The Death of Superman 30th Anniversary Special #1 Micro-Review –

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Death of Superman 30th Anniversary Special 1, cover, November 2022, Dan Jurgens, Brett Breeding, Brad AndersonTITLE: The Death of Superman 30th Anniversary Special #1
AUTHORS: Dan Jurgens, Jerry Ordway, Roger Stern, Louise Simonson
ARTISTS:
Various. Cover by Jurgens, Brett Breeding, & Brad Anderson

RELEASED: November 8, 2022

By Rob Siebert
Fanboy Wonder

For those of us who were around back when Superman “died” in the early ’90s, this is a nice little supplement featuring many of the same creators who worked on the classic story.

The main feature sees a young Jon Kent learn about the big fight with Doomsday as his father fights an opponent named Doombreaker that’s almost identical. It’s a great performance on both the writing and art side by Dan Jurgens.

Meanwhile Steel gets a back-up story written by his creators Louise Simonson and Jon Bogdanove. The affection they have for him is evident on the page.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

GCPD: The Blue Wall #2 Micro-Review – Hard-Hitting

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

GCPD The Blue Wall 2, cover, 2022, Reiko MurakamiTITLE: GCPD: The Blue Wall #2
AUTHOR: John Ridley
ARTISTS:
Stefano Raffaele, Brad Anderson (Colorist), Ariana Maher (Letterer). Cover by Reiko Murakami.

RELEASED: November 15, 2022

By Rob Siebert
Fanboy Wonder

Here’s a nominee for hard-hitting comic book quote of the week: “…racism looks the worst when it’s dressed like power.”

There’s a lot of hard-hitting stuff in here, actually. We’ve got parolees trying to stay on the straight and narrow, a police commissioner trying to overcome trauma, a “hero cop” coming to grips with freezing on the job, an officer dealing with racist colleagues…

This issue directly references something that happened with Renee Montoya back in Gotham Central. So for those of us wondering if this book is a spiritual successor to that classic series, there’s your answer.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A GCPD: The Blue Wall #1 Micro-Review – Gotham Central: The Next Generation?

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

GCPD The Blue Wall 1, cover, 2022, Meiko MurakamiTITLE: GCPD: The Blue Wall #1
AUTHOR: John Ridley
ARTISTS:
Stefano Raffaele, Brad Anderson (Colorist), Ariana Maher (Letterer). Cover by Reiko Murakami.

RELEASED: October 18, 2022

By Rob Siebert
Fanboy Wonder

Is this the spiritual successor to Gotham Central that some of us have been waiting almost two decades for? Hard to say at this point. Especially since The Blue Wall is only going to be six issues.

But I must say, Gotham Central fans should be happy with this. Everything, from art to characters to story, feels very gritty and ground-level. This could easily have been the first issue to an ongoing series. Sort of a Gotham Central: The Next Generation type thing. This one is on my pull-list for sure.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman: The Detective #1

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Batman: The Detective #1 (of 6)
AUTHOR: Tom Taylor
ARTISTS: Andy Kubert, Brad Anderson (Colorist), Clem Robins (Letterer)
RELEASED: April 13, 2021

I was tempted to close this one early. Not because this isn’t a talented creative team. It just isn’t my cup of tea. Not just because Batman is wearing the ridiculous jacket and goggles, but because it feels like Tom Taylor is doing his best Frank Miller impression. The dialogue and narration is very terse and blunt, and there’s no shortage of blood. Bruce Wayne even has a military-style short haircut for no apparent reason. Kubert’s work is fine, but the fact that he did DKIII makes this feel all the more Miller-ish.

