Tag Archives: Aquaman

A DC Universe: Rebirth #1 Review – “How Could I Ever Forget You?”

DC Universe: Rebirth #1TITLE: DC Universe: Rebirth #1
AUTHOR: Geoff Johns
PENCILLERS: Ethan Van Sciver, Gary Frank, Ivan Reis, Phil Jimenez
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: May 25, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Part of the idea behind the 2011 “New 52” reboot at DC Comics was to modernize and simplify the characters and continuity for new readers. They largely succeeded. A lot of great comics were sold, and new readers were given a fresh jumping-on point for the DC Universe.

But lets be honest. If you were a longtime DC Comics fan, you lost a lot more than you gained. The timeline of the DCU was condensed down to five or six years. As such, the characters lost a lot of their depth. Certain characters, relationships, marriages and families were altered, if not erased altogether. As such, this new DC Universe suffered from a lack of heart and emotional connection.

DC Universe: Rebirth #1 is DC’s attempt to remedy this problem by restoring some of these lost characters, and injecting some much needed love into the proceedings.

A LOT of big things happen in this issue. So lets touch on most of them individually…

DC Universe: Rebirth #1, 2016, Wally West, Barry Allen hugWally West returns, reunites with Barry Allen, warns of a new enemy. Most of us can relate to being forgotten about on some level. It’s heartbreaking. That’s the feeling Geoff Johns taps into when he shows us the plight of Wally West. Lost to time, left as mere kinetic energy in the Speed Force, he’s so desperate to be remembered. Even his former wife replies to his presence with a heart-wrenching: “I don’t know you.” So it’s a genuine tear-jerker when Barry suddenly does remember him, then wraps him in a hug and says: “How could I ever forget you?” After almost five years without Wally, this was every bit the epic reunion it was designed to be.

The explanation we get for the other Wally West, who’s set to become Kid Flash in upcoming issues, is a little corny. Something about them being cousins and both named after their great-grandfather. I’ll grant them that there was no easy way to get out of that scenario. There was bound to be confusion. At least Johns connected them. Hopefully that’ll be a unique meeting eventually.

I’m not clear on what Barry and Wally remember at this point. In this issue, Wally remembers his wife Linda Park, the events of Crisis on Infinite Earths, his time with the Teen Titans, and other odds and ends. At least some of that seems to have been transferred to Barry. But Wally also says it’s becoming harder to remember his old life. I imagine more will be revealed in the new Titans series.

Per events in Justice League, also written by Johns, we learn there have apparently been three Jokers. I balked when I first saw this. Having three Jokers seemingly takes away the character’s unique evolution and versatility. Now, instead of one multidimensional Joker, we’ll have three one-dimensional Jokers. That, at least, is my takeaway from the revelation.

DC Universe: Rebirth #1, Jokers, Ethan Van SciverI am happy, however, that they didn’t give us any names. We didn’t find out The Joker’s real name is Jack Napier or anything like that. My love for The Killing Joke notwithstanding, I like my Joker somewhat de-humanized, conveying the idea that absolutely anyone could be behind that twisted grin. “One bad day” and what not. They may still do that, but hopefully they don’t.

It’s easy to make snap judgments about dramatic reveals like this. (Captain America, anyone?) But ultimately, it’s all about the story they’re telling. The true merit of this twist lies with what they do with it.

Wally reaches out to an elderly Johnny Thunder, who has been searching for the Justice Society. Justice Society got a little out of hand before the reboot. The team was split between two titles. If they’re bringing back the JSA, my hope is the team will be smaller. My question is, if the Society comes back does that mean the timeline gets adjusted so Jay Garrick, Alan Scott, and all those characters were indeed active during World War II?

Ted Kord, DC Universe Rebirth #1Partnerships are established between Ted Kord & Jaime Reyes and Ray Palmer & Ryan Choi. Dr. Fate reveals that Jamie’s Scarab is actually magic. I hadn’t realized how much I missed Ted until this issue. Gary Frank perfectly captures that boyish enthusiasm, which is part of what’s so great about Ted. This new partnership with Jaime should make for good comics.

Ray Palmer has a line about Jean Loring in his scene with Ryan Choi, which seems to indicate that Identity Crisis is out of continuity. I’m a big Brad Meltzer fan (mostly). But if we have to abandon Identity Crisis in favor of a more hopeful DC Comics, with some of our favorites back in the picture, I’m okay with that.

