racist sheriff turning a blind eye to hate crimes. Enraged when a mosque is set ablaze, Gwen and the Champions are tempted to respond with violence. They instead opt to take a more difficult, non-violent route. This has a little bit of a PSA feel to it, but it’s a good message, and an effective use of the Gwenpool character.

Champions has become arguably the most provocative and inviting book Marvel has on the stands right now. It’s not for everyone. But it doesn’t necessarily try to be. It’s also a tremendous example of how the superhero genre can be used for more than just popcorn fun. Change the World has that. But it’s clearly about much more.

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A Champions #3 Review – The Heroes We Need Right Now

Champions #3, 2016, Humberto Ramos coverTITLE: Champions #3
AUTHOR: Mark Waid
PENCILLER: Humberto Ramos
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: December 7, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

If you’re only picking up one Marvel book these days, make it Champions. It’s fun, diverse without trying too hard to be, and particularly poignant these days. This issue’s subject matter might make some readers uncomfortable. But I suspect that’s the idea. It’s a book about young people coming together to take on problems that are at least partially based in reality.

Champions #3 takes on Islamic fundamentalism. It brings our team to the middle east to face a militant group committing gender apartheid. In the issue’s own words: “They believe  women are to be shamed. TO be hidden away, given no access to medical care or education. To be stripped of their human rights. … Young girls have been murdered in the streets for the ‘crime’ of carrying a schoolbook or being seen without a burqa.” Our heroes stand up for the defenseless, all the while trying to figure out who their team leader is.

When you consider how reality-based a lot of this stuff is, it becomes pretty powerful, and rightfully uncomfortable. We open the book with a splash page of a textbook on the ground, splattered with blood (shown right). There are no captions or dialogue on the page, as none are necessary. We later get images of women gathered together, talking about not giving into extremism, standing up for themselves, being killed for reading books. We’ve also got groups of men carrying guns, saying things like “We are divine messengers! You will not make fools of us in the eyes of our lord!”

champions-3-opening-pageSome people don’t like this kind of thing in their superhero escapism. Case in point, Chelsea Cain getting harassed by Twitter trolls over her work on Mockingbird. But there’s also something to be said for what these characters stand for. Not just the Champions, but superheroes in general. Things like truth, justice, defending the defenseless, etc. So using superheroes to illuminate real world issues doesn’t usually bother me, so long as it’s done well. You can argue this issue lays it on thick at times (judge the how and where for yourself). But its heart is definitely in the right place. It gets you thinking. Ergo, it accomplishes its goal.

Waid also weaves in a little teen drama, following up on the Hulk/Viv kiss from last issue. It’s not much, as we get into the main story pretty quickly. But it’s something they can circle back to later. I’m still not sure how the physics of that kiss were supposed to work…

There’s also a question of who the team leader is supposed to be. For my money, the obvious choice is Ms. Marvel. But the issue also floats Hulk and (perhaps in jest) Cyclops as candidates. I’m hoping the conclusion we come to here is that the Champions don’t need a leader. But you never know.

Humberto Ramos continues to surprise with this series. His exaggerated, cartoony style doesn’t seem like a good fit for our super-serious main story. But in a way, he may be the key to why this issue works so well. Obviously, this is some heavy subject matter about things that happen to real people in the real world. But Ramos’ cartoony, exaggerated figures allow us to still see it through the lens of a superhero comic. This doesn’t feel like a contrived PSA comic, but rather something that actually occurs organically in the Marvel Universe we know. Perhaps more importantly, if you jump completely out of the fantasy realm with a story like this, you risk losing your audience by slapping them too hard with this brutal reality. Ramos’ art is a nice compromise.

champions-3-humberto-ramos-dialogue-sceneWhat’s more, Ramos hits the right notes to make us feel what the story needs us to feel. We’re frightened, sympathetic, and angry for these women who’ve been victimized for no good reason. The gravity of the situation is conveyed effectively, and we’re hopeful for them in the end. Of course, the superhero action stuff is done very well, and Ramos is always good at interactions between the teens. There are some awkward character placements and panel transitions early on during a scene on Hulk’s big stealthy jet thing. But that’s a con far outweighed by all the pros.

Champions feels like the comic we need right now, for a variety of reasons. Not the least of which is because these feel like the heroes we need right now.

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