Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: DC Future State, Star Wars: The High Republic, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Dark Nights: Death Metal isn’t my thing. Just not my flavor of ice cream. But apparently it just changed the DC Universe on a cosmic level. So I had to do a little research.

Apparently, coming out of Death Metal, the DC Multiverse is now a DC Omniverse. An omniverse is, of course…*looks it up*…a universe that is spatiotemporally four-dimensional.” What does that mean? Apparently it means there are, like, a lot of alternate universes out there, and everything is canon somewhere.

That should be DC’s new tag line: “DC Comics: Where everything is canon somewhere!”

Out of Death Metal we go into Generations Shattered, and the two-month long Future State event, which shows us “glimpses into the possible unwritten worlds of tomorrow.” These Future State stories are taking over virtually all the main DC books until March. So whether we like the future or not, it’s here…

Oh, and Star Wars: The High Republic started this week too.

Oh, and there’s other stuff too.

Everybody gettin’ this, so far? Good. Now let’s dive in.

TITLE: Generations Shattered #1
AUTHORS: Dan Jurgens, Robert Venditti, Andy Schmidt
ARTISTS: Various. Cover by Ivan Reis, Joe Prado, & Hi-Fi.
RELEASED: January 5, 2021

This one didn’t do it for me. Which was a surprise, as DC usually does pretty well with these one-shot event kick-offs (think DC Universe: Rebirth). Plus, the idea of all these heroes from various decades (’40s Batman, ’90s Steel, etc) coming together is pretty cool.

But while there’s tons of great artistic talent on display here, there’s a certain emptiness to Generations Shattered. I was left wanting more. And not in a good way.

Quite a shame. There was a lot of potential here.

TITLE: Star Wars: The High Republic #1
AUTHOR: Cavan Scott
ARTISTS: Ario Anindito, Mark Morales (Inker), Annalisa Leoni (Colorist), Ariana Maher (Letterer). Cover by Phil Noto.
RELEASED: January 6, 2021

This has more of a fantasy vibe than a traditional Star Wars book. Not the least of which because we’ve got a fairy-like alien on the opening pages.

This issue drew me in, but the hook wasn’t that strong. I’m wondering whether Yoda, who is in this issue, should have played a larger role. As the only character we know who’s alive during this time frame, he would have been the natural segue in, wouldn’t he?

TITLE: Future State: The Next Batman #1
AUTHOR: John Ridley, Brandon Thomas
ARTISTS: Nick Derington, Tamra Bonvillain (Colorist), Clayton Cowles (Letterer). Cover by Jose O. Ladronn.
RELEASED: January 5, 2021

Right now, people should be reading anything that has John Ridley’s name on it. This is good stuff. Very street-level in both writing and art. I also love that the Santa Prisca gang wears ’90s style Bane masks.

The issue also does a lot of justice to the Outsiders, and oddly enough, the Peter Tomasi version of Arkham Knight from Detective Comics. That story didn’t do much for me. But the character feels like she belongs in this world.

TITLE: Star Wars #10
AUTHOR: Charles Soule
ARTISTS:
Jan Bazaldua, Rachelle Rosenberg (Colorist), Clayton Cowles (Letterer). Cover by Carlo Pagulayan, Jason Paz & Rain Beredo.
RELEASED:
January 6, 2021

Spoiler alert: Luke Skywalker isn’t in this issue. So that’s a misleading cover, right there.

Put that aside, however, and this might be the best issue of the series thus far. We’ve got some good character stuff, including the exploration of the relationship between Lando and Lobot, the latter of whom doesn’t get played with that often. Han Solo’s absence leaves a big void in the Star Wars story that can be used for newer or lesser known characters. This issue is a textbook example of that.

TITLE: Future State: Wonder Woman #1
AUTHOR: Joelle Jones
ARTISTS: Jones, Jordie Bellaire (Colorist), Clayton Cowles (Letterer)
RELEASED: January 5, 2021

This issue is pretty. That’s par for the course for a Jones & Bellaire book. Jones draws the underworld like a crowded city subway station, which is fun. Our new Wonder Woman, Yara Flor, also has a flying horse named Jerry. Because why not? There’s also humor injected into things, which is nice.

The thing is, I’m not really sure what to think of all this. The issue is fun, but there’s not much to get me invested in our new hero, or to make me want more. So I’m on the fence about coming back next time.

TITLE: Future State: Harley Quinn #1
AUTHOR: Stephanie Phillips
ARTISTS: Simone di Meo, Tamra Bonvillain (Colorist), Troy Peteri (Letters). Cover by Derrick Chew.
RELEASED: January 5, 2021

Simone di Meo and Tamra Bonvillain look good on Harley. They give this issue a feel akin to a much brighter Batman Beyond. They also give Professor Pyg a gas-mask-centered redesign that’s pretty cool.

The art is inspired, but the plot isn’t. An imprisoned Harley helping the police (who are aided by Scarecrow, oddly enough), track down Gotham City villains. It’s essentially a twist on the Hannibal Lecter character. Harley devotees may come back next issue. But I’ll pass, thanks.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

 


Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: Jinny Hex, and More Catching Up

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

This concludes most of our catching up period. Hopefully we’ll be back on schedule from here on out!

TITLE: Jinny Hex Special #1
AUTHOR: Magdalene Visaggio
ARTISTS: Gleb Melnikov, Luis Guerrero (Colorist), Gabriela Downie (Letterer) Cover by Nick Derington and Nick Filardi.
RELEASED: December 29, 2020

This book made me miss Young Justice a little more than I already do. I didn’t think that was possible.

I’m not sure Jinny Hex would be able to support her own series. But if she could, the first two issues would look something like this. We’ve got a story and villain that help us get to know her better, the introduction of a supporting character, and the seeds of a status quo. If you’re a fan of Jinny’s, this issue will please.

TITLE: Batman: The Adventures Continue #1
AUTHOR: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Sean Parsons (Inker), Monica Kubina (Colorist), Josh Reed (Letterer). Cover by Mirka Andolfo.
RELEASED: December 31, 2020

In the Arkham games, the Joker had a weird fascination with the Scarface puppet. This issue essentially gives us the DCAU version of that. You can tell they had fun writing those two together.