I’ll pass, thanks.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Future State: Superman/Wonder Woman #2

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Future State: Superman/Wonder Woman #2
AUTHOR: Dan Watters
ARTISTS: Leila Del Luca, Nick Filardi (Colorist), Tom Napolitano (Letterer). Cover by Lee Weeks and Brad Anderson.
RELEASED: February 9, 2021

Dan Watters succeeds here in that I believe Jon Kent and Yara Flor are good friends. I was left wanting to see more of the two of them, to the point that it felt like the villains were in the way. I’m not sure that’s what he was going for…

At one point, the issue tells us “Superman has not the raw cunning of Wonder Woman.” That’s BS. We already like Yara. Stop trying to put her over at Superman’s expense.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: TMNT: The Last Ronin, Three Jokers #3, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles: The Last Ronin #1
AUTHORS: Peter Laird (Story), Kevin Eastman & Tom Waltz (Story & Script)
ARTISTS: Eastman (Layouts), Esau & Isaac Escorza, Ben Bishop, Luis Delgado (Colorist), Samuel Plata (Color Assists), Shawn Lee (Letterer)
RELEASED: October 28, 2020

There’s a certain Batman Beyond vibe to the world of The Last Ronin. Some of The Dark Knight Returns too. And our villain almost a Kylo Ren rip-off. But none of this is necessarily bad. This book has a lot of intrigue going for it, and is off to an interesting start.

As this is supposedly based on an old story by Eastman and Laird, I came into it thinking it took place in the original TMNT comic canon. There’s a character on the last page who indicates that’s probably not the case.

TITLE: Batman: Three Jokers #3
AUTHOR:
Geoff Johns
ARTISTS:
Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
October 27, 2020

Another beautiful issue by Jason Fabok and Brad Anderson. Though not what I would call a satisfying ending to the whole Three Jokers premise.

The story had a lot of interesting ideas, particularly when it came to Jason Todd and Barbara Gordon. Even Joe Chill, the man who killed Thomas and Martha Wayne. There’s also a new, interesting twist on the events of The Killing Joke. But in the end, this should remain out of continuity. A well written, gorgeously drawn idea exhibition. Nothing more.

TITLE: The Department of Truth #2
AUTHOR: James Tynion IV
ARTISTS: Martin Simmonds, Aditya Bidikar (Letterer), Dylan Todd (Designer)
RELEASED: October 28, 2020

“Collective belief shapes the world, so everything is a little bit true, or has the potential to be true.”

That’s a quote from this issue which essentially sums up the premise of The Department of Truth. And every time I find myself getting into it, that premise pulls me right out of the story. Because even using comic book logic, I just can’t get behind it.

Plus, we see something in this issue that turns me off. Any kind of violence against children has been doing that since my daughter was born.

TITLE: Batgirl #50
AUTHOR: Cecil Castellucci
ARTISTS: Emanuela Lupacchino, Marguerite Sauvage, Aneke, Wade Von Grawbadger (Inker), Mick Gray (Inker), Scott Hanna (Inker), Jordie Bellaire (Colorist), Trish Mulvihill (Colorist), Becca Carey (Letterer). Cover by Joshua Middleton.
RELEASED: October 27, 2020

What’s interesting about this book’s take on Batgirl is that she’s integrated into her community in a way Batman has never been. She’s helping an old lady with her groceries, she’s teaching self defense classes, etc. That’s not necessarily a bad thing, but it’s yet another example of why the Batgirl costume in this series doesn’t work. Barbara Gordon is part of the community too. So, as she’s only wearing a domino mask as Batgirl, it would be that much easier for people to recognize her. 

Now that this series is over, hopefully she gets a new outfit. And soon.

TITLE: Power Rangers: Drakkon New Dawn #3
AUTHOR: Anthony Burch
ARTISTS: Simone Ragazzoni, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Jung-Geun Yoon.
RELEASED: October 28, 2020

This mini started to get interesting at the end of issue #2, when it looked like the Mighty Morphin Power Rangers as we knew them were about to return to the “Drakkonverse.” But this issue doesn’t follow through on that, which pretty much killed it for me.

But apparently Lord Drakkon sells comics. So I’d be surprised if we don’t get some kind of follow-up to this story. As one might expect, they leave the door wide open for it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Three Jokers, Marvels X, Spider-Man, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Three Jokers #2
AUTHOR: Geoff Johns
ARTISTS: Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED: September 29, 2020

Three Jokers is much more about Jason Todd than I imagined it would be. That’s not a bad thing.

This issue contains a romantic moment between Jason and Barbara Gordon. That is a bad thing.

