Tag Archives: Batman/Superman (comic series)

Weekly Comic 100s: Shazam! #10, Batman/Superman #10, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

The deadline for yesterday’s “Weekly Comic 100s” kinda snuck up on me. So consider this part two. But there’s plenty of first rate talent to be found. Geoff Johns, David Marquez, Peter Tomasi, Dale Eaglesham…

TITLE: Shazam! #10
AUTHOR: Geoff Johns
ARTISTS: Dale Eaglesham, Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer)
RELEASED:
January 22, 2020

The best page scene in this book? Tawky Tawny making dinner while Billy’s adoptive parents look on in apprehension. Change my mind.

We get a surprise return in this issue. It feels way out of left field. But let’s see how it plays out. Seeing this character mix it up with the Shazam family might be really compelling.

Dale Eaglesham and Scott Kolins are still splitting the art duties. I’m a Scott Kolins fan, but Eagleham’s style was made for a book like this. The more pages we get from him, the better.

TITLE: Batman/Superman #6
AUTHOR:
Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: January 22, 2020

It feels like they’re trying to channel the tension, paranoia, and mistrust that was hanging over DC titles all those years ago during the build-up to Infinite Crisis. This issue actually references The O.M.A.C. Project by name. Trouble is, DC had years worth of stories to lay the foundation for all that hostility. This series has only had six issues. So it feels like Williamson is referencing something that’s barely there at all.

On the upside, the next story could be really good. We’ve got two villains meeting for (I assume…?) the first time.

TITLE: I Can Sell You A Body #2 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS: George Kambadais, Ferrier (Letterer)
RELEASED: January 22, 2020

They lay the comedy on thicker this month. For instance, we open with a scene in Vatican City. A priest actually says, “Feh. The Jesus card. That old chestnut. Childish.”

Someone also says, “Enough with the ghost dicks!”

This issue got me invested in Henrietta, Denny’s love interest. She’s a sweet lady who, as we learn on the closing page, is willing to stick her neck out for people she cares about. In this case, that trait may not pay off in either the short term or the long term.

TITLE: Detective Comics #1019
AUTHOR: Peter Tomasi
ARTISTS: Scott Godlewski, David Baron (Colorist), Rob Leigh (Letterer). Cover by Rafa Sandoval, Jordi Tarragona, and Baron.
RELEASED: January 22, 2020

This issue and last issue both felt like filler. Which you need sometimes. I just wasn’t hooked by the whole norse mythology thing. On the upside, the dialogue problem from last issue was fixed.

As I mentioned with Batman, they’re making sure Alfred’s death is felt heavily in the Bat-books. It seems like for now Lucius Fox has stepped up and become the “man in the chair.” Fair enough. There’s potential for character work there as Bruce and Lucius come to see each other in new ways.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Dr. Strange, Spider-Ham, Shazam!

By Rob Siebert
Fanboy Wonder

As promised, this week I’ve padded the rather slim pickings from December 26 with some leftovers from December 19.

By the way, folks, I tried to read Incoming!, the big issue that’s supposed to lead us into what Marvel’s doing in 2020. But I couldn’t get through it. It’s all supposed to link back to a mysterious murder, which was intriguing enough. But the massive scope of the story, with all the different plot threads and characters, was just too much to follow.

Thankfully, Marvel is pretty well represented this week…

TITLE: Dr. Strange #1
AUTHOR: Mark Waid
ARTISTS: Kev Walker, Java Tartaglia (Colorist), Cory Petit (Letterer). Cover by Phil Noto.
RELEASED: December 26, 2019

The twist here is that Stephen Strange now has use of his hands again. Now he can resume his work as a surgeon, while continuing on as a master of the mystic arts.

I’m not much of a Doctor Strange fan. But I can’t find much to fault this issue for. The opening page is its best. It’s got a Twilight Zone feel to it, while also reminding me of one of the opening splash pages for an issue of Saga.

I don’t feel a huge pull to come back next issue. But what the hell? I won’t rule it out.