Still curious as to why they’re re-doing this story about Arnold Wesker going straight…

TITLE: Something is Killing the Children #13
AUTHOR: James Tynion IV
ARTISTS: Werther Dell’Edera, Miquel Muerto (Colorist), Andworld Design (Letters)
RELEASED: December 23, 2020

I’m starting to wonder if Something is Killing the Children isn’t like The Walking Dead comic book, in that it’s better read in five or six-issue volumes as opposed to issue by issue. I’m finding that the book has started to lose me on a month-to-month basis, even though the story at large is still appealing. This isn’t a negative judgment on the book. Certain comics simply work better in fewer, larger doses.

TITLE: Star Wars: Smuggler’s Run #1 (of 2)
AUTHORS: Greg Rucka (Novel), Alec Worley, Edward Gauvin (Translation)
ARTISTS: Ingo Romling, Amauri Osorio (Letterer)
RELEASED: December 23, 2020

On one hand, this was a pleasant surprise, as I’ve read the Greg Rucka novel this issue is based on. On the other, Smuggler’s Run makes a slightly better novel than it does a comic.

Still, Ingo Romling’s animated style is a fun match for the Star Wars universe. Some really awesome shots of the Millennium Falcon. Granted, Han does look a little old on the cover.

TITLE: Batman/Superman #15
AUTHOR: Joshua Williamson
ARTISTS: Andrei Bressan, Alejandro Sanchez (Colorist), John J. Hill (Letterer). Variant cover by Travis Charest.
RELEASED: December 22, 2020

A charming little story about Solomon Grundy, with some cameos by some D-list villains you don’t see too often. Namely Lock-Up and Lady Vic. It’s punctuated by a cute little moment between Clark and Bruce at the end.

This Travis Charest variant cover is awesome. We could very well see it again down the road as the cover to a trade or something.

TITLE: Batman #105
AUTHOR: James Tynion IV
ARTISTS: Carlo Pagulayan, Danny Miki, Alvaro Martinez, Christian Duce. Variant cover by Francesco Mattina.
RELEASED: December 15, 2020

I’m having some trouble wrapping my head around the direction they’re taking Ghost-Maker, and how quickly this story is resolved. Based on what Tynion and the team have established up to this point, everything got wrapped up a little too neatly for me. I’m wondering if they were shorted an issue because the story needed to be done in time for Future State.

Still, Ghost-Maker is intersting enough. I’m curious to see where they take him.

TITLE: Mighty Morphin #2
AUTHOR: Ryan Parrott
ARTISTS: Marco Renna, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Variant cover by Eleonora Carlini.
RELEASED: December 9, 2020

I appreciate whenever we see the Rangers in new environments we never saw on the show. So it’s nice to see them at a music festival in this issue.

Mighty Morphin #2 has really nice balance. We get a good blend of dialogue between the teens, Power Ranger action, and even some of Bulk & Skull. They can’t all be this evenly divided. But when they are, it’s generally a good thing.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: Batman, Bendis’ Superman Finale, Spider-Man, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Batman: The Adventures Continue #16
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Cubina (Colorist), Josh Reed (Letterer). Cover by Mirka Andolfo.
RELEASED: December 18, 2020

This issue and issue #15 are weird in that they essentially repeat a story from the New Batman Adventures episode “Double Talk.” Arnold Wesker, the Ventriloquist, tries to reform and ultimately fails. That’s a really strange thing to have happen, as these guys obviously worked on the old shows as well…

This story seems primarily like an excuse to put Harley and Ivy together. On the upside, we get a cool villain Christmas party at the Iceberg Lounge with plenty of cameos. Including, oddly enough, a panel where Captain Boomerang and Roxy Rocket are making out.

TITLE: Superman #28
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Danny Miki (Inker), Alex Sinclair (Colorist), Dave Sharpe (Letterer). Variant cover by Kael Ngu.
RELEASED: December 15, 2020

I’d love to know when Bendis’ run on the Superman books was originally supposed to end. Or if they even had an endpoint in mind. In the grand scheme of things, this feels like a fairly abrupt finale. But at the end of the day, Bendis did right by Superman. That’s more than a lot of writers can say. I respect him that much more for that.

Reis and the artistic team did too. There’s a beautiful panel in here of Lois looking lovingly at her husband. Amongst all the space alien grandeur in this issue, it’s an unlikely highlight.

TITLE: Power Rangers #2
AUTHOR: Ryan Parrott
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Matteo Scalera & Moreno Dinisio.
RELEASED: December 16, 2020

A neat issue, conceptually. Jason, Zack, and Trini against a bunch of space vampires. But this series is having trouble holding my attention even earlier than I anticipated. The foundations of a good book are there, but I think Power Rangers needs a stronger hook. Here’s hoping this book can up its game in a big way soon.

There’s a pretty cool splash page early in this issue. It’s just Jason posing with a sword. But between the pose, the framing, and the lighting, it’s got an epic feel to it that works really well.

TITLE: Spider-Man #5 (of 5)
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elizabetta D’Amico (Inking Assisant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel & Stewart.
RELEASED: December 9, 2020

This story was compelling enough, and the premise was enjoyable. Plus, Sara Pichelli was apparently born to draw Spider-Man. But I’ve said it before, and I’ll keep saying it: The presence of the Iron Man characters took away from Ben Parker’s journey as Spider-Man. Especially here in this final issue. This was supposed to be a family story about Peter Parker, his son, and the passing of the proverbial Spider-Man torch. Instead, the waters got a little too muddied.

TITLE: Teenage Mutant Ninja Turtles #112
AUTHORS: Kevin Eastman & Tom Waltz (Story), Sophie Campbell (Script)
ARTISTS: Jodi Nishijima, Ronda Pattison (Colorist), Shawn Lee (Letterer)
RELEASED: December 9, 2020

Just when I think these TMNT issues can’t add any more depth, we get a story about a fight breaking out during an “I used to be a  human, but now I’m a mutant” support group meeting. Love it.

