A Darth Vader #25 Review – “Not like this. Please not like this.”

Star Wars: Darth Vader #25, 2016, coverTITLE: Star Wars: Darth Vader #25
AUTHOR: Kieron Gillen
PENCILLERS: Salvador Larroca, Max Fiumara. Cover by Juan Gimenez.
PUBLISHER: Marvel
PRICE: $5.99
RELEASED: October 12, 2016

***WARNING: Spoilers lay ahead!***

By Rob Siebert
Editor, Fanboy Wonder

I maintain that this Darth Vader series doesn’t have to end simply because Kieron GIllen’s story is ending. It’s not like there’s a shortage of creators out there looking for a crack at the dark lord. Nor is there a shortage of fans that will read stories about him. Nevertheless, for now this is the end for Vader’s ongoing adventures. Thankfully, he goes out on a hell of a dramatic note.

As this series has progressed, we’ve learned it’s essentially a bridge story between A New Hope and The Empire Strikes Back. Vader goes from being in the doghouse after the destruction of the Death Star, to being in a more powerful position and obsessed with finding his son. But it’s also about Aphra, a crafty archaeologist Vader forms an uneasy alliance with. She knows Vader will kill her when she’s of no further use. In issue #4, she flat out asks him to give her a quick lightsaber through the neck when the time comes. She also asks him not to eject her into space. That scene has hung over the entire series. Like Aphra, we all knew it was coming.

I didn’t think we’d actually come back to the space ejection thing. But low and behold…

Darth Vader #25, 2016, airlock, Doctor AphraLarroca’s face work with Aphra isn’t the best here, and this isn’t the most natural looking thing in the world. But that top panel on the page at right makes the whole scene. Her body language is perfect. Then on the next page you have the simple line: “Not like this. Please, not like this.” It’s a fantastic pay off to what we saw in issue #4.

And then she lives, which was actually a disappointment. While I really dig Aphra, that’s a waste of an awesome death scene. But we’ve got a Gillen-penned Doctor Aphra book coming in December that needs its title character. That could be a great book, if for no other reason than Triple-Zero and BT-1 will be in it. Plus, after what he gave us in this series Gillen deserves to stay at the table as long as he’s hungry.

Someone I could use a break from is Salvador Larroca. He’s extremely talented, he draws an incredible Darth Vader, and he’s a very natural fit for the Star Wars universe. But it’s so obvious he draws off of stills from the movie that it pulls me out of the story. Case in point, he was obviously looking at Revenge of the Sith footage when drawing Palpatine for this issue. Perhaps the key is to put him on characters that don’t appear in the movies, a la Aphra or Sana Solo.

On the plus side, Larroca’s final two pages are very good. First, we see Vader and Luke Skywalker reaching out to each other in a dream-like scene (shown below). It’s somewhat reminiscent of the climax of the Empire duel, where Vader beckons his son to come with him. Then we cut back to reality, with a long shot of the bridge on the Super Star Destroyer. Again, much like Empire.

Darth Vader #25, 2016, Salvador Larroca, Luke SkywalkerWe get a bonus back-up story here, pencilled by Max Fiumara. It turns out the Tusken Raiders had a rather unique reaction to Vader’s slaughtering of one of their villages back in issue #1. The story is silent, which is a nice change. There are a pair of pages where Fiumara switches to a more storybookish style, which is a cool textural change.

One thing I found confusing: Someone who’s apparently meant to be an elder of sorts appears after the attack. The “storybook” part of the back-up recounts a village slaughter by a man with a lightsaber. Is this supposed to be Darth Vader’s attack, or Anakin Skywalker’s from Episode II? I’d like to think it’s the latter.

At one point, Darth Vader stood head and shoulders above every other Star Wars book Marvel was putting out. Over time it lost it’s must-read status, but remained supremely executed and mostly well drawn. I’m sad to see it end. Hopefully some of its momentum will carry over into Aphra’s series.

But seriously, what a waste of a death scene…

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A Darth Vader Annual #1 Review – The Dark Lord Doesn’t Dance

Darth Vader Annual #1 (2015)TITLE: Darth Vader Annual #1
AUTHOR: Kieron Gillen
PENCILLER: Leinil Yu
PUBLISHER: Marvel
PRICE: $4.99
RELEASED: December 16, 2015

By Rob Siebert
Editor, Fanboy Wonder

Leinil Yu drawing Star Wars? That’s definitely worth a look. This particular issue might not be worth paying five bucks for, but it’s at leas worth a look.

Darth Vader Annual #1 deviates from the ongoing Vader Down storyline to give us a peek into the Dark Lord’s work as a political enforcer of sorts. Vader is dispatched to the volcanic planet of Shu-torun to reinforce their governments cooperation in the production of valuable ores. Little does he know he’s walking into a trap. But is it even possible to get the jump on Darth Vader?

Having Leinil Yu work on Darth Vader was a legitimate drawing factor for this issue. But surprisingly, Yu’s renderings of the titular character tend to be either misproportioned or awkward. There’s a panel where Vader is talking about the Empire “always building” where the angle of the headpiece on his mask doesn’t work. There are also several shots where Vader’s head looks too small for his body (below). It’s not a consistent thing, but it does pull you out of the issue.

Darth Vader Annual #1, Leinil Yu, 2015Despite this flaw, Yu does pretty well otherwise. I’ve always liked the sketchy manner in which he draws faces. Vader spends the issue with a young woman named Trio, and he depicts her very well.

I also find his renderings of angry old men very amusing. There’s a scene where duke demands Vader dance with his daughter at a celebration. The piss and vinegar in his face as he’s looking at Darth damn Vader is awesome. Even more awesome? When Vader levitates him 20 feet in the air and drops him. He then accents the moment with a line tailor-made for a Schwarzenegger movie: “Do any others wish to be my partner?”

Gillen remains fantastic at incorporating a very appropriate dark humor into these stories. This is embodied in Triple-Zero and BT-1. They’re perfect evil versions of C-3PO and R2-D2, to the point where I can hear Threepio’s voice when I read Triple-Zero’s dialogue. The droids tag along with Vader on this little mission to serve as a surprise of sorts to the royal family on Shu-torun. They have a lot of great little one-liners in this book. I won’t spoil them for you. But I will say my favorite involves the term “mass heart attacks!”

One might say Gillen gives us a glimpse of Anakin Skywalker in this issue. As Vader gets to know Trio, he learns about her relationship with her father, and starts to see things in her that her father doesn’t. As such, Vader offers her a little praise, including telling her that her father should appreciate her. Mind you, it doesn’t exactly end well for one of them. But that moment is still notable, considering Vader’s mindset at this point in his life.

Darth Vader Annual #1, Leinil YuThis issue does a nice job of spotlighting the key element that makes this series work: Its inverted view of the Star Wars universe. It casts Darth Vader, arguably the main villain of the entire saga, as the protagonist. Not the hero, mind you. He’s the protagonist, meaning our main character working toward accomplishing something. As such, we find ourselves rooting for Darth Vader, even though he’s often trying to do something terrible. In this story, for instance, he’s trying to impose the Empire’s will on an entire planet. And he indeed does awful things in an attempt to accomplish that goal. But we find ourselves rooting for him, even if it’s just on a subconscious level.

I’ve said something to this effect before, but it bears repeating: Darth Vader has consistently offered us the best Star Wars content Marvel has put out since they regained the license. I’m not interested in seeing anyone but Kieron Gillen write this book anytime soon. And for that matter, I missed Salvador Larroca on this issue too. They’ve got a really good thing going with this series, and I keep wanting more.

Images from author’s collection.

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