TITLE: Spider-Ham #1 (of 5)
AUTHOR:
Zeb Wells
ARTISTS:
Will Robson, Erick Arciniega (Colorist), Joe Caramagna (Letterer). Cover by Wendell Dalit.
RELEASED: December 26, 2019

For yours truly, the biggest surprise coming out of Spider-Ham #1 was that our titular character is on a team with other anthropomorphic animal heroes. Iron Mouse, Squawkeye, Quacksilver, etc. Basically the same Looney Tunes concept, but with the Avengers.

If you like this sort of thing, or enjoyed the character in Into the Spider-Verse, then this Spider-Ham miniseries should be right up your alley. Me? While the issue was fine, I’ll take a pass on this one.

TITLE: Shazam #9
AUTHOR:
Geoff Johns
ARTISTS: Marco Santucci, Scot Kolins, Dale Eaglesham, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Kaare Andrews.
RELEASED: December 18, 2019

Most of this book takes place in the “Wozenderlands,” an amalgamation of the worlds of The Wizard of Oz and Alice in Wonderland. We’re told there was a “crisis,” and the worlds had to be merged. So essentially, it was Crisis on Infinite Earths, but with these fairy tale settings and characters.

That is so friggin’ random, that I absolutely love it. Who in the hell could have called this? All the while, we continue to advance the story of Billy Batson and his family. Truly, Shazam! has become one of the best books DC has right now.

TITLE: Batman/Superman #5
AUTHOR: Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: December 18, 2019

This whole “Secret Six” thing ended up not being the mystery I wanted it to be. And at times Williamson’s dialogue is a little awkward. But at the end of the day, this first story arc was fine. I did love the nice little “trust moment” he gave our titular characters in this issue.

I also feel like I haven’t heaped enough praise on David Marquez and Alejandro Sanchez. They’ve put together an absolutely beautiful book. Marquez can make virtually anything look good. Whether he’s working in the DC, Marvel, any other universe.

TITLE: Star Wars: Empire Ascendant
AUTHORS: Charles Soule, Greg Pak, Ethan Sacks, Simon Spurrier
ARTISTS: Luke Ross, Roland Boschi, Paolo Villanelli, Caspar Wijngaard. Cover by Ricardo Federici.
COLORISTS: Guru-eFX, Rachelle Rosenberg, Arif Prianto, Lee Loughridge
LETTERERS: Clayton Cowles, Travis Lanham
RELEASED: December 18, 2019

Empire Ascendant serves as a bridge into the four new Star Wars books Marvel’s releasing in the near future. Apparently they all take place after The Empire Strikes Back, as opposed to the previous ones, which were set beforehand.

We get four short stories set just before Empire. Not a lot from the main characters, Luke, Leia, etc. But if you give it a chance, this stuff actually has some meat to it. My personal favorite is the set-up for the Bounty Hunters series. I think The Mandalorian has wet the fandom’s collective appetite for more stuff like that.

TITLE: Family Tree #2
AUTHOR: Jeff Lemire
ARTISTS: Phil Hester, Eric Gapstur (Inker), Ryan Cody (Colorist), Steve Wands (Letterer)
RELEASED: December 18, 2019

Family Tree needs to be careful it doesn’t accidentally become a comedy.

It’s meant to be a horror/adventure comic about people being forcibly changed into trees. But there’s a flashback in this issue where Judd, the book’s resident grizzled old man character, is caring for a fully transformed…uh…tree person? When the tree tries to talk back to Judd, I couldn’t help it. My funny bone was tickled a bit. I still buy Family Tree as the horror story it’s trying to be. But sometimes there’s a thin like between horror and hilarity.

TITLE: The Low, Low Woods #1
AUTHOR: Carmen Maria Machado
ARTISTS:
Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by J.A.W. Cooper.
RELEASED:
December 18, 2019

This feels like a Stephen King story. (Heh…)

The Low, Low Woods takes place in 1997, which hits a nostalgic soft spot for me. There’s a lot of exposition in this issue. We learn about a small town forever changed by a raging fire, and two teenage girls who discover some gory surprises.