To help differentiate between the Turtles without their multi-colored bandanas, Ronda Pattison is giving them different skin tones. The IDW Turtles have had different skin tones since issue #1. But note they aren’t given such tones on this otherwise pretty cool cover.

TITLE: Star Wars #9
AUTHOR: Charles Soule
ARTISTS: Jan Bazaldua, Rachelle Rosenberg (Colorist), Clayton Cowles (Letterer). Cover by Carlo Pagulayan, Jason Paz, & Rain Beredo.
RELEASED: December 9, 2020

You’d think a story about Lando and friends trying to break into a museum on Coruscant would be a lot more fun than this. But somehow this issue managed to bore me with it.

I’ve been on the brink of dropping this Star Wars title for a long time. This might have been the issue to push me over the edge. There’s a certain fun, a certain spark, that’s missing here.

TITLE: Suicide Squad #11
AUTHOR: Tom Taylor
ARTISTS: Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Variant cover by Jeremy Roberts.
RELEASED: November 24, 2020

I’m not a Harley Quinn mark the way a lot of people are. But even I’ve got to admit: That’s an awesome cover.

In hindsight, this series was better than it had any right to be. As expected, Taylor leaves the door open to work more with the characters he created in Suicide Squad. He and Redondo are about to start a run on Nightwing. So I expect we might see them there.

In the end, this may go down as one of the more underrated runs Suicide Squad has ever seen.

TITLE: Batman/Superman #14
AUTHOR: Joshua Williamson
ARTISTS: Max Raynor, Alejandro Sanchez (Colorist), John J. Hill (Letterer). Cover by David Marquez & Sanchez.
RELEASED: November 24, 2020

“I’m calling for my Bat-spaceship to come get us.”

*cringe* That feels like a line out of a post-Wertham comic in the ’50s.

Still, while this story looks uninspired on the surface, it manages to be a decent amount of fun in its execution. A fairly interesting take on the composite Superman/Batman concept, with some fun art by Max Raynor and beautiful coloring by Alejandro Sanchez. I’ve seen much better. But in all fairness, it could have been much worse.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: Rorschach, Sea of Sorrows, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Rorschach #2
AUTHOR: Tom King
ARTISTS: Jorge Fornes, Dave Stewart (Colorist), Clayton Cowles (Letterer). Variant cover by Peach Momoko.
RELEASED: November 17, 2020

Heh. Peach Momoko. I love that name. Hell of a variant cover too.

This issue paints our Rorchach doppleganger as a sympathetic nerd type who took things a step too far. It feels somewhat reminiscent of what Alan Moore did with the Jon Osterman character.

That’s not the only echo from Watchmen here. We’ve got a high rise apartment building. We’ve got the whole fiction-within-fiction thing with a comic book called “The Citizen.” It’s all very…noticeable. Whether that’s a good thing or a bad thing remains to be seen.

TITLE: Sea of Sorrows #1
AUTHOR: Rich Douek
ARTISTS: Alex Cormack, Mark Mullaney (Colorist), Justin Birch (Letterer)
RELEASED: November 18, 2020

I wouldn’t call this the easiest issue in the world to get through. But I’m intrigued by how it portrays the sea as a deep, dark, seemingly endless void. Coming in, I actually wondered if an oil spill was part of the story.

Regardless, the darkness certainly lends itself to the horror-with-a-touch-of-fantasy vibe Sea of Sorrows seems to be going for. I’m not sure I’m coming back for issue #2 on this one. We’ll see…

TITLE: Batman #103
AUTHOR: James Tynion IV
ARTISTS: Carlo Pagulayan, Guillem March, Danny Miki (Inker), David Baron (Colorist), Clayton Cowles (Letterer). Cover by Jorge Jimenez & Tomeu Morey.
RELEASED: November 17, 2020

Harley Quinn calls out the teenaged Clownhunter for having B.O. in this issue. Then she knees him in the balls. That got a laugh from me. Damn teenagers…

Also, Tynion is apparently aware that Ghost-Maker is a dumb name. Good on him.

About halfway through the issue we abruptly switch from Pagulayan to March. Weird transitions like that are never good. But this issue pulls it off as well as one can expect. The color consistency from Baron helps to that end.

TITLE: Juggernaut #3
AUTHOR: Fabian Nicieza
ARTISTS: Ron Garney, Matt Milla (Colorist), Joe Sabina (Letterer)
RELEASED: November 18, 2020

That’s a really cool over. Juggernaut and the scales of justice. It pops.

In this issue Cain fights the Sandman. I mean, technically it’s a villain named Quicksand. But she’s got the same powers, and for all intents and purposes is Sandman.

So far I’m digging this cast. Cain is teaming with D-Cel, a young woman with the power to create “deceleration fields.” In other words, she slows things down. That’s a nice contrast to the Juggernaut powers. Then of course, you have Damage Control, the Marvel Universe’s resident clean-up crew.

TITLE: Something is Killing the Children #12
AUTHOR: James Tynion IV
ARTISTS: Werther Dell’Edera, Miquel Muerto (Colorist), Andworld Design (Letters)
RELEASED: November 18, 2020

There’s a shot in this issue that’s pretty bad ass. Four members of the Order of St. George emerging from total darkness, wearing their white face masks. Little did these creators realize just how…relevant such masks would be as the series unfolded.

Dell’Edera and Muerto turn in some really nice art here. The red that Muerto uses for the blood really pops, and Erica Slaughter’s “acting” is pretty good too.

TITLE: Teenage Mutant Ninja Turtles: Jennika II #1
AUTHOR/ARTIST: Braham Revel
RELEASED: November 3, 2020

The best thing this series has going for it thus far is its general “sketchy” aesthetic. It’s unlike what we usually see in TMNT books, and it makes for a fun read.

Jennika spends most of this issue fighting a monster. But it leads into a potentially interesting development. What happens if/when the inhabitants of Mutant Town actually become the monsters that so many think they are? And how does media coverage effect the world’s view of Mutant Town?