Aquaman proposes to Mera. Jackson Hyde returns to the DCU.  Well heavens to Betsy. Marriage is okay again! With the reboot, Superman, The Flash (both of them), and Aquaman all had their marriages retconned. Batwoman was also not allowed to marry her love interest. Arthur at least got to keep his relationship with Mera. This seems to be a very positive step away from the “heroes can’t be happy” approach DC seemingly had in place a few years ago.

Why Jackson Hyde wasn’t a part of the New 52 reboot is a mystery to me. They had spent all that time building him up in Brightest Day, and then he was just gone. Hopefully they can now capitalize on what for years has been a wasted opportunity.

And now, for the biggest reveal of them all…

Batman, WatchmenWatchmen characters are incorporated into the DCU. Dr. Manhattan implicated as the mysterious force manipulating time. Ah, here’s the kicker. I mean, c’mon. We couldn’t have a villain manipulating the time stream somehow. We had to drudge up Watchmen again, as the book and the characters continue to be profitable 30 years after its original publication.

I won’t lie, there’s a certain excitement at the prospect of a post-Watchmen Dr. Manhattan interacting with the DC Universe. Seeing Batman find the iconic Comedian button with the bloodstain, hidden in the Batcave, of all places, was a legit shocker. Even watching Pandora perish the way Rorschach did was kinda cool.

But here’s my big question: Will it be worth it in the end?

The last time DC pulled this crew out of retirement was for Before Watchmen, a line of prequel miniseries’ featuring all the classic characters. It gave us some good stuff, particularly Darwyn Cooke’s Before Watchmen: Minutemen story. But even with all the A-list talent involved, when you look at Before Watchmen cumulatively, you aren’t left with a feeling of justification. The sense that this was worth doing without Alan Moore and arguably taking some of the luster off Watchmen.

I’m really hoping they thought about that before making this move. Is this going to be worth bringing Watchmen out of retirement Especially when we presumably won’t be seeing Dr. Manhattan, and whoever else pops up, in the context of their own world.

DC Universe Rebirth #1, montage, Gary FrankThis oversized issue is divided into four chapters, plus an epilogue. For these various sections, Geoff Johns is working with three of his longtime collaborators. The MVP by far is Gary Frank, who draws chapter 2, and also assists with chapters 1 and 3. His art drips with pure humanity. When Wally bursts in on Johnny Thunder, we can feel the old man’s desperation, heartbreak, and fear. In the scene with Ted and Jaime, Ted’s enthusiasm is contagious. On the other hand, Jaime’s apprehension is palpable, and comes off very natural. Frank also draws the big reveal with Batman and the pin (shown above), and even drew the cover. What an amazing issue for him.

It’s very fitting to have Ethan Van Sciver on the pencil for chapter 1. As the artist on Green Lantern: Rebirth and The Flash: Rebirth, it creates a nice consistency. What’s more, having worked on those books, and contributed to projects like The Sinestro Corps War and Blackest Night, his work inevitably conveys a sense of importance. He very much lives up to that, as its Van Sciver that gives us our first look at the returning Wally West.

In chapter 3, Ivan Reis gives us a gorgeous scene with Aquaman and Mera. But the scene with Wally and Linda, where he’s so sure she’ll remember him and he gets rejected…it’s amazing. Their faces, their body language, it’s just perfect. You can make an argument that this is the most important scene in the issue. The impact of Wally’s failure with Linda makes the scene where Barry saves him that much more impactful.

There’s a certain artistic symmetry to Phil Jimenez drawing the reunion between Barry and Wally. In Infinite Crisis, Jimenez drew Wally and his family disappearing into the Speed Force, as well as Barry briefly emerging from it. Now, he gives us an emotional sequence where Barry pulls Wally from the Speed Force. He was the perfect choice for this moment.

Aquaman and Mera proposalFinally, let’s talk about Geoff Johns for a moment. The guy gets his share of flack these days. He’s got a reputation as Mr. Retcon. And I’ll admit those early Justice League issues where pretty flawed. But by and large, he tells gripping and often emotional stories. In the case of DC Universe Rebirth #1, he and the team give us a much-needed break from the grim and largely joyless DC Comics we’ve come to know since The New 52 began. There’s a place for hope, love, and wonder in this universe. Most readers always knew that. Let’s hope DC never forgets again…

Image 1 from newsarama.com. Image Image 3 from pastemagazine.com. Image 3 from observer.com. Image 4 and 6 from observer.com. Image 5 from terrazero.com. 