If you like this sort of thing, I’d definitely recommend it. For me personally, this issue is a little low on intrigue. But the characters and the setting are interesting enough to at least get me to consider coming back for issue #2.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A Batman/Superman #31 Review – The Search For Supergirl

Batman/Superman #31, cover, Yanick PaquetteTITLE: Batman/Superman #31
AUTHOR: Peter Tomasi
PENCILLER: Doug Mahnke. Cover by Yanick Paquette.
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: April 13, 2016

By Rob Siebert
Editor, Fanboy Wonder

Damn. Just when you thought Big Blue was gettin’ things back in order…BAM. He gets a death sentence. And you thought Batman had bad luck.

Due to the after-effects of multiple intense battles, Superman is apparently dying. With the end in sight, the Man of Steel has begun getting his affairs in order. With help from Batman, he starts searching for Supergirl so that she might continue his work. But Kara isn’t easy to find, and Superman is running out of time…

Readers should be grateful Peter Tomasi has the pen on all the Superman titles for this big “Final Days of Superman” crossover. Not only does that bode well in terms of consistency between issues, but Tomasi is so good at injecting heart into his stories. That’s one of the main reasons his run on Batman & Robin was so good. In the recently rebooted DC Universe, Tomasi made sure the characters still felt familiar. Deep down, this was still the Batman we knew. He’s the perfect pick for a story like this. Though one can argue a story about Superman’s dying days has been done to perfection in All Star Superman.

Batman/Superman #51, Tusk, Doug MahnkeTomasi was a little vague in Superman #51 on what exactly is killing our hero. We knew it was a result of his exposure to the fire pits of Apokalips in Darkseid War, his fight with Rao in Justice League of America, and the A.R.G.U.S. Kryptonite chamber in Truth. In this issue he says something about “Kryptonite malignancy eating away at me.” Anything with the word malignancy in it must be pretty bad. But I’d still like a little more info on what exactly is killing the most powerful man on Earth.

Tomasi understands these characters better than most of the current crop of writers at DC. As such, the dialogue scenes in this issue feel the way they’re supposed to: Like a meeting between two old friends. They sound very much in character. There’s a panel where Batman asks Superman: “Do you know your irises are green?” Coming from another character, this would have sounded asinine. But from Batman it works. We also get the unlikely meeting of Superman and Bat-Cow, which plays to Clark Kent’s upbringing on the farm.

We also get an appearance from Tusk (shown above), who we met when these two worked together in Batman & Robin Annual #1. So we’ve got some fun continuity between that book and this one.

National City, the home of Supergirl on the CBS show of the same name, is mentioned late in the issue. I imagine this is an clue as to what we’ll be getting when Supergirl once again gets her own series this fall. Not a moment too soon, by the way…

Batman/Superman #31 (2016), flying, Doug Mahnke

We’ve also got a character in this book who has mysteriously gained Superman-like powers and is glowing orange. I imagine that’s our villain. Though what exactly is going on with him remains to be seen

Doug Mahnke has drawn so many big DC stories that his art inevitably brings a certain weight, or an “epic” feel, to whatever he’s drawing. This is true with both the action and dialogue sequences. Considering what’s happened over the last year with Superman losing his powers, and Jim Gordon tagging in as Batman, this issue feels like a homecoming.

I trust Peter Tomasi with Superman. Considering how protective I’ve become of the character in recent years, and what’s been done to him recently, that’s saying something. For the time being, Superman and “The Final Days of Superman” are in good hands.

Image 1 from adventuresinpoortaste.com. Image 2 from weird sciencedccomics.blogspot.com. 

 Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition/

A Batman/Superman #1 Review – What Page Are We On?

Batman/Superman #1 (2013)TITLE: Batman/Superman #1
AUTHOR: Greg Pak
PENCILLER: Jae Lee
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: June 26, 2013

By Rob Siebert
Editor, Fanboy Wonder

In a company that likes to toss around the term “all star,” Jae Lee is a true all star. His dark, gothic style is usually fantastic, and it’s seemingly tailor-made for a character like Batman. But is Lee the right guy to put on a Batman/Superman book? I had my doubts, and I still do. But there is some good stuff here…even thought some of it’s rather confusing.