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: Power Rangers Double-Feature, Crossover, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Power Rangers #1
AUTHOR: Ryan Parrott
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Variant cover by Jung-Geun Yoon.
RELEASED: November 11, 2020

There’s a really cool scene in here between Jason and Rocky, where they talk about the latter being the Red Ranger, but not the team leader. Parrott is so good at creating character moments for characters who were pretty thinly written to begin with.

That being said, Mortarino draws Rocky like…there’s no other way to put it…a whiny little bitch.

Adding Drakkon to this book is smart. Between BOOM’s two new Power Rangers titles, I suspect this is the one that’s going to have more trouble staying afloat, simply because the characters aren’t the iconic Power Rangers.

TITLE: Wonder Woman #766
AUTHOR: Mariko Tamaki
ARTISTS: Steve Pugh, Romulo Fajardo Jr. (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Alejandro Sanchez.
RELEASED: November 10, 2020

Tamaki is taking a page out of Greg Rucka’s playbook and blinding Wonder Woman. For a few issues, at least. I’ll say this much: It makes for a pretty cool fight sequence in this issue.

It seems like they’re wrapping up the story of the reluctant Wondie/Maxwell Lord team, which is a shame. For my money, the concept had a lot more mileage to it. It had become something I looked forward to seeing with each new issue.

I know I’m a broken record, but I still miss Mikel Janin on this book…

TITLE: Darth Vader #7
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by Daniel Acuna.
RELEASED: November 11, 2020

Boy, some of this is really dumb.

I like the idea of the Emperor giving Vader a sadistic test by leaving him to die on Mustafar. But early in the issue we once again backtrack to a location from the prequels, and literally see Nute Gunray’s corpse. Is that all this series has to offer? “Hey! This is something you remember from the movies!”

This character, and this universe, deserve better.

TITLE: Detective Comics #1030
AUTHOR: Peter Tomasi
ARTISTS: Bilquis Evely, Mat Lopes (Colorist), Rob Leigh (Letterer). Variant cover by Lee Bermejo.
RELEASED: November 10, 2020

I think this is the first time I’ve seen Evely’s art. It’s got a cool sketchy look to it that doesn’t always go well with Batman’s world. But paired with Lopes’ colors, it works. Evely really gets to flex in this issue, drawing much of Batman’s surrogate family.

Tomasi is looping Damian into things, which bodes well for the book’s immediate future. His work with Bruce and Damian on Batman & Robin is some of his best. I’m interested to see if he can recreate some of that magic.

TITLE: Champions #2
AUTHOR: Al Ewing
ARTISTS: Simone Di Meo, Bob Quinn, Federico Blee
RELEASED: November 11, 2020

The division among civilians over Kamala’s Law, the law against teen superheroes, is really compelling. Mostly because it’s such an unsettling reflection of the actual division we’re seeing in the United States. It’s a tremendous example of how superhero comics can reflect what we see in the real world.

We open up this issue in a “reeducation center” that’s straight up chilling. It’s actually downright dystopian. I can’t remember the last time a comic book left me this unsettled.

TITLE: Superman #27
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Danny Miki (Inker), Alex Sinclair (Colorist), Dave Sharpe (Letterer). Cover by Tony Daniel.
RELEASED: November 11, 2020

Superman spends a small portion of this issue trying to avoid hitting the big scary alien. Imagine that. A superhero trying to dodge conflict with someone who looks and talks differently. God damn, Superman is so the hero this world needs right now. While I may not be in love with his work over on Action Comics, make no mistake about it, Bendis gets Superman. That’s so important, as the vast majority of writers don’t.

Reis, Miki, and Sinclair have been killing it, giving us some of the best art we’ve seen in Superman in years. Don’t sleep on them here.

TITLE: Crossover #1
AUTHORS: Donny Cates, Mark Waid (Story Edits)
ARTISTS: Geoff Shaw, Dee Cunniffe (Colorist), John J. Hill (Letterer). Cover by Shaw & Dave Stewart.
RELEASED: November 4, 2020

There’s a character in this book wearing a shirt that says “Wertham was right.” That’s a pretty cool Easter egg for people up on their comic book history.

Crossover is a book about comic book characters coming to life in the real world. All of them. It’s a silly concept, but the book treats it pretty seriously. As such, we have a series that people with a passion for the comic book medium will likely enjoy, but more casual fans may find a little too out there. Heck, I’m passionate about comics and it’s pretty far out even for me…

TITLE: Mighty Morphin #1
AUTHOR:
Ryan Parrott
ARTISTS:
Marco Renna, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Variant cover by Daniele Di Nicuolo.
RELEASED:
November 4, 2020

The way Parrott writes Zordon in this issue is a departure from how we’re used to seeing him. Less a wise sage and more of a friendly uncle. It’s a risk that doesn’t pay off, in my opinion.

So wait…Drakkon’s not the Green Ranger? I’m confused…

I prefer Marco Renna’s work on this book to what we’re seeing in Power Rangers, particularly when it comes to action sequences. His panels with the Green and White Rangers are particularly strong, and the colors really pop. I’m hopeful this book will keep building momentum going forward.

TITLE: Batman #102
AUTHOR: James Tynion IV
ARTISTS: Carlo Pagulayan, Carlos D’Anda, Danny Miki (Inker), David Baron (Colorist), Clayton Cowles (Letterer). Cover by Jorge Jimenez & Tomeu Morey. Variant cover by Francesco Mattina.
RELEASED: November 3, 2020

Tynion says he came up with this new Ghost-Maker villain while he was writing back-up stories for Zero Year. That counts as a strike against him, in my book…

I’m not crazy about the name Ghost-Maker. But he’s pretty cool nonetheless. He’s got a cool costume, and a nice ninja aesthetic.

Carlos D’Anda pops up for a few pages in this issue to draw a scene where Harley Quinn gets a new apartment. It feels randomly dropped in. But I’m assuming that means Harley is sticking around in Batman for the near future.

TITLE: Star Wars #8
AUTHOR: Charles Soule
ARTISTS: Ramon Rosanas, Rachelle Rosenberg (Colorist), Clayton Cowles (Letterer). Cover by Carlo Pagulayan, Jason Paz, & Rain Beredo.
RELEASED: November 4, 2020

I’m in awe of just how much detail some artists put into these starships and the machinery. It’s a credit to not only to the talent of the artists they get on these Star Wars books, but the devotion they have to the franchise.