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A Dark Knight III: The Master Race #4 Review – Nagging Distractions

DKIII: The Master Race #4, cover, Andy KubertTITLE: Dark Knight III: The Master Race #4
AUTHOR: Brian Azzarello, Frank Miller
PENCILLER: Andy Kubert
PUBLISHER: DC Comics
PRICE: $5.99
RELEASED: April 27, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

The Flash is kind of a big deal for DC right now. He’s got a TV show on The CW that pulls in millions of viewers per episode. What’s more, it’s actually a damn good show.

Viewers of said show may want to avoid this issue. Their hero not only goes out like a chump, but he’s wearing one of the gaudiest costumes the DC Universe has ever seen.

We open the issue with a showdown between father and daughter. It’s Superman against Lara the Supergirl, who happens to have an army of Kryptonians behind her. Once they’re done with him, Batman is next in line. Quar, leader of the hostile Kryptonians, demands that Batman be produced or Gotham City will be destroyed. Once again, The Dark Knight is about to come out of retirement. But this time, he seemingly has no choice in the matter.

The Flash, Andy Kubert, DKIII: The Master Race #4, 2016This issue devotes three pages to The Flash being taken out by a Kryptonian. I can’t say I was a fan. He doesn’t even put up a fight. He simply gets his legs taken out, and it’s all over. If you’re going to devote that much of your issue to taking out a hero, that’s fine. But come on! This is The Flash! Now more than ever, this guy is one of DC’s big guns! Give him at least a little offense!

That costume is a leftover from The Dark Knight Strikes Again. That alone should have been a red flag. I understand that book can’t be completely ignored. But there are certain things from DKII that need to be left in the past. This costume is undoubtedly one of them.

Sadly, it’s not the only awful costume we’ll see…

Surprisingly, the first thing we see when we open the issue is The Atom. Despite the CRUSH we saw in issue #2 that seemed to indicate Ray Palmer had been killed, apparently he’s alive, albeit in a microscopic state. I can’t say I’m sad to see him back. But his death was a nice punctuation mark on the arrival of the Kryptonians. It’ll certainly be interesting to see how he factors in later.

Quar, Lara, and the other Kryptonians either kill or neutralize Superman, depending on how you interpret the issue. Despite all the blood he spills in this issue, there’s no way Superman is gone. Not with his daughter playing such a crucial role in things. If there was ever a time for a reconciliation between Batman and Superman, it’s now.

DKIII: The Master Race #4, Carrie Kelley, Bruce Wayne, Andy KubertOnce again, Andy Kubert does a fine job evoking Frank Miller’s style, while still making the book his own. This is most evident in the way he draws Bruce Wayne. The detail he puts into the character’s facial expressions and his scarred physique are fantastic. It’s almost as if someone has flipped a light on, allowing us to see details we’ve never seen before.

One of my few complaints with the art in this issue involves the scene where Commissioner Yindel sees Batman for the first time in the story. She’s been searching for him since the first issue, and now they’re finally face to face. We see Batman shrouded in darkness, holding the flask he’s just taken from a hopeless Yindel. I envisioned this scene being as impactful as Superman’s return to consciousness last issue. It isn’t. I think it would be different if Kubert, inker Klaus Janson, and colorist Brad Anderson had taken him out of the darkness a bit more. This Batman doesn’t always lend himself to the whole shadowy figure of the night routine. He’s big, bulky, and brash. This would have been a big time for one of those toothy scowls he’s always flashing around. DKIII hasn’t given us much of Batman in all his grandeur yet. This would have been a good time to play that card.

This issue’s mini-comic gives us Batgirl as we’ve never seen her before: Drawn by Frank Miller and wearing Joker colors. Seriously! What the hell is up with that costume? If Batgirl has ever looked worse, I can’t remember it. That’s not even getting into how weirdly she’s proportioned.

Dark Knight Universe Presents: Batgirl #1The story mostly consists of Carrie Kelley, after being given the Batgirl costume by Batman, fighting off some thugs at a dock. Aquaman emerges from the water to save her when she gets in over her head. Why he happened to be there is anybody’s guess. Hopefully we’ll learn more next issue. But if what happened to Green Lantern and Flash is any indicator, I’m hoping he’s got good healthcare down in Atlantis.

This issue is still decent in terms of the core story. But the Flash interlude and the weird acid trip that is the Batgirl issue prove to be nagging distractions. As such, this is the least satisfactory installment of DKIII thus far. Brian Azzarello maybe in the driver’s seat, but Frank Miller’s fingerprints are still there….

Images 1 and 3 from weirdsciencedccomicsblog.blogspot.com. Image 2 from newsarama.com.

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A Justice League of America #6 Review – Batman Survives…?

