Weekly Comic 100s: A Star Wars Trifecta, Bendis, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

We’re strictly looking at Marvel and DC this week, as that’s just how things shook out. Seems like a catch-up edition of “Weekly Comic 100s” is in order sooner than later…

Incidentally, Wolverine #1 was February’s top-selling comic. And no, I still won’t be reading or reviewing it.

TITLE: Star Wars: Bounty Hunters #1
AUTHOR:
Ethan Sacks
ARTISTS:
Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo.
RELEASED:
March 11, 2020

Covers don’t usually play a big part in whether I’ll try a new series, or an issue I otherwise wouldn’t be inclined to pick up. But if ever one could, it’s this one. Epic work by Lee Bermejo.

I’d call this a strictly okay start. The success of this series is largely riding on how the Vance character comes off as these early issues are buoyed by classic characters like Boba Fett and Bossk. He’s got a kind of Terminator-like appearance, and a mysterious backstory that piques my curiosity.

Tell me more, comic. Tell me more…

TITLE: Star Wars: The Rise of Kylo Ren #4 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by E.M. Gist.
RELEASED: March 11, 2020

This mini ends exactly how you think it will. Some questions we now have answers to. Some we don’t. But we did get a really nice character moment that illustrates a really interesting, though in hindsight obvious parallel between Kylo Ren and Luke.

During a fight with one of Luke’s other Jedi pupils, Ben says that neither Luke and Snoke see him as a person. “I’m just a…legacy. Just a set of expectations.” From a certain point of view (wink wink), that’s exactly what Luke talks to Rey about in The Last Jedi. The burden of his bloodline.

TITLE: Darth Vader #2
AUTHOR: Greg Pak
ARTISTS:
Raffaele Ienco, Neeraj Menon, Joe Caramagna. Cover by Inhyuk Lee.
RELEASED:
March 11, 2020

In this issue, we supposedly meet a surviving Padme. Funny thing is, the character looks older in the interior art than Natalie Portman does in real life.

Later on, Vader tells someone that if she’d lived, Padme would have joined the Empire. I wonder if he means the Empire that would have existed had he overthrown Palpatine, or the Empire that actually came to pass. I can’t bring myself to believe that he believes the latter. Unless he’s deluded himself that much over the course of two decades.

TITLE: Superman #21
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Joe Prado and Oscar Albert (Inkers), Alex Sinclair (Colorist), Dave Sharpe (Letterer). Variant cover by Bryan Hitch and Sinclair.
RELEASED: March 11, 2020

More Superman vs. Mongul here. Bendis turns the story horizontal and we get a series of slimmer top-to-bottom panels depicting various locations. It’s a nice little trick.

What I’m really liking about this “Truth” story is it illuminates the larger scope of what it means to be Superman. He’s not just some guy flying around in a cape punching things. The United Planets plotline emphasizes something that certain people never seem to understand. Superman is an idealist. Peace. Justice. Unity. Teamwork. Courage. These are the things he really stands for, and I love that Bendis gets that.

TITLE: Young Justice #14
AUTHORS: Brian Michael Bendis, David Walker
ARTISTS:
John Timms, Michael Avon Oeming, Gabe Eltaeb (Inker), Wes Abbott (Letterer).
RELEASED:
March 11, 2020

I’m wondering what the deal is with all these alleged new members. Are we doing a Justice League Unlimited type thing, where characters rotate in and out depending on the mission? Either way, it’s great to see Jackson Hyde back.

Bendis’ old Powers colleague Michael Avon Oeming handles some of the art here. The work he does here is fine. But if he’s going to be on the book, I’d prefer he be the sole artist.

TITLE: Cable #1
AUTHOR: Gerry Duggan
ARTISTS:
Phil Noto, Joe Sabino (Letterer)
RELEASED:
March 11, 2020

Well hey there, Phil Noto. Always good to see you.

Here we have the X-Men once again shamelessly tampering with the space time continuum as a younger Nathan Summers lives with present-day mutants on Krakoa.

Outside of a sparring session with Wolverine during the opening pages, and Noto’s art in general this issue didn’t do much for me. There’s something of a novelty in seeing this character in a jungle atmosphere he’s not normally associated with. But in the end, not much to write home about. Not yet at least.

TITLE: Shazam #11
AUTHOR:
Geoff Johns
ARTISTS:
Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Cover by Dale Eaglesham and Atiyeh.
RELEASED:
February 26, 2020

Alright, let’s talk about it: Superboy-Prime is back. His next target? Shazam.

If it were somebody other than Geoff Johns writing this book, I’d be a little apprehensive. But because it’s him, I’m actually looking forward to their big showdown.

Superboy-Prime is pretty much the anti-Shazam. Billy Batson is a young man given great power who ultimately uses it for good. This version of Superboy? A young man whose power made him spoiled, bitter, and angry. These two have more in common than they’d ever admit.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Deadpool 2 – A Bullet-Point Review

By Rob Siebert
Fanboy Wonder

(Trying something new here…)

I was talking to Mrs. Primary Ignition about this before we went into Deadpool 2: If Thor: Ragnarok, Black Panther, or any other superhero flick had landed on a May 17 release date, they’d have been screwed. Coming out in the shadow of Avengers: Infinity War is a tall task, no matter what you’ve got to offer. Even as a comic book buff, I walked out of that movie with some superhero fatigue.

But I think we all needed to laugh again after Infinity War, combine that with his unique presentation and more than loyal following, and Deadpool wound up being the right guy for the job….

Bullet Points on Deadpool 2:

– The movie is funny, so it ultimately achieves its most important goal. But it’s missing a certain something the first one had. The jokes don’t feel quite as fresh. Maybe because the novelty has worn off a bit? That’s something you see a lot in sequels…

– Say what you want about Josh Brolin being in another comic book movie so soon after Infinity War, but he makes a damn good Cable. The role is a bit one-dimensional. But he’s fun to watch, and his fight sequences with Deadpool and Domino were the highlight of the film for yours truly.– So Josh Brolin has now played Cable, Thanos, Jonah Hex, and Dwight McCarthy in Sin City: A Dame to Kill For. Hell, you can even count K in Men in Black 3 if you want. How much more fanboy street cred can this guy get?

I mean, can we give him any other roles? An aged Batman, maybe? Lord knows DC needs all the help it can get.

– I knew next to nothing about the Domino character going into this flick. But I walked out a big fan of hers. Zazie Beetz is a charmer.

I kind of wish Colossus wasn’t such a caricature in these movies. But oh well.

The CGI in this movie is really bad at times. Like, Steppenwolf bad.

I wonder why the kid kept his accent for the movie. It doesn’t make or break anything. I’m just curious.

Hey, fanboys! Google Leslie Uggams. Seriously, do it. She plays Blind Al in this movie (shown left). But she’s had a hell of a career. She started as a child actor in 1951. Wrap your head around that.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.