The writing, on the other hand, has been fairly stale across the entire line. In this book’s case, Commaner Zahra, a disciple of Grand Moff Tarkin, is a fairly interesting villain. But this just isn’t a terribly interesting story. She’s after Leia. Big whoop.

On the bright side, it’s not another story about a damn lightsaber…

TITLE: Young Justice #20
AUTHORS: Brian Michael Bendis, David Walker
ARTISTS: Scott Godlewski, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by John Timms & Eltaeb.
RELEASED: November 3, 2020

Teen Lantern gets a nice spotlight here. Now if only this weren’t the final issue.

It’s an honest-to-God crime that this series is ending at only 20 issues. It’s one of the best teenage superhero books I’ve read in a long time, in that it delivers on both the action front and the teen angst front. I dig the expansive roster, as well. Sort of a Young Justice League Unlimited feel. If there’s any justice in this world, this team will be back with a vengeance.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: Batman #100, Champions, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Batman #100
AUTHOR: James Tynion IV
ARTISTS: Jorge Jimenez, Carlo Pagulayan, Danny Miki (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer). Variant cover by Francesco Mattina.
RELEASED: October 6, 2020

In the end, “Joker War” was pretty unremarkable. Though at least not flat-out offensive the way “City of Bane” was. It wound up being, in my opinion, as much about Harley Quinn as it was about Batman. That’s exactly what I was afraid it would be.

To his credit, though, Tynion gives Barbara Gordon a pretty awesome moment in this issue.

And hey, we got a “Jokerized” Batsuit out of the deal that’s just dying to be made into an action figure or a Funko Pop. So there’s that I guess.

TITLE: Champions #1
AUTHOR: Al Ewing
ARTISTS: Simone Di Meo, Federico Blee, Clayton Cowles. Cover by Toni Ifante.
RELEASED: October 7, 2020

I like this angle on the Champions. Superheroes under 21 are outlawed, which gives them something to rebel against. Teenage defiance and all that. This series isn’t starting off with the same sort of real-world intrigue the 2016 Mark Waid book did. But it’s making up for it with superhero drama.

So wait, Kamala Khan is the face of the law banning teen heroes, but Ms. Marvel is the leader of the Champions? How does that work? Superhero logic, I guess…

TITLE: Star Wars #7
AUTHOR: Charles Soule
ARTISTS: Ramon Rosanas, Rachelle Rosenberg (Colorist), Clayton Cowles (Letterer). Cover by Carlo Pagulayan.
RELEASED: October 7, 2020

Charles Soule starts to get this book on track here, as we get a pretty darn good origin story for our new villain, Commander Zahra. The Zahra character was mentored by Grand Moff Tarkin, who Soule has historically been very strong with.

This is our second time seeing Carlo Pagulayan this week. He impressed me with this cover. It reminded me quite a bit of Olivier Coipel’s work. For my money, that’s a compliment.

Ramon Rosanas turns in a strong performance as well. A suitable replacement for Jesus Saiz on this series.

TITLE: We Only Find Them When They’re Dead #2
AUTHOR: Al Ewing
ARTISTS: Simone Di Meo, Mariasara Miotti (Color Assistant), Andworld Design (Letters)
RELEASED: October 7, 2020

We Only Find Them When We’re Dead is a gorgeous blaze of vibrant colors. Truly wondrous from an artistic standpoint.

The trouble is, and perhaps this is just my ADD talking, I’ve been having some trouble following along. We’re learning about some intriguing characters. But there’s a lot of spaceship tech jargon in here, much of which feels like fat to be trimmed. My hope is the book starts to take off (pun intended) as we get into the real meat of the story.

TITLE: Batman: The Adventures Continue #13
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Kubina (Colorist), Josh Reed (Letterer). Cover by Becky Cloonan.
RELEASED: October 1, 2020

One of the things Batman: The Adventures Continue does is answer certain questions left unanswered from the show. Including one I didn’t think to ask: Why isn’t Leslie Thompkins in The New Batman Adventures? Hint: It involves Jason Todd.

Oddly enough, in this issue Red Hood throws a grenade that’s read and has white “eyes” like his helmet. It looks like he’s throwing a Spider-Man grenade.

That’s right, folk. A Spider-Man grenade. That’s the kind of keen insight you’ll find here at PrimaryIgnition.com.

TITLE: The Department of Truth #1
AUTHOR: James Tynion IV
ARTISTS: Martin Simmonds, Aditya Bidikar (Letterer)
RELEASED: September 30, 2020

This first issue is packed with intrigue and possibility. Not to mention a sense of dread. As if we’re about to learn some horrible secret about how the world works. And we do…kinda…

Simply put, I don’t buy the big twist in The Department of Truth #1. The book is written and drawn like a government espionage type drama. But the revelation is a piece of comic book science so far-fetched that even I don’t buy it. Such a shame, as I’d been looking forward to this for months.

TITLE: Batman/Superman Annual #1
AUTHOR: Joshua Williamson
ARTISTS: Gleb Melnikov, Dale Eaglesham, Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer). Cover by Gabriel Rodriguez & Sanchez.
RELEASED: September 29, 2020

Wanna have some fun? Read Mr. Mxyzptlk’s dialogue in Gilbert Gottfried’s voice, and Bat-Mite’s in Paul Reubens’ voice. Just like on those old cartoons.

This annual is about our two fifth-dimensional imps arguing about whether Batman or Superman would win in a fight. It’s played for laughs, and it’s a lot of fun. But most important of all? The story has the right ending.

Remember, kids: Superman and Batman are both heroes. They shouldn’t be fighting. They’d find another way to work things out.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Weekly Comic 100s

Weekly Comic 100s: Power Rangers Double Feature, Spider-Woman #1, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

No comic shop for me this week. These were strictly digital purchases. Thank God for Comixology.The irony in all of this is that it feels like the prologue for a story you’d read in a comic book…

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #4 (of 5)
AUTHOR:
Ryan Parrott
ARTISTS:
Simone di Meo, Alessio Zonno, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED:
March 18, 2020

You knew it was inevitable. You can’t have this story without somehow getting the Turtles into Ranger costumes. That being said those outfits are pretty goofy. Granted, the premise itself is goofy. And they look about as good as they were ever going to. But even by Power Ranger/Ninja Turtle standards…goofy as hell.