Justice League of America #6, Bryan HitchTITLE: Justice League of America #6
AUTHOR/PENCILLER: Bryan Hitch
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: December 23, 2015

***Go all the way back to the beginning with our review of Justice League of America #1.***

By Rob Siebert
Editor, Fanboy Wonder

I’m starting to get worried about this book. It’s been plagued by delays, to the point that they had to plug different creators into issue #5 and make it a filler issue. Needless to say that’s frustrating, especially when you consider Hitch has put together the best Justice League book on the stands.

With his true nature revealed, Rao goes one-on-one with Superman, and the Man of Steel has more than met his match. And things don’t look so good for Wonder Woman or Aquaman either. Meanwhile, Green Lantern and The Flash remain trapped in the past, searching for answers about what’s happening in their time.

So here’s my question: What does this have to do with Batman? The Dark Knight is the only Leaguer vertical on the cover, having apparently been the last man standing in a battle of sorts. But no such battle takes place in the issue, and Batman doesn’t even appear. So while the issue itself is more than fine, there’s a disconnect with the cover from the get-go.

IMG_1316The confrontation between Superman and Rao in this issue is brief, punctuated by the Man of Steel being sent flying across the arctic with a single punch. Hitch goes as far as to give us a two-page spread of his landing, which creates a massive crater. It’s arguable whether that much page space was merited for a moment like that. But it does create the epic/”wide screen” vibe Hitch is going for. And he gets a little more slack from me, considering this confrontation meant something. We’d been building up to it for four issues (we don’t count issue #5), and it adds to Rao’s credibility as a threat to the League. Interestingly, I remember Scott Snyder and Jim Lee doing a similar long-distance punch in Superman Unchained. But that fight wasn’t nearly as impressive as this one, as much of this series has been built around Rao. That wasn’t necessarily the case with…whatever the monster from that series was called.

Hitch remains very good at making it seem like all the Leaguers stand on equal footing, which is immensely refreshing in a company that overemphasizes Batman to death. Hell, intentional or not, they even did it with this cover! But regardless, Hitch is able to place the plot threats for Superman, Aquaman, Green Lantern, and all the others on equal footing. That’s a sign of great writing.

Justice League of America #6, Wonder Woman, Bryan HitchThere’s something to be said about how religion is portrayed in this series. Obviously you have the Rao character performing miracles as his disciples seek to recruit new followers who are obviously being deceived. Then in this issue, Wonder Woman has some dialogue with the Oraculum on Olympus about being called a god that might make believers frown. These two lines in particular…

“I’ve never been comfortable with that. Being a god. Being somebody others would pray to. Would believe in.”

“Perhaps it is more important that you believe in yourself.”

I’m not sure if there are supposed to be real-world implications here or not. I’ve never been big on religious agendas, or agendas of any kind, in my comic books. But if it’s a good story, which doesn’t beat you over the head with whatever ideals the writer is conveying,  hat usually trumps any sort of distaste brought on by preachiness. What we’ve seen so far in JLA is good storytelling, so I’m once again inclined to be lenient with it.

While he’s got some stiff competition from Geoff Johns over in Justice League proper, Bryan Hitch has managed to put together the best JL book on the stands right now. It’s a book that truly feels worth of the League. In an interview earlier this year, Hitch called referred to his vision for this book as “an HBO series with an unlimited budget.” If you’re a DC fan and you’re not reading this book, you need to do some binge watching.

Image 1 from darkknightnews.com. Image 2 from author’s collection. 

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A Justice League of America #1 Review – The Team Comes Together

Justice League of America #1 (2015)TITLE: Justice League of America #1
AUTHOR/PENCILLER: Bryan Hitch
PUBLISHER: DC Comics
PRICE: $5.99
RELEASED: June 17, 2015

By Rob Siebert
Editor, Fanboy Wonder

Yeah…yeah, this feels good. This feels right. This feels like a Justice League book!

Bryan Hitch’s extended love letter to the Justice League begins with Superman’s dead body. A whole PILE of dead Superman bodies, actually. The mysterious and elusive Infinity Corporation has been using the “Stones of Forever” to retrieve Superman’s corpse from the near future over and over again. The theme seems to be that once Superman dies, all is lost. A short time later, the League faces off the The Parasite. But how is The Parasite connected to the Infinity Corporation? And how is the Infinity Corporation connected to the massive revelation at the end of the issue?

Justice League of America #1, interiorThere’s a certain purity to this issue that I love. Geoff Johns’ run on Justice League has done much more right than it has wrong. But at times iit still falls victim to the trend of “over-Baturation,” i.e. overblowing the importance of Batman within the context of the League. There’s no over-Baturation in this issue. The story thus far is very Superman-centric, but that’s because the coming story largely deals with Superman’s mythology. And even then, we get the sense that no member of the League is more important than another. We’re not constantly being reminded how bad ass Batman is, or how many overblown constructs Green Lantern can create. I came away from this issue believing in the League as a team.

And wouldn’t you know it, they actually act like a team! They look out for each other during battle. We see Batman and Cyborg strategizing. They refer to one another by their first names (Which is weird in the context of a battle, but oh well.) They feel like a well oiled machine that’s been operating for over five years. That’s a vibe that Geoff Johns couldn’t create after Justice League: Origin, and one can argue he has trouble with it to this day. To Hitch it comes very natural. He creates an interesting sense of unseen history between the characters.

Justice League of America #1, Aquaman, United NationsWe also get a subplot where Aquaman talks to the UN about a trade agreement with Atlantis. We’re reminded that Atlantis is indeed the largest nation on Earth, and Aquaman assures them that Atlantean technology will not be used against the surface world. This is obviously a seed planted for later. But for the time being, it’s nice to see Aquaman getting some extra emphasis.

I can’t complain much about the art here. There is a panel about mid-issue where The Flash looks a little…stretchy. But that’s the biggest criticism I have here. Our opening scene is beautifully rendered, as we see Superman amidst the end of the world. The Parasite is also wonderfully drawn. In an interesting twist that I personally haven’t seen, Hitch renders him getting bigger as he gains more power. That’s a nice touch, and it really sells The Parasite as a menacing monster.

Justice League of America #1, The ParasiteWe’re only one issue into Hitch’s run. But as far as I’m concerned, Justice League of America is already as high a priority as Justice League, if not more so. My early impression is that this is a good book for longtime fans to pick up, as it restores some of that camaraderie among the League that’s synonymous with stories dating back to the Silver Age, and the very birth of the League. The fact that Hitch could inject that old school appeal into this book, while still staying true to the New 52 and modern continuity, is pretty damn cool to say the least.

Image 1 from fanboysinc.com. Image 2 and 3 from comicvine.com.

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First Impressions: Superman, Aquaman, Ghostbusters, Teen Titans

By Rob Siebert
Editor, Fanboy Wonder

Superman #1 (2011)TITLE: Superman #1
AUTHOR: George Perez
PENCILLER: Jesus Merino
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: September 28, 2011

By Rob Siebert
Editor, Fanboy Wonder

This was a FANTASTIC first issue, which carried over one of my favorite elements from Action Comics #1: Superman searching for truth and justice on the social level in a world that seems dominated by corporate interest.

In this issue we learn that The Daily Planet has been sold to a corporation called Galaxy Communications, which apparently uses illegal tactics and yellow journalism in its reporting. Furious, Clark Kent refuses to attend the big gala in honor of the sale. Galaxy proceeds to change it’s name to the Planet Global Network, and names Lois Lane as their nightly news producer and executive vice president of new media. Suddenly, the city is attacked by a giant fire monster (who apparently has ties to Krypton). Superman battles the creature, and at the end we get a glimpse into Clark and Lois’ personal lives in the new DCU (Remember, they’ve never been married in this continuity.).

Superman #1, 2011, Clark and Lois, Jesus MerinoAs a former reporter, I found the insight into the current state of the news industry to be an effective way to illustrate Superman’s views on white collar corruption. We also see the battle between Superman and the monster from PGN’s vantage point, which is very effective. During the fight, much of the narrative consists of text from a news story later written by Clark Kent, which is cheesy. Still, it’s forgivable.

Superman spends a portion of this issue brooding, which is something we’re not necessarily used to. When the old Superman got angry, often times he was like a parent who’d lost his temper. This character isn’t like that. He seems inclined to be much more emotional, which isn’t a bad thing. I just hope we get a balance between the grim and the optimistic. Superman has been a rather angry young man this month, and he has reason to be. But let’s not turn him into Batman, okay?

All in all, a complete 180 in quality from what we’ve been seeing in Superman recently. I’m very excited about this book.

***

Ghostbusters #1 (2011)TITLE: Ghostbusters #1
AUTHOR: Erik Burnham
PENCILLER: Dan Shoening, Tristan Jones
PUBLISHER: IDW Publishing
PRICE: $3.99
RELEASED: September 28, 2011

I once said that any writer of a Ghostbusters comic book would likely never recapture the magic Bill Murray, Dan Aykroyd and Harold Ramis created in the movies. I maintain that to this day. However, the first issue of IDW’s new Ghostbusters series comes the closest out of any GB book I’ve read (and I’ve read quite a few).

We start the book with Ray having a nightmare, which features a delightful appearance by Ray’s brother, who looks exactly like John Belushi’s character from Blues Brothers. It’s a very endearing tribute. We then go into Winston and Peter tracking down a ghost at an apartment complex, who turns out to be someone that fans know VERY well. Then, in a back up story, we see that Walter Peck (William Atherton’s character from the first movie) will be butting into our heroes’ lives very soon.

Ghostbusters #1, 2011, Dan ShoeningThis book really has the total package for Ghostbusters fans. Burnham’s writing is solid. It’s not too corny, but not too serious either. To me, there’s a delicate balance that goes into creating a Ghostbusters story. You’ve got to make the threat believable and scary, but also be lighthearted and funny. That’s tough to do. But Burnham’s off to a great start.

Dan Shoening’s art is always a treat for me. I’ve loosely followed his Deviant Art page for a few years now, and it’s obvious he’s a Ghostbusters nut. He even co-manned a pitch for a new Ghostbusters comic a few years ago. His art fits the style and tone of the story, and it’s obvious he’s as passionate about the content as any diehard fan would be.

If the book keeps up with this kind of content, Ghostbusters #1 could very well become one of my favorite ongoing titles. I could gush about this book for awhile, but I’d prefer you go out and read it for yourself.

***

Aquaman #1, 2011TITLE: Aquaman #1
AUTHOR: Geoff Johns
PENCILLER: Ivan Reis
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: September 28, 2011

Well, how about this? An Aquaman who’s aware of his status as a pop culture punch line.

The most interesting moments in Geoff Johns and Ivan Reis’ first issue of Aquaman are when ordinary citizens are either chuckling at the character, or saying weird things to him. At one point, Aquaman attempts to have lunch at a seafood restaurant, and someone says: “You can’t get the fish and chips…you talk to fish!” The character himself is getting a chance to respond to the public’s perception of him, which is interesting. Though, I find the idea of Aquaman sitting down in a seafood restaurant in full costume to be pretty stupid.

As a threat known as The Trench makes its way up from the Atlantic ocean, Aquaman and Mera decide that they’re going to live on the surface, and attempt to start a new life. One would assume their lives as superheroes won’t allow this transition to be easy.

Fans have wanted to see Geoff Johns tackle Aquaman for awhile now. They got that in Brightest Day, and they’ll get more of it here. I’ll stick with this series for the near future, simply out of interest for what Johns will do. Plus, Ivan Reis’ art is always lovely.

***

Teen Titans #1, 2011TITLE: Teen Titans #1
AUTHOR: Scott Lobdell
PENCILLER: Brett Booth
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: September 28, 2011

I don’t think I’m ever going to dig Red Robin’s new costume. It’s just…wrong. It just looks way too cumbersome and silly. In this issue, Tim Drake uses his new wings to block a storm of bullets coming at he and Wonder Girl courtesy of a helicopter. That’s great and all, but the old Red Robin would have simply EVADED THE GUNFIRE!!!!

My disgust with the costume aside, Teen Titans #1 isn’t so bad. We kick the issue off with Kid Flash (who is apparently still Bart Allen, not Wally West), rushing to help with a burning building, but ends up making the situation a LOT worse. This apparently adds fuel to the media’s claims that many teenage meta-humans are menaces. Meanwhile, Project N.O.W.H.E.R.E. (see Superboy #1) is hunting down teenage metas, and the poorly dressed Red Robin rushes to save Cassandra Sandsmark, who the press call Wonder Girl. In response to the resulting battle, N.O.W.H.E.R.E. decides to release their secret weapons (or at least one of them): Superboy.

Teen Titans #1, 2011, Brett BoothA few things that caught my attention in this issue:
– It seems to run side by side with the current Superboy story arc.
– Tim Drake will apparently be the one who to bring the Teen Titans together, much like Batman will be the one to form the Justice League (according to solicitations at least). Funny how these two loners are inclined to create superhero teams…
– Wonder Girl’s costume is slightly reminiscent of Donna Troy’s, from the standpoint of the stars in space design. Curious.

Will I come back for more Teen Titans? Probably. The concept of teenagers being reckless with their superpowers intrigues me, as that’s something real teenagers would likely do. But I’m telling you, Red Robin’s costume might ruin it for me. I’m THAT bothered by it.