Johns tries to tie the events of this story back to the murder of Thomas and Martha Wayne, which I find forced. I’d much rather spend those pages exploring the fact that there are, y’know, three Jokers!

Still, Jason Fabok and Brad Anderson present us with one of the most beautiful Batman books we’ve seen in a long time.

TITLE: Marvels X #5
AUTHOR: Alex Ross (Story), Jim Krueger (Script)
ARTISTS: Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED: September 30, 2020

There’s a page in here that’s particularly poignant, given the times we’re living in today. Our main character is talking to the Falcon about Captain America.

Falcon says it’s hard to be Cap’s friend at the moment, given all the anger in the country. As a hero, he has to worry about controlling his fellow citizens, as opposed to protecting them.

“It’s not a democracy anymore. It’s not about different voices. It’s about one voice. An angry, frightened one.”

Powerful stuff.

TITLE: Wonder Woman #763
AUTHOR: Mariko Tamaki
ARTISTS: Carlo Barberi, Matt Santorelli (Inker), Alejandro Sanchez (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Sanchez.
RELEASED: September 29, 2020

First and foremost, Liar Liar is a really stupid name for a villain. Better that she just go by Emma Lord.

Indeed, we found out last issue that Maxwell Lord has a daughter. I can’t say I saw that coming.

Carlo Barberi’s art is growing on me. He turns in some really dynamic and attractive work here. But I still can’t help but miss Mikel Janin, who’s not an easy act to follow for anybody.

This Diana partnership is growing on me too. Enough to get me to start picking up Wonder Woman again.

TITLE: Spider-Man #4
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: September 23, 2020

On the whole, I’m liking this book. Especially the “sketchy” looking art, which is different than a lot of what Sara Pichelli has put out over the years. I really only have one major issue: Tony Stark.

Iron Man pulls focus. It’s a rule that’s osmosed into the comics from the movies. Thus, Tony’s presence in this story, even as a supporting character, takes some much-needed emphasis off this new Ben Parker character. We’ve only got one issue left in this mini. All the more reason to keep this a Spider-Man story.

TITLE: Suicide Squad #9
AUTHOR: Tom Taylor
ARTISTS: Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Variant cover by Travis Moore & Alejandro Sanchez.
RELEASED: September 22, 2020

We get a guest appearance from Superman in this issue, and I’ve gotta say, Redondo draws a hell of a Man of Steel.

The decision to make Ted Kord a villain in this series is an interesting one. He’s not a character that long-time readers would be inclined to hate, or even dislike.

It feels like Taylor wanted to do more in this series with Deadshot and his daughter. Here’s hoping he gets another chance somewhere down the line

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Three Jokers #1 Review – Too Many Smiles?

TITLE: Three Jokers #1
AUTHOR: Geoff Johns
ARTISTS:
Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
PUBLISHER: DC Black Label
PRICE:
$6.99
RELEASED:
August 25, 2020

By Rob Siebert
Fanboy Wonder

Alright, DC. You can have your “Joker War,” and you can have Three Jokers. But after these are both said and done, we put the ol’ Clown Prince back on the shelf for a little while. There is such a thing as too many smiles…

At last, more than four years after it was first teased in Johns and Fabok’s Justice League run, Three Jokers has arrived. Why’d it take so long? No clue. But I’ve gotta say, the end product was almost worth the wait. While he’s obviously used Batman in his larger DC stories, Geoff Johns hasn’t spent a lot of time on a proper Bat-book. But in terms of the overall “feel” of things, i.e. characterization, tone, the sense of sacrifice, and that lingering dread that comes with a great Joker story, Johns and the Three Jokers team absolutely nail it.

Three Jokers presents us with the notion that there are…well, three Jokers. When the Harlequin of Hate seemingly strikes three points in Gotham at the exact same time, Batman, Batgirl, and the Red Hood must figure out where the genuine article is. But certain evidence points them toward something more elusive: That three different men have played the role of the Joker over the years. And unbeknownst to our heroes, a fourth Joker may be on his way…

In a broad sense, I don’t really like the idea of there having been three Jokers. Rather, I like the notion that he evolved over time just as Batman did. But I’ve been around long enough to know these kinds of things often aren’t as they initially seem. So I’ll reserve judgment on the premise and simply judge the content on its own merits.