As I’ve said previously, pretty paint-by-numbers team-up stuff here. The TMNT characters do Power Rangers stuff, and vice versa. Shredder and Rita are still the best part. I’m guessing they’re already planning on a sequel, as we get a pretty obvious hint.

TITLE: Go Go Power Rangers #30
AUTHOR:
Ryan Parrott, Sina Grace
ARTISTS:
Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED:
March 11, 2020

A solid issue. But why is Finster creating monsters for Zedd? On the show he was pretty much on the shelf until Rita came back. Why isn’t Zedd just doing it himself?

I’m liking these Goldar, Squatt, and Baboo scenes we’ve been getting in both the main book and in Go Go. It brings back fond memories from season one.

As we move closer to the end (*sniff*), I can only assume Rocky, Adam, and Aisha will pop up soon. If for nothing else than a cameo in the final issue.

TITLE: Spider-Woman #1
AUTHOR:
Karla Pacheco
ARTISTS:
Pere Perez, Paulo Siqueira, Oren Junior (Inker), Frank D’Armata (Colorist), Travis Lanham (Letterer). Cover by Junggeun Yoon.
RELEASED:
March 18, 2020

I’ve never read Karla Pacheco before. But in this book I’m getting a Bendis type vibe from her. That’s not a bad thing. As I recall, Bendis did alright in the Spider-Verse…

Our main story is about Jessica fighting a mysterious illness as she’s trying to protect a rich socialite from being kidnapped. It’s a lot of fun, though I’m partial to the back-up, which goes into how she got the job, and why she’s wearing a different costume for it. Why? Because she goes to a store called “Big Ronnie’s Custom Battle Spandex.”

That. Is. Brilliant.

TITLE: BANG! #2
AUTHOR:
Matt Kindt
ARTISTS:
Wilfredo Torres, Nayoung Kim (Colorist), Nate Piekos (Letterer)
RELEASED: March 18, 2020

BANG! was definitely the most fun book in my stack this week. What we have here is a series that isn’t afraid to revel in action movie tropes and cliches. But beneath the surface there’s something more serious with a lot of intrigue. I’ve officially got high hopes.

This month we meet a new hero, John Shaw, who’s looks like he’s based off John McClane. He gets in the middle of a massacre on a speeding train masterminded by a would-be Bond villain with a disfigured face and a speech impediment shamelessly played for laughs. Yup. I’m all in.

TITLE: Batman #91
AUTHOR:
James Tynion IV
ARTISTS:
Rafael Albuquerque, Jorge Jimenez, Carlo Pagulayan, Danny Miki, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
March 18, 2020

Amidst all the chaos in this issue, the most interesting exchange is between Batman and Deathstroke. Our hero talks about the stakes in his war on crime constantly being raised. He’s almost pleading with Slade, saying that “you people,” i.e. supervillains, need to step aside so he can save Gotham.

Deathstroke gives the correct response, which is ,”You escalated first.”

This is an interesting scene to juxtapose with everything happening with the Designer, the Joker, Catwoman, etc.

We’re six issues into Tynion’s run, and Batman is still firing on all cylinders. Lord knows, I’m still along for the ride…

TITLE: Something is Killing the Children #6
AUTHOR: James Tynion IV
ARTISTS: Werther Dell’Edera, Miquel Muerto (Colorist), Andworld Design (Letters)
RELEASED:
March 18, 2020

As we close this issue we get another glimpse of “the Order,” a bunch of folks in suits who all wear bandanas like Erica. I nice, cryptic little scene with a little glimpse into Erica’s past.

They did a nice job of spreading the layouts over two pages this month. The panels go left to right, then down, then left and right, almost like words in a paragraph. It’s not necessarily a rare thing. But I really dug the execution here.

TITLE: Marvels X #3
AUTHORS: Alex Ross, Jim Krueger
ARTISTS: Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED: March 18, 2020

There’s a line in here about Reed Richards being blamed for a global pandemic. That one hits home right about now…

They apparently felt the need to re-emphasize David’s importance. They hammer the whole “He could save us all!” thing home so much in this issue it becomes grating. I would also argue David’s plucky fanboy shtick is getting old.

Still, a fairly enjoyable outing. Well-Bee draws a hell of a Spider-Man. I also noticed the touch of gray he added to Peter Parker’s hair. Ironically, it makes him look like Reed Richards.

TITLE: Hotell #1 (of 4)
AUTHOR:
John Lees
ARTISTS:
Dalibor Talajic, Lee Loughridge (Colorist), Sal Cipriano (Letterer). Cover by Kaare Andrews
RELEASED:
March 18, 2020

Hotell feels like a horror book with self-contained stories, a la Tales From the Crypt or The Twilight Zone. I’m not quite sure if that’s what it’ll end up being, especially with only four issues. But that’s what it feels like.

While it tends to suffer from the kind of awkward dialogue you often get in newer indie comics, Hotell surprised me with its ability to create a genuine sense of fear and dread that few comics do. If this is your cup of tea, I highly recommend it.

But be warned. It earns its Mature rating in spades.

TITLE: Star Wars #4
AUTHOR:
Charles Soule
ARTISTS:
Jesus Saiz, Arif Prianto & Rachelle Rosenburg (Colorists), Clayton Cowles (Letterer). Cover by R.B. Silva and Guru-eFX.
RELEASED:
March 18, 2020

In regard to Luke, Leia, and Lando returning to Bespin, the solicitation for this issue tells us, “Things did not go well for the trio the last time they visited this place.”

You mean a few days ago? Hell, Luke is basically wearing the same clothes. Because for some reason the heroes in this book are complete idiots.

Luke digs through mountains of garbage to find his lightsaber. Leia has gotten herself frozen. But don’t worry! If you’ve only been frozen for a little while, you can be thawed out and be completely alert with no side effects!

Friggin’ stupid.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Posted in Comic Books/Graphic Novels

Weekly Comic 100s: Wolverine #1 is EIGHT DOLLARS, and Also Reviews…

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Eight dollars for Wolverine #1.

EIGHT. DOLLARS.

This is the latest volume, mind you. We’re not talking about something historic or particularly significant. This is simply the latest adventure of everybody’s favorite clawed Canadian.

Why eight dollars? Because it’s just a thing Marvel does with a good percentage of its #1 issues. And readers are, for reasons I will never comprehend, willing to fork that money down.

Well, not ALL of them. I was happy to leave that one on the shelf, bub. If Marvel is going to give me the finger, I’m willing to give it right back to them. I just wish others were willing to say no.

If I’m going to put down eight bucks for a Wolverine comic Hugh Jackman better be leaping off the damn page singing Greatest Showman songs as he’s taking out my garbage.

TITLE: Batman #89
AUTHOR: James Tynion IV
ARTISTS: Guillem March, Danny Miki, Carlo Pagulayan, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Variant cover by Francesco Mattina.
RELEASED: February 19, 2020

In essence what we’re getting here is a follow-up to Death of the Family. Definitely a hell of a way to start Tynion’s run. But Scott Snyder, Greg Capullo, and that whole crew did a masterful job of putting that genie back in the bottle. How do you do that again? Or do you?

There’s a panel in this issue where Lucius Fox refers to the Joker, the Riddler, and the Penguin as members of Batman’s “Classic Rogues Gallery.” *thud* Yeesh. Did somebody from marketing slip that in?

Loving the perspective on this variant cover.

TITLE: Teenage Mutant Ninja Turtles #103
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS:
Campbell. Ronda Pattison (Colorist). Shawn Lee (Letterer). Variant cover by Eastman.
RELEASED: February 19, 2020

Quite the emotional issue this month. They really try to yank at our heartstrings.

I came away from this issue thinking about Sophie Campbell. She turned in a highly impactful script, and her drawing the issue obviously allows her to accentuate and emphasize certain things.

Campbell also does a tremendous job getting the Turtles to emote, sometimes without any dialogue to support her art. Case in point: The Raphael/Jennika argument. Look at the anger in Raph’s bulging eyes and clenched teeth, or the quiet defiance from Jennika.

Um, are they giving Michelangelo depression? If so, that’s…really cool, actually.

TITLE: The Low Low Woods #3
AUTHOR: Carmen Maria Machado
ARTISTS: Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by Sam Wolfe Connelly.
RELEASED:
February 19, 2020

I’m not in love with this book. The texture of the art is “sketchier” than I tend to like. But the haunted small-town setting keeps me coming back. I’m finding myself wanting to meet more people from the aptly yet ridiculously named Shudder-to-Think, Pennsylvania.

For instance, we meet a thousand-year-old witch in this issue. But she has the body of a young girl. Then we unpack the revelation from issue #1, and things get really weird.

In this case, weird is good.

TITLE: BANG! #1
AUTHOR: Matt Kindt
ARTISTS: Wilfredo Torres, Nayoung Kim (Colorist), Nate Piekos (Letterer)
RELEASED:
February 19, 2020

It’s James Bond meets Doctor Who. I can’t tell you how without spoiling the issue. But you’ll get it.

BANG! is apparently connected to one of Matt Kindt’s previous works, Revolver. I’ve heard of it, but never read it. How it’s connected to BANG! isn’t immediately apparent. But it’s perfectly accessible on its own.

Like The Low Low Woods, I didn’t expect this story to hook me the way it has. As is often the case, issue #2 will be the clincher.

TITLE: Go Go Power Rangers #29
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Raul Angulo (Co-Colorist), Eleonora Bruni (Co-Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED: February 12, 2020

There’s an opening battle sequence in this issue where Tommy, who is now the team leader, freezes up. Jason, the former leader, quickly yet briefly steps back into his old role. I like that. By this point, Tommy had been in positions to lead. But he’d never been the leader. There should be some growing pains there.

Jason also has a conversation with Zordon that I’ve wanted to see for over two damn decades. They talk about why Jason was replaced as leader, and whether or not he wants the job back. Some great character work in this one.

TITLE: Ghostbusters: Year One #1
AUTHOR: Erik Burnham
ARTISTS: Dan Schoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED: January 22, 2020

You’ll never hear me complain about Burnham and Shoening doing more Ghostbusters comics. Ever.

While I wouldn’t count this issue among their best work, there is one bit that I love. We’re looking at Winston’s first year on the job, and he only gets a few minutes of training, shooting a single proton stream before he’s shoved on to a job. That’s perfect. Despite the Ghostbusters being established and experienced, Winston still gets the same seat-of-his-pants training they did. It obviously lends itself to this being a comedy at heart.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Posted in Comic Books/Graphic Novels

A Convergence #2 Review – The Disappearing Knight Light

Convergence #2, coverTITLE: Convergence #2
AUTHOR: Jeff King
PENCILLERS: Carlo Pagulayan. Cover by Ivan Reis.
PUBLISHER:
DC Comics
PRICE:
$4.99
RELEASED:
April 15, 2015

By Rob Siebert
Editor, Fanboy Wonder

***WARNING: Spoilers ahead for Convergence #2.***

Business started to pick up for Convergence in this issue. While certain problems remain, and this issue saw a pretty bad consistency error, Convergence does finally manage to give us a decent emotional tether via Earth-2 Dick Grayson.

As worlds continue to collide via Telos’ “perverse tournament,” our heroes from Earth-2 take a stand and fight back. But how does Dick Grayson fit into that plan? And by the end of the issue, our heroes have found a new ally…or have they?

DC Comics, Convergence, Dick Grayson, Earth-2The scene that kicks off Convergence #2 is probably the one we should have gotten when the story began. Via flashback, we see Dick Grayson and his son Tommy desperately trying to get off Earth-2 during Darkseid’s invasion. Dick loses everything, including his wife Barbara Gordon, before being plucked from his world and tossed into the events of Convergence #1. This scene set the stakes of Convergence really well. We see Dick’s desperation to survive, and to see that his son survives. Later in the issue, King and Pagulayan amp things up emotionally by having Dick see the pre-New 52 Gotham version of Barbara. Finally, Convergence gets injected with a sense of epic tragedy and impending doom, as opposed to different versions of characters simply being drawn next to each other.

Actually, had the scene with Dick on Earth-2 swapped places with the Injustice scene in issue #1, the latter scene would have been much more impactful. The story at large would have been much more impactful. What a missed opportunity…

This issue sees the return of pre-New 52 Batman, which was a big moment for yours truly, as that’s the Batman I grew up with. He’s got his Batman Incorporated costume on, complete with what I call the “Knight Light” on his chest. Unfortunately, as the issue progresses, Pagulayan seems to forget about the light. When we first see Bruce, he has it. Then the light disappears in favor of the more commonly used Bat-insignia. Then it returns for a splash page shot of Bruce standing alone. I can only assume this is a mistake, and a rather obvious one, at that.

Convergence #2, Batman/BatmanWe end up watching a conversation between Earth-2 Batman and Knight Light Batman, where the dialogue is kept from the reader. I can only assume the pay off for that is down the line, and will end up being about how Dick Grayson is some kind of savior. It’s frustrating. But hopefully they’ll go somewhere with it.

So at the end, the rest of the Earth-2 heroes rescue a character named Deimos from a bunch of Telos’ drones. I’m not sure if this was supposed to be a big reveal or not. It certainly wasn’t for yours truly. Regrettably, this was one of the few times I had to Wikipedia a character’s name. As one might have gathered by his appearance, he’s a villain. I can’t say I’m overly intrigued by his appearance at this point, but obviously we’re only meeting him now.

Still conspicuous by his absence in Convergence is New 52 Superman, or anyone from the New 52 for that matter. Like the conversation between our Batmen, I can only assume there’s a payoff for that #0 issue coming, especially considering how much Superman imagery we’ve seen in this story. Regardless of what DC is doing behind the scenes (they’re moving their offices to California), seeing them take such a hard break from everything they’re been building since late 2011 is very surreal. The New 52 heroes will indeed join the main series at some point, and their continuity will indeed survive after Convergence. Thus, it’s all the more confusing that we haven’t heard word one from any of them yet, specifically Superman.

Still, Convergence #1 is indeed an improvement over its two predecessors. I now have a reason to care about something in this book. But thus far, Convergence proper is far from worth the cumulative $15 we’ve put down for it.

Images from insidepulse.com.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition/

Posted in Comic Books/Graphic Novels

A Convergence #1 Review – Mortal Kombat!!!

Convergence #1 coverTITLE: Convergence #1
AUTHORS: Jeff King, Scott Lobdell
PENCILLER: Carlo Pagulayan. Cover by Tony Daniel.
PUBLISHER: DC Comics
PRICE: $4.99
RELEASED: April 8, 2015

By Rob Siebert
Editor, Fanboy Wonder

***WARNING: Spoilers ahead for Convergence #1,***

So Convergence is basically Mortal Kombat with more characters. Like, a lot more characters.

As we learned in Convergence #0, Telos, who is apparently an apprentice of Brainiac, is pitting the heroes from his master’s various domed cities from across the DC multiverse against each other. The losers will see their realities perish, while the winners continue on. In the end, one city and it’s heroes will remain. A line in the issue literally describes it as: “A perverse tournament.” And as the chaos is starting to unfold, the issue actually ends with the words, “It has begun.”

Yup. Sounds like Mortal Kombat to me. Only the scope is larger, and there are more capes.

We open with the Injustice: Gods Among Us universe apparently suffering from the effects of Telos’ actions, in a scene that has a curious ending. Um, is this game supposed to have a sequel? Just wondering…

Convergence #1, page 2We then go to the Earth-2 cast, as they land on the same planet we saw New 52 Superman on last issue. Their world has apparently been destroyed, and they’re bickering. DC has apparently been building to Convergence with these characters for quite some time with the Earth-2: World’s End weekly series. I can only assume this scene is somewhat meaningful to readers who’ve been following that book. As someone who hasn’t, this scene falls a little flat. Still, the characters are themselves are intriguing. At the very least, readers with no Earth-2 knowledge get introduced to alternate versions of Superman, Batman, etc.

We get some decent action, followed by a big monologue from Telos, where he announces his plan to the various domes. Carlo Pagulayan does a nice job with the art here, and I like the hexagonal imagery that’s used to represent the domes. But what he’s saying comes off a little hokey. At one point he even drops names of specific stories…

“Some of you came to me at a time of infinite crisis. Others were brought here in the final moments of their zero hour. Whether it was a flashpoint for a time that never was – or of kingdoms that will never come…”

It’s truly amazing just how big a crisis this is for these infinite earths. We might see the death of Superman, or even a tombstone that says Batman: R.I.P. Also, Blackest Night. *barf*

Convergence #1, TelosOne thing I will commend Convergence for is the way it’s playing up Superman as the centerpiece to the DCU. The final page shows us a bunch of Supermen (Kingdom Come Superman, Red Son Superman, etc.) flying toward the reader. However, curiously absent from the issue at large is New 52 Superman. While I wasn’t a fan of how Convergence connected with Superman: Doomed, putting Superman at the center of issue #0 was a smart idea, because everybody knows who he is. Not following up with DC’s canonical Superman in this issue is an odd creative choice. Couldn’t we have cut a little bit so we could at least see a quick shot of him? Is the New 52verse even affected by what Telos is doing at this point? I’m confused…

The impression I have based on this issue is that Convergence proper is meant to be little more than the book that ties the various spin-offs together, and little more. This is mostly exposition, with very little substance. Carlos Pagulayan’s art is nice to look at. But in terms of characters we’re supposed to follow and root for, we’ve now jumped from New 52 Superman, to the Injustice characters, to the Earth-2 characters. It’s fine to have a story that spans multiple realities. But who’s guiding us through those realities? Tell me that, and you’ll have more of my attention.

Images from newsarama.com.

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