Interior image 1 from insidepulse.com. Interior image 2 from bleedingcool.com.

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A Brightest Day, Vol. 3 Review – Prelude to a New Dawn

Brightest Day, Vol. 3TITLE: Brightest Day, Vol. 3
AUTHOR: Geoff Johns, Peter Tomasi
PENCILLERS: Ivan Reis, Patrick Gleason, Ardian Syaf, Scott Clark, Joe Prado
COLLECTS: Brightest Day #17-24
FORMAT: Hardcover
PUBLISHER: DC Comics
PRICE: $29.99
RELEASED: September 7, 2011

By Rob Siebert
Editor, Fanboy Wonder

So here we have it: The third and final Brightest Day collection, which ties everything together, and lets us know who Earth’s ultimate champion is. I’m going to stay spoiler free here, but I talked at length about the big reveals at the end when Brightest Day #24 was originally published. So that’ll be your fix for spoilers on this one.

When we open the book, all the characters are in the middle of their respective storylines. Boston Brand (Deadman) reunites with his only living relative, Hawkman and Hawkgirl do battle alongside Star Sapphire in space, Ronnie Raymond and Jason Rusch race to save Ronnie’s father and Professor Stein, Martian Manhunter continues to be tormented by a most unexpectd foe, and Aquaman and the new Aqualad prepare for what may be the battle of their lives. All the while, the entity that resides within the mysterious White Lantern is becoming more aggressive in preparation for a moment that may decide the fate of the world.

Deadman, Brightest Day #22Until we get to our big reveal at the end, this book is pretty good. In all fairness, while I wasn’t a big fan of the ending, it did make sense given what had been established in Blackest Night and other stories. I found myself wanting to see more from the Deadman story arc, but it’s likely best that things turned out the way they did. If they overdid it, the arc could have been tainted. The Hawkman/Hawgirl story never really did it for me, but it ends on an interesting enough note.

Aquaman and his cast of characters get a nice spotlight in this particular book, as the “Aquawar” story within a story played out. Particularly strong were the moments between Aquaman and Black Manta, two rivals whose contempt for one another rivals that of Batman and The Joker (yep, I said it). Aquaman and the new Aqualad, Jackson Hyde, also have a few interesting moments together, which leads me to believe the two will have an interesting partnership.

This book has what some would consider to be an all-star team of artists. Ivan Reis’ work with Johns has been well publicized, and he delivers yet again here. Ardian Syaf continues to have strong showings (despite his talent being wasted on that damn Grounded story). Those two turn in the strongest performances here in my opinion, though the art is great all around.

Brightest Day #24 (2011), Hawk & Dove, DeadmanI’m interested to see if this entire story remains in continuity with the New 52. Apparently, the romance between Dove and Deadman will still be in continuity. And as our mystery savior at the end is getting his own book as well, one can conclude his arc is canon. Firestorm may be as well. To an extent, one can only speculate.

In any event, Brightest Day certainly created a decent amount of momentum for its stars, which may be evidenced by most of the stars getting their own ongoing books this month. Deadman will also be featured in the first story arc of DC Universe Presents. From my perspective, this final volume saw the quality dip a bit, but not much. Brightest Day is a worthwhile venture.

RATING: 7.5/10

Image 1 from x-mensupreme.blogspot.com. Image 2 from panelxpanelcomics.wordpress.com.

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A Justice League: Origin Review – A New Era Begins

Justice League: Origin, coverTITLE: Justice League: Origin
AUTHOR: Geoff Johns
PENCILLER: Jim Lee
COLLECTS: Justice League #1-6
FORMAT: Hardcover
PUBLISHER: DC Comics
PRICE: $24.99
RELEASE DATE: May 2, 2012

By Rob Siebert
Editor, Fanboy Wonder

Yeesh. Talk about a tall order. Justice League: Origins tasks Geoff Johns and Jim Lee with setting up the post-Flashpoint DCU, introducing all seven members of the League plus Darkseid to new readers, telling a story that’s appealing to both new and longtime readers, and moving that story along at a pace that doesn’t allow it to get bogged down by all the introductions. They definitely accomplished the first two. Whether they got the last two is up for debate.

Justice League: Origin takes place five years in the past. Superhumans are a fairly recent development, and the public is largely afraid of them. But when demonic creatures (which regular DC readers know as parademons) start popping up around the world, Batman, Green Lantern, Superman, The Flash, Wonder Woman and Aquaman must come together to save the world. Meanwhile, a terrible accident turns high school football star Victor Stone into Cyborg, who may very well be the key to humanity’s survival. Because from the flames of Apokolips, Darkseid is coming…

Justice League: Origin, team shot, Jim LeeThis book takes a very ground-floor approach to the Justice League concept, as it should. Unlike the previous continuity, the League is the first active superhero team. There has never been a Justice Society, an Infinity Inc., etc. Most of the characters have heard of one another, but have never met (Green Lantern and The Flash are the exception). The plot is also pretty simple: Bad stuff is happening in Metropolis, and these heroes are all drawn to it. As a longtime fan, the formula for most of this book is almost painfully simple. Character introduction and exposition, action mixed with character introduction, repeat. But you can’t necessarily fault Geoff Johns for that approach. Remember, this is supposed to be the first chapter in the Justice League’s history. And what does a first chapter do? It introduces the characters. That’s especially important when you consider that this book is designed to be a hook for new readers. For longtime fans it might be tedious, but it’s necessary.

They couldn’t have chosen a better artist for this book than Jim Lee. Let alone the fact that he’s a co-publisher at DC, and designed the many of the new looks for these characters, he’s just an amazing artist. His action scenes all have great weight and tension to them, which needless to say is a must when your book is so action-heavy. Fight scenes tend to be filled with epic splash pages. Batman, Superman, Wonder Woman and Darkseid all get nice two-page splashes. The costume tweaks for the heroes are all acceptable, except for the fact that Superman, Batman, Green Lantern and The Flash all look like their armor was made by the same company. That’s a hell of a customer pool, isn’t it? Gotham City, Central and Keystone Cities, the planet Krypton, and the Guardians of the friggin’ universe! I’d like to shake that marketing coordinator’s hand…

Justice League #1 (2011), final page, Superman, Jim LeeHowever, I’m greatly concerned about how Superman is portrayed in this book. The fact that he’s so powerful makes him cocky and standoffish, and thus not necessarily likeable. He spends a good portion of his introductory time saying things like:

– “So, what can you do?”
– “Talk, Batman. Before I won’t let you.”
– “Chains? You’re funny Green Lantern.”
– “Why should I come with you?…No one’s like me.”

I get that this story takes place during Superman’s early years, so maybe he’s a little overconfident, and dare I say immature, than we’re used to seeing him. He’s feeling ostracized because he’s not from Earth, so he’s not very trusting. That’s fair enough. But that’s the only side of Superman we see in this story. If you’re a new reader, the only impression you have of Superman is that he behaves like the conceited star of a high school football team. That’s a pretty big misstep considering Superman is not only one of the poster boys for the Justice League, but one of the faces of the entire DC Entertainment brand. We see a similar problem with Aquaman. But he’s also got the most bad ass moment in the entire book (he tells a bunch of shark to leap out of the water and catch parademons in the air), so that buys him a bit of leniency from me.

Truth be told, Origin sees more than one of our heroes acting like jocks vying to be captain of the team. Green Lantern has the stones to trap Batman in a construct and says: “Here’s the plan: Green Lantern goes in there and restrains Superman for questioning. Batman waits here.” But the difference between what happens with Superman and what happens with Green Lantern is that Johns takes the time to redeem GL. Without getting too specific, as the intensity of the battle increases, we start to see cracks in Hal Jordan’s confidant, cocky exterior. We see that deep down he’s really a good person, and not the pretentious douchebag he is at the beginning of the story. Superman and Aquaman don’t have moments like that. Johns and Lee didn’t need to stop the story to address this issue. All we needed were a couple of little moments. A throwaway line for both characters might have even done the trick. But nope, pretentious douchebags.

Justice League #6, Jim Lee, super sevenEverybody else fares pretty well. Batman is the combat veteran, Wonder Woman is the honorable yet action-hungry warrior, The Flash is the straight-laced guy with the heart of gold, and Cyborg is the new kid on the block trying to find his way.

So is this a team new readers can root for? Yes, and I think that quality will only grow as the series progresses. But in this book, their origin story, I wish they spent a bit more time acting like heroes, as opposed to squabbling teenagers. Are disagreements bound to happen when seven people from seven different backgrounds come together? Of course. That’s one of the things that makes any team book interesting. But at the end of the day, these characters are here to fight for justice and virtue. I wish this book could have done more to show us the beginnings of a team, as opposed to characters who all happen to be fighting on the same side of a war.

Origin is a solid start. It’s not as good as it could have been, but it’s a start.

RATING: 6.5/10

Image 1 from imgarcade.com. Image 2 from threatquality.com. Image 3 from superherohype.com.

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