One thing I give this issue a lot of credit for is quickly and effectively establishing the Joker’s relationship to Batman, and also providing the character with dramatic weight he deserves. It’s all done within the first few pages, using very little dialogue. We see Batman’s scarred and mangled flesh juxtaposed with single images of his enemies corresponding to specific wounds. Characters like Bane, the Riddler, Scarecrow, etc. Then we get one for the Joker. Then the Joker again. Then the Joker again. Then the Joker yet again. Thus the reader, whether a Batman buff or someone picking up a comic for the first time, understands the Joker isn’t simply another villain. He’s the one who’s given Batman more scars, both physically and emotionally, than anyone else.

Also adding dramatic weight is the presence of Batgirl/Barbara Gordon and the Red Hood/Jason Todd. Ask a casual comic book reader to name three Joker stories, and chances are two of them will be (for better or worse) The Killing Joke – Where the Joker shoots and paralyzes Barbara, and A Death in the Family – The infamous story where the Joker kills Jason. So having them around is a nice reminder of what the stakes are when dealing with the Joker. You’d think, with both breathing and walking, the opposite would be true. But both carry a heavy existential burden.

Jason Fabok gets to put his own little tweaks on all the iconic costumes for Three Jokers. The only changes of real significance are to Red Hood’s costume (shown above). Most of what we see is an improvement. The Bat emblem on his chest is thankfully gone. He’s now in a leather jacket with a red tunic that has, you guessed it, a hood. The tunic is supposed to look like the Robin costume. It even has an R on the belt buckle. Initially I wasn’t sure how I felt about that. But it’s grown on me. In fact, it’s probably my favorite take on the costume since Under the Hood in the mid 2000s.

I credit Three Jokers #1 with having one of the best, most cinematic chase scenes I’ve read in quite awhile. There’s not even that much to it. Just Batman and Batgirl trying to stop an ambulance, with Batman coming aboard and fighting inside. But Johns and Fabok made a more exciting sequence out of this than some creators can with four times as much.

This book is also beautifully colored. The palette Brad Anderson is working with feels like it can explode into a bright, beautiful blaze at any moment. But instead we get colors that are very full and that pop, but also feel like they’ve been dipped in darkness. The way Fabok and Anderson capture Gotham City feels definitive. Like this is what it’s supposed to look like.

Jason Todd is really the star of this first issue. That’s mostly because of the climax and a deliciously emotional, character-defining moment between a killer and his victim…

Three Jokers #1 straddles an interesting line. I totally disagree with its premise, yet I can’t deny this is a great comic book. Normally I can’t stand it when even oversized comics are priced above $5. But I can say with full confidence that this one is worth the price of admission.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: “Joker War,” Billionaire Island, Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Red Hood: Outlaw #48
AUTHOR: Scott Lobdell
ARTISTS: Brett Booth, Danny Miki (Inker), Arif Prianto (Colorist), Troy Peteri (Letterer). Cover by Dan Mora & Tamra Bonvillain.
RELEASED: August 25, 2020

These “Joker War” tie-ins are giving me New 52 flashbacks. When “A Death in the Family” was running in Batman, it seemed like they couldn’t crank out enough tie-in issues.

But as far as Joker-themed tie-in issues go, this is a pretty decent one. It’s suitably focused on Jason, pits another Bat-family character against him, and incorporates a location that’s been a mainstay in the book.

On the downside, they kill off a character for no good reason. One that I thought had a decent fan following too…?

TITLE: Detective Comics #1026
AUTHOR: Peter Tomasi
ARTISTS: Kenneth Rocafort, Daniel Brown (Colorist), Rob Leigh (Letterer)
RELEASED: August 25, 2020

There’s a panel on the opening page of this issue that’s markedly similar to an Alex Ross painting of Batman standing between stone gargoyles. Anyone else notice that? Or am I just an Alex Ross buff?

Actual exclamation in this issue: “Murderize him!”

I’m not the biggest Kenneth Rocafort fan. But in this atmosphere, Batman vs. Killer Croc in the Gotham sewers, he’s at home. His work here is enjoyable.

Tomasi, who has run hot and cold on Detective, is on his game too. This is the best issue this series has seen in many weeks.

TITLE: Batgirl #48
AUTHOR: Cecil Castellucci
ARTISTS: Robbi Rodriguez, Jordie Bellaire (Colorist), Andworld Design (Letters). Cover by Giuseppe Camuncoli.
RELEASED: August 25, 2020

I’ve been away for awhile (mostly because I don’t like Batgirl’s current costume)…since when does Commissioner Gordon call his daughter “Babs?” That feels weird to me.

After reading this issue, I feel bad sleeping on Cecil Castellucci. She writes a damn good Barbara Gordon. Robbi Rodriguez and Jordie Bellaire are a great team too. There’s a really nice fluidity to the work here. And as this issue happens to be the first of a new story, I just might stick around.

For all the good it’ll do. This series ends with issue #50.

TITLE: Billionaire Island #5
AUTHOR: Mark Russel
ARTISTS: Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED: August 26, 2020

The art by Steve Pugh and Chris Chuckry has highlighted Billionaire Island for me. Almost every expression is exaggerated to the point of caricature. But in a dark comedy you can do that.

I’m not sure who that’s supposed to be on the cover. I mean, it’s the President of the United States, obviously. But I thought Billionaire Island had cast a Kid Rock stand-in as POTUS. This guy looks more like Carrot Top with blond locks. *shudders*

I wouldn’t say this book has maintained the same level of interest from me, but it’s still worth a look.

TITLE: Fantastic Four: Antithesis #1
AUTHOR: Mark Waid
ARTISTS: Neal Adams, Mark Farmer (Inker), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: August 26, 2020

This book gave me not-so-nice flashbacks to Adams’ recent Batman work. That’s a shame, as Adams is legitimately an innovator who’s earned his place in American comic book history. His art looks great here (though Thing’s face looks a little awkward), and Laura Martin’s colors pop beautifully. I just wouldn’t hire Adams as a writer.

Thankfully, you won’t find many writers (if any) better than Mark Waid. So Adams is in good hands for what is apparently his first-ever full-length FF story.

TITLE: Suicide Squad #8
AUTHOR: Tom Taylor
ARTISTS: Daniel Sampere, Adriano Lucas (Colorist), Wes Abbott (Letterer)
RELEASED: August 25, 2020

Deadshot has a puppy named Dogshot? That is absolute perfection, and needs to be in both the new video game and the new movie.

Given both the announcements we just got at DC Fandome, it’s surprising this book is on the recent list of casualties over at DC. It’s a shame for so many reasons, not the least of which is the effort the creative team have put into the creation of new characters. Case in point, this issue, in which we dive into some backstories. Hopefully we can bring them back at some point.

TITLE: Teenage Mutant Ninja Turtles #108
AUTHORS: Sophie Campbell (Story), Ronda Pattison (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Nelson Daniel, Pattison (Colorist), Shawn Lee (Letterer)
RELEASED: August 26, 2020

This issue brings up something I never, ever thought we’d have in a TMNT story. With Mutant Town now existing essentially it’s own city within a city, our heroes are now pondering if they should form their own government and police force. Are the Turtles getting into politics? By God, some things are too evil for even the boys in green to take on…

For whatever reason, since issue #101 the Turtles have been wearing clothes more. I’m not sure I’ll ever get used to that.

TITLE: Wonder Woman #761
AUTHOR: Mariko Tamaki
ARTISTS: Carlo Barberi, Matt Santorelli (Inker), Alejandro Sanchez (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Sanchez.
RELEASED: August 25, 2020

Barberi does a fine job on this issue. To the point that I wouldn’t mind him being the regular artist. But because he drew the last two issues, I quickly found myself missing Mikel Janin.

As for Tamaki, she gives Maxwell Lord a great “history is controlled by the victors” speech. Diana refers to him as the villain, and she talks about the Justice League controlling “the flow of justice in this world.” In the context of the story it’s very convincing, and a great character moment for Max.

Then I got to the last page, and my heart broke.

TITLE: Mighty Morphin Power Rangers #53
AUTHOR: Ryan Parrott
ARTISTS: Moises Hidalgo, Walter Baiamonte & Katia Ranalli (Colorists), Ed Dukeshire (Letterer). Cover by Jamal Campbell
RELEASED: August 26, 2020

I’m diggin’ the designs of these new Dark Ranger suits. Their identities seem like a missed opportunity to introduce new characters. But then again, this series is ending soon. That seems to be a theme this week…

This is the first issue where Moises Hidalgo impressed me. He gets a nice, long battle sequence between our good and evil Ranger teams. So he’s able to really spread his wings, and it shows.

Grace (Remember her?) makes a truly stupid suggestion in this issue. So stupid, in fact, that I’m sure it’ll come to pass.

TITLE: Action Comics #1024
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer)
RELEASED: August 25, 2020

There are a lot of Super-people in this book. We’re up to five. If the “Superman family” gets too big, it pretty much makes the Justice League obsolete, doesn’t it? Plus, they spend part of the issue flying over Metropolis, scanning it with X-Ray vision. Creepy much? We’ve also got all the usual problems with John Romita Jr’s sloppy art.

Why am I still buying this book?

TITLE: Batman/Superman #11
AUTHOR: Joshua Williamson
ARTISTS: Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer). Cover by David Marquez.
RELEASED: August 25, 2020

This story about the Ultra-Humanite and Atomic Skull is essentially three issues of filler. But it’s good filler, I’ll give it that. Clayton Henry and Alejandro Sanchez turn in work that crackles with that great comic book superhero energy.

There’s a subplot in here about Superman not asking for Batman’s advice before he revealed his true identity to the world. It’s a little too far in the background for my taste, though. I’d have liked to see them explore that with some of the page space they used for textbook hero/villain dialogue with the Ultra-Humanite.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Ranger Slayer, Joker War, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

DC’s decision to get in bed with Lunar Distribution is starting to feel like a mistake. Because out in my neck of the woods (the mid-west), it seems like Lunar is crapping said bed.

My local comic shop just went three weeks without receiving any product from DC. (Any DC books you’ve seen here in the last few weeks have been purchased digitally.) I’ve been going to comic shops for almost 20 years now and I’ve never see that happen. Not only is it unacceptable from a simple customer service perspective, but it couldn’t have happened at a worse time. Retailers are already being hit by the fallout from COVID-19. The least publishers can do is put the damn books in the stores…

Bad form, folks. Bad form.

TITLE: Power Rangers: Ranger Slayer
AUTHOR:
Ryan Parrott
ARTISTS:
Dan Mora, Raul Angulo (Colorist), Ed Dukeshire (Letterer)
RELEASED:
July  22, 2020

Not really my cup of tea. But if you were into Lord Drakkon’s dark alternate universe, or the “Coinless” Universe as it’s now called, you’ll be into this.

I was hoping for something more tightly focused on this alternate version of Kimberly. But the scope of this story is more about the Coinless Universe at large. Fair enough. I just wish they’d called this issue something different.

This issue gives us something I never thought we’d see, though in hindsight seems obvious for a universe like this: Ghost/Zombie Power Rangers. It was inevitable, I tell you!

TITLE: X-Men/Fantastic Four #4
AUTHOR:
Chip Zdarsky
ARTISTS:
Terry Dodson, Rachel Dodson & Ranson Getty (Inkers), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED:
July 22, 2020

This one ends on something of a whimper, rather than a bang. Which is to say it more or less ends the way you think it will, with Franklin ending up where you think he will.

Still, the appeal of a mini like this is to see characters from different books rub against each other. X-Men/Fantastic Four does that.

There’s also a curious little scene at the end with Reed Richards that I’m curious to see if they follow up on.

TITLE: Batman #95
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
July 21, 2020

We kick off with kind of a dumb “retroactive foreshadowing” scene with Batman and Alfred. “Good thing Alfred will always be here,” and all that. Lame.

It occurred to me during this issue that “Joker War” is just a sophisticated version of that New Batman Adventures episode, “Joker’s Millions. That’s not a knock. I’m just sayin’.

Now that Joker knows Batman’s secret, it’s extremely foreboding to see him messing around with movie theaters. Especially the one Thomas and Martha Wayne went to with Bruce before their murder…

TITLE: Shazam! #13
AUTHOR:
Geoff Johns
ARTISTS:
Dale Eaglesham, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Julian Totino Tedesco.
RELEASED:
July 21, 2020

Well damn. If this book is ending in September, we’re not going to get a pay-off for this Superboy Prime stuff are we?

As the book really cranks up the father/son drama with Billy and his dad, I’m struck by just how great Dale Eaglesham has been on this title. It’s clean. It’s expressive. It’s versatile. He fits Shazam like a glove, to the point that this series has become one of my favorite takes on the character. Frankly, his work with Michael Atiyeh is worth the cover price on its own.

TITLE: Shazam!: Lightning Strikes #1
AUTHOR:
Dan Jurgens
ARTISTS:
Travis Moore, Nick Filardi, Marshall Dillon. Cover by Evan “Doc” Shaner.
RELEASED:
July  17, 2020

Now that the Shazam! book is ending, I’m particularly grateful to see the Big Red Cheese join DC’s line of digital-firsts.

What we get here is nice and kid-friendly. One of Billy Batson’s classmates is bragging about knowing Shazam. So Billy shows him up precisely the way you think he will. From there we segue into a fight with a villain.

Travis Moore’s Shazam looks a lot like Zachary Levi in the movie. I wonder if that’s intentional, or just how the character came out…

TITLE: Wynd #2
AUTHOR:
James Tynion IV
ARTISTS:
Michael Dialynas, Aditya Bidikar (Letterer)
RELEASED:
July 22, 2020

So far, this book feels a little bit like Saga for young people. It’s got whimsy and wit, but a lot less sex stuff.

After reinforcing some of the world-building they did last time, this issue cranks up the emotion with the prospect of separating Wynd from his adopted family. It’s very well done, and has me invested in not only Wynd, but his sister Oakley.

We also meet a character called “the Bandaged Man.” I really dig how he’s designed, though that may just be my love for Batman: Hush sneaking through.

TITLE: Action Comics #1023
AUTHOR:
Brian Michael Bendis
ARTISTS:
John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Variant cover by Lucio Parillo.
RELEASED:
July 21, 2020

This is typically the part of “Weekly Comic 100s” where I complain about John Romita Jr. So here you go: I don’t like JRJR’s art here.

I just wonder if this book is getting over-crowded with Super-people. Remember, that’s part of what prompted the original Crisis on Infinite Earths. Superman didn’t feel as special because he had too many sidekicks, cousins, stringers, etc.

At the end of this issue Jimmy Olsen says, “Guess we’re not putting out a paper today.” That line should have had a lot more weight to it. If you’re a newsman, that’s blasphemy.

TITLE: Detective Comics #1023
AUTHORS:
Peter Tomasi
ARTISTS:
Brad Walker, Andrew Hennessy & Norm Rapmund (Inkers), Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
July 21, 2020

A team-up between the Joker and the Court of Owls? Now that’s the stuff of nightmares.

Detective Comics hasn’t felt like a Tomasi book in awhile. There’s a certain refinement that’s missing. In particular, Batman is a little too talky for my taste.

In this issue, Batman performs brain surgery on Two-Face out in the streets of Gotham (Because why not?). The comic book science regarding how Harvey’s brain is being messed with is a little confusing. Not that I’d put too much stock in it. At the end of the day, he’s still Two-Face.

TITLE: Billionaire Island #1
AUTHOR:
Mark Russell
ARTISTS:
Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED:
March 4, 2020

A brutally honest, unfiltered look at where our society may be going sooner rather than later. And in all honesty, a clever premise for a book. I was expecting things to get Survivor-esque right off the bat. But they’re taking the time to build to that.

The most unsettling part of this issue? Our lead villain puts his opposition (journalists, etc) into a giant hamster cage. Complete with an oversized water dispenser. The sad thing? That doesn’t even seem that far-fetched anymore.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.