Tag Archives: Black Widow

Toy Chest Theater: RIP Stan Lee

By Rob Siebert
Fanboy Wonder

With the passing of Stan Lee, fans from across the globe are paying tribute to the iconic creator in their own unique ways.

I found this image from Nicholas Belmont to be particularly touching. Since the news broke yesterday, I’ve seen a lot of “grieving” images from toy photographers. Many of which depict an emotional Spider-Man being comforted by other Marvel heroes. That’s perfectly natural, I think. There’s nothing wrong with that. People process grief in a lot of different ways.

But for yours truly, in times like these scenes of love resonate so much more than scenes of grief or sadness. That’s what we get here. The love and respect we all feel for Stan Lee, personified by the characters he helped create.

Rest in peace, Mr. Lee. Thank you for inspiring so many.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

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A Black Widow #3 Review – We Don’t Need Words

Black Widow #3 (2016)TITLE: Black Widow #3
AUTHOR: Mark Waid, Chris Samnee.
PENCILLER: Chris Samnee
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: May 4, 2016

***Need to catch up? Go back to issue #1!

By Rob Siebert
Editor, Fanboy Wonder

What has really stood out about Maid Waid and Chris Samnee’s work on Black Widow thus far is how little they’ve needed to use dialogue. The other day I had praise for The Punisher #1 for this same trait. But Waid, Samnee, and their crew have made it a continuing trend. Thus far, it has effectively set this series apart.

Natasha Romanoff is being blackmailed by a man calling himself “Weeping Lion,” who is in possession of her “darkest secret.” Needless to say, she doesn’t want it getting into the public eye. Thus, Natasha has been doing his bidding, including stealing from a S.H.I.E.L.D. helicarrier, which we saw in issue #1. In this issue Black Widow returns to what remains of the Red Room, the Russian facility in which she was trained as an assassin. But S.H.I.E.L.D. is by no means done with Natasha, and she must continue to stay one step ahead of them.

Black Widow #3, 2016, page 5, Chris SamneeChris Samnee excels at conveying Natasha’s intensity strictly through his art. As present-day Natasha doesn’t say much in this issue, that’s pretty much a necessity. When she does something as simple as shifting her gaze in a different direction with a slight furrow of her brow, it’s a moment to note. She’s not big, loud, or talkative. But she’s still an Avenger, and a lethal weapon. So when she’s in a potential combat situation, there’s weight and importance to virtually every move she makes. That’s a hell of a dynamic for a main character to have.

Last issue we met Agent Elder, whose protege was killed during the events of issue #1. He’s got a damn good reason to be angry with Black Widow, though it doesn’t seem like he’s much of a threat to her. In the opening sequence she foils his pursuit of her with a simple trip wire. Perhaps that’ll make it all the more interesting down the road if he somehow ends up catching her.

Much of this issue consists of flashbacks to Natasha’s childhood as she walks through her former home. We see how it has deteriorated over time, and what few relics of the past remain. We get a sense of how Natasha was taught. There were strict rules, obviously. But there were also instances of care and compassion when necessary. Samnee, and colorist Matthew Wilson tint these scenes under a pinkish hue, which creates an interesting vibe. I would suggest it’s almost one of innocence. Obviously red implies a certain intensity, and of course Widow’s hair is red. And it is the Red Room after all. The implication seems to be that things are violent, but not nearly as violent as they will be.

Black Widow #3, 2016, Chris Samnee, poseThus far, Black Widow has been a visually commanding and intriguing series that might just give us new insight into one of Marvel’s longest-running female heroes. At the very least, we’ll get to see her kick a lot of ass. It’s tough to complain about that.

Images from readcomiconline.com.

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A Black Widow #1 Review – The Thrill of the Chase

Black Widow #1, 2016, Chris SamneeTITLE: Black Widow #1
AUTHOR: Mark Waid
PENCILLER: Chris Samnee
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: March 2, 2016

By Rob Siebert
Editor, Fanboy Wonder

Now here’s your case for a larger role for Black Widow in mainstream media, right here. This is about as balls-to-the-wall as it gets.

Natasha Romanoff is a woman of few words in this issue, as she’s somehow become an enemy of S.H.I.E.L.D. It’s a chase that takes our heroine from the dizzying heights of a Helicarrier to the lows of a fist fight on the side of the road. While it’s not clear what exactly she’s done to be exiled (she’s apparently taken something from them), one thing’s for certain: Natasha Romanoff won’t surrender without one hell of a fight.

Mark Waid and Chris Samnee rightfully gained a lot of acclaim for their Daredevil run. But Black Widow is not Daredevil, at least not in this first issue. The entire issue is one big chase scene, as Natasha flees from S.H.I.E.L.D. With only one line of dialogue, our heroine is a woman of few words, letting her actions do the talking. This issue makes a hell of a statement. This is Black Widow, an ass kicker as she was meant to be.

Black Widow #1, 2016, Chris Samnee, explosionAs the issue is relatively low on dialogue, it’s up to Chris Samnee and colorist Matthew Wilson to convey that statement. And damn, do they deliver. I’ve always been high on Samnee’s style, which is an interesting blend of Alex Toth and David Mazzuchelli, with a some Steve Rude thrown in. It works beautifully here. Black Widow looks as iconic as she’s ever looked, in my view. But then our team delivers on some really great moments, including Natasha leaping from an explosion inside the Helicarrier (shown left). I love the shading across her face, and that glint from the flames in her eyes. We then turn the page and get a two-page spread of the Helicarrier in the sky, with Natasha’s relatively tiny frame freefalling beside it.

But the very best is saved for last. After an issue filled with explosions, flying cars, and a nice little moment where BW feigns becoming a damsel in distress, we get to a fight between Natasha and a S.H.I.E.L.D. agent at a muddy cliffside. With much of their tech stripped away from them, it’s simply Natasha and her opponent in the dirt, with a rock as her only weapon. It’s a fantastic sequence, including one page that goes rapid-fire with 14 panels. And it ends on a delightfully somber note.

Waid doesn’t give us much in terms of information, here. Not only is it unclear what Natasha has done, but we’re not given any exposition about who this character is. Granted, I would assume the majority of the readership for this book already know who she is. But typically, one would usually present at least a little exposition here. In this issue we get none. In this case, it doesn’t do the issue any harm. Given the story they told, it’s not like they had time to slow down for an info dump. Plus, considering the quality of this issue, I’d say it was worth it to delay any backstory we might need.

Black Widow is off to one hell of a start. Considering what Waid and Samnee have given us in the recent past, this series is definitely one to watch.

Images from author’s collection. 

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