This issue shows us the first one-on-one meeting of Superman and Batman, first in civilian form, then in costume. To Greg Pak’s credit, his character work is awesome. His opening scene is particularly strong. Clark Kent travels to Gotham City to investigate the murder of some employees at Wayne Enterprises. He stumbles across a boy seemingly being beat up by some bullies, as Bruce Wayne (in a familiar disguise from Batman: Year One) looks on. He gets in Bruce’s face for not interfering on the boy’s behalf. But it seems the would-be victim was simply luring his opponents into a trap. From the get-go, this issue captures the source of Superman and Batman’s constant conflict, and the reason these two characters work so well together despite their differences. It’s Clark’s hopeful idealism paired with Bruce’s cynical reality. Then we go into a beautifully formatted two-page spread, which shows us what the two characters have in common: The quality of people who raised them. It’s a fantastic start.

Batman/Superman #1, robotsBut from there, things get weird. Batman uses some weird robots to try and wrangle Catwoman, who’s being controlled by a new villain called the Trickster (through she hasn’t been referred to by that name in-story yet). Then Superman flies in and the whole thing goes to hell. From there…I’m not sure what happens. Suddenly they seem to know eachother (Batman calls him “Clark”), and Batman is wearing a slightly different outfit. And then we get an appearance by someone we definitely weren’t expecting.

At this point, it seems a lot of this is supposed to be a mystery. But the whens and the wheres of this issue are confusing. In Justice League: Origin, which was written by two of the company’s co-publishers, mind you, we know that most of the League is meeting one another for the first time. And yet, this issue indicates that Superman and Batman met during Clark’s early years as a hero, when he was still wearing jeans and a t-shirt. And YET…later on in the issue Batman calls him by his civilian name and asks: “What’s with the jeans?” What page are we on? Are we in some kind of weird time warp thing? We need to clear this up pretty fast. As in, tell me what this is by next issue, or I might be gone…

Batman/Superman #1, Jae LeeAs I mentioned, I’m not completely sold on Jae Lee’s suitability for a book which prominently features Superman. His Clark Kent looks good, I’ll give him that. I also appreciate that his Superman doesn’t look like an Abercrombie and Fitch model, or a competition bodybuilder (I’m looking at you Kenneth Rocafort). But for instance, there are a few panels (shown above), where he draws a young Clark Kent in Smallville. I think this is supposed to be your typical contrast of sunny Smallville and shadowy Gotham. But Lee’s shadowy style, combined with June Chung’s color choices, give it a much too dreary look. He’s got the right idea, but it doesn’t really fit the way he does things. It can be argued the same is true when we get to red cape time. But it’s tough to say so definitively, as midway through red cape time, Ben Oliver takes over. Yeah, there’s a little tidbit they left out of the marketing campaign…

For longtime comic book readers, it’s tough to even talk about this issue without thinking about the old Superman/Batman series, specifically the stuff Jeph Loeb and Ed McGuinness did with the first several issues (the story which would eventually be collected in Superman/Batman: Public Enemies. The first issue of their run was published almost 10 years ago. That issue also had a writer with a great understanding of both characters’ voices, and an artist whose style might have gone a little too far in one direction for a lot of peoples’ tastes. While Lee likes drawing skinny pale people, McGuinness likes drawing big muscular balloon people. But Superman/Batman #1 is 10 times what Batman/Superman #1 is. It had great pacing and flow, played up the dynamic between our main characters in a way that was both insightful and fun, and it put them against Lex Luthor, a bad guy we all love to hate.

Batman/Superman #1, fightBut while that issue was built upon more than 15 years of story continuity, the New 52 initiative is less than two years old. In Batman/Superman #1 all the iconic Superman and Batman stuff is there, but certain specifics in terms of backstory are still being established. Heck, after we close this first issue we’re not even sure where we are on the  New 52 timeline. All that stuff is still being established in other books. Superman/Batman #1 kept things simple, which definitely helps when it comes to first issues.

Hopefully Pak and Lee (and whoever else is pencilling…) will fill in some blanks next issue. Until then, Batman/Superman #1 is in the “undecided” category for me. That’s a shame, as for a longtime DC Comics fan like me, this series should be a no-brainer.

Image 1 from hypergeeky.com. Image 2 from comicbookmovie.com. Image 3 from bleedingcool.com.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition/