Tag Archives: Anna Maria Marconi

A Review of The Amazing Spider-Man #1 – Spider-Man Inc.

The Amazing Spider-Man #1 (2015)TITLE: The Amazing Spider-Man #1
AUTHOR: Dan Slott
PENCILLER: Giuseppe Camuncoli. Cover by Alex Ross.
PUBLISHER: Marvel
PRICE: $5.99
RELEASED: October 7, 2015

By Rob Siebert
Editor, Fanboy Wonder

Toy companies love to put Spider-Man in cars, on motorcycles, vehicles in general. The frustrated fanboy in me really dislikes that. After all, he’s Spider-Man! What does he need a car for?

Low and behold, Dan Slott (who may be the definitive Spidey scribe of the last decade) and Giuseppe Camuncoli answer the question in The Amazing Spider-Man #1. Spider-Man doesn’t need a car. He wants a car. In this issue he gets that and more.

Part of Marvel’s “All New All Different” relaunch, The Amazing Spider-Man #1 shows us that Parker Industries has done rather well for itself. In addition to the new “Webware” smartwatch, Peter Parker’s corporation is developing tech for S.H.I.E.L.D., as well as his own Spider-Man ventures. He’s also got his very own Spidey body double in Hobie Brown, a.k.a. Prowler. But as Peter is spread thinner than ever at the head of Parker Industries, Spider-Man must face attacks from The Zodiac. What’s more, Parker Industries is facing attacks from within.

The Amazing Spider-Man #1, Giuseppe CamuncoliThis issue also comes with a nice little Spidey sampler, pulling from a few other different books in the Spider-Man line. Thanks to the events of Secret Wars, we’ve got no shortage of Spider-Man material out there.

This issue introduces us to Peter Parker’s new global initiative, not just as Spider-Man, but as the head of his own company. It’s a little bit like Batman Incorporated in that with help, Peter is trying to reach his fullest potential as a hero and a humanitarian. He’s got a S.H.I.E.L.D. liaison in Mockingbird, Anna Maria Marconi working on tech stuff at the company’s London branch, his old friends from Horizon Labs running an institute for technology in San Francisco, and he’s got Hobie doing Spidey stuff when he’s not around. He’s also linked to Miguel O’Hara, a.k.a. the Spider-Man of 2099. I can only assume he has ties to Miles Morales, who’s also swinging around New York. As such, the scope of this story is huge.

Screen shot 2015-10-08 at 12.29.59 AMNaturally, there opportunities aplenty for the ol’ Parker luck to strike. I’m particularly interested in Peter using Hobie as an alternate Spider-Man. He flat out tells Peter he’s not comfortably in the role, and that’s demonstrated when he fails to stop The Zodiac at the wedding of Max Modell. Asking Hobie to assume his identity, while Spider-Man is also serving as a mascot of sorts for Parker Industries is a tall task. It’s also a giant risk that Peter may end up regretting.

There’s enough heart in Peter’s strategy with Parker Industries that you want him to succeed, but at the same time know it’s doomed to fail. Slott lets us know that Peter only pays himself a middle-management salary, which certainly makes him look heroic in an era where people love to talk about “the top 1 percent.” We also see him start the Uncle Ben Fondation, which believe it or not isn’t dedicated to rice in some way. But at the same time, lines like: “With great power…comes greater speed, storage, and battery life” feel wrong coming out of his mouth. This is the point, of course. It’s supposed to feel like an ill fit. So in that sense, Slott’s got something here.

The Amazing Spider-Man #1 (2015), Peter Parker, fly downGiuseppe Camuncoli and the artistic team add some lighting to the Spider-Man eyes and chest emblem, which again, brings Batman Incorporated to mind. Camuncoli brings his usual blend of stylized realism to the mix. As it turns out, he draws a hell of a Spider-Mobile. And it looks damn good in what was definitely the most suspenseful comic book car chase I’ve seen in quite some time!

And so, the next chapter in Dan Slott’s historic run on Spider-Man continues. He’s been able to stay fairly consistent since he took over in 2010. So the smart bet is he’ll have taken us on quite a ride by the time Parker Industries comes crumbling down.

 Images from author’s collection.

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A Review of Superior Spider-Man: Necessary Evil – The Future is Back

The Superior Spider-Man, Vol. 4: Necessary EvilTITLE: The Superior Spider-Man, Vol. 4: Necessary Evil
AUTHOR: Dan Slott
PENCILLERS: Ryan Stegman, Giuseppe Camuncoli
COLLECTS: The Superior Spider-Man #17-21
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: January 15, 2014

By Rob Siebert
Editor, Fanboy Wonder

Necessary Evil doesn’t really pick up steam until we’re past the halfway point, when Otto Octavius (who remember, is in Peter Parker’s body), makes a major change to his status quo, and has an emotional yet confusing reunion with an old flame. But before those things happen, the timestream becomes a tangled web in its own right, as the present and the future become intertwined.

In the year 2099, Tyler Stone, head of the Alchemax corporation, is being erased from the fabric of history. Thus, Miguel O’Hara, the Spider-Man of 2099, and Stone’s biological son, travels through time to find the source of the problem in the year 2013. Low and behold, he finds Peter Parker acting very strangely, and is at odds with his grandfather Tiberius Stone, who has been developing technology for use against the present-day Spider-Man. Thus, to keep his family’s lineage intact, not to mention the fabric of time, Miguel O’Hara must face off against the Superior Spider-Man!

The Superior Spider-Man, Vol. 4, Spidey 2099While I have nothing against the 2099 universe, from a plot standpoint, the first three issues in this book represent the low point of The Superior Spider-Man thus far. The time portal at Horizon Labs leads nicely into the creation of Parker Labs, Otto/Peter’s own corporate empire. But the saga of Miguel, his father, and the potential unraveling of the 2099 status quo left me feeling bored.

That being said, the blue costume is still pretty damn cool, as is seeing it in battle against the Superior Spidey outfit. Ryan Stegman gives us an epic two-page spread in issue #17 (shown at left). He also draws the literal “unraveling” of Miguel and Tyler Stone very well. But what takes the cake as far as Stegman is concerned is the creepy memory sequence in issue #19, in which classic Steve Ditko and John Romita panels are used with Otto’s face in place of Peter/Spider-Man’s. It creates a creepy, eerie vibe that meshes wonderfully with the idea that Otto’s villainous impulses are starting to get the better of him. Thus, the art works very well, despite a story that’s somewhat bland overall.

014-200x300Thankfully, things get back in track in issue #20, when we get the highlight of the book: A scene between Black Cat and Superior Spidey. In the scope of the series as a whole, the scene has no long-term ramifications (at least not yet). But it’s got that great Spider-Man humor/action balance. Spidey encounters Black Cat on a rooftop, and when she comes at him with her “Hello Lover,” routine, he punches her in the goddamn face, and then webs her up for the cops. In the best possible way, it’s exactly what you’d expect from an Otto/Felicia Hardy encounter. What’s more, Giuseppe Camuncoli gives Cat just the right amount of sex appeal, and beautifully turns her from welcoming, to shocked, to enraged within the span of three pages. He’s also excellent with the furry pieces of her costume.

Angelina Brancale, a.k.a Stunner, awakens from a coma. Quick history lesson: Angelina is an obese woman who became a guinea pig for a virtual reality technology created by Doctor Octopus. As such, she was able to become the muscle-bound Stunner. Stunner and Otto eventually fell for each other. Eventually, to save Otto’s life, Angelina takes part in a ritual that places her in a coma. When she wakes up and learns that Otto was “killed” by Spider-Man, she uses Otto’s old virtual reality technology to become Stunner again. The ensuing battle places Otto/Peter’s current flame, Anna Maria Marconi, in harm’s way, and Otto is forced to confront Angelina with the truth. This results in a genuinely sad scene between the two. Surprisingly, Otto doesn’t come out of the situation looking like a heel. He’s simply a man following his heart. You don’t have to do any research on Stunner to get the gist of what her relationship to Otto is, and how impacted and heartbroken she is by his apparent death. From a certain standpoint, she’s a rather sympathetic character.

The Superior Spider-Man, Anna Maria MarconiSpeaking of sympathy, poor Anna Maria Marconi still has no idea of the heartbreak she’s (presumably) in for. In addition to the returns of Black Cat and Stunner, issue #20 also sees Otto/Peter take Anna Maria out on a picnic dinner above the city on a sheet of webbing, the life of which has now been elongated indefinitely until “I activate a dissolving agent. I always try to keep improving.” To yours truly, this scene cuts the premise of Peter Parker developing technology for Spider-Man a bit too close. It’s a really nice visual. But during a moment like this, an alarm should be going off in Anna’s head. “Hey, wait a minute. This dude might not just be Spider-Man’s tech guy…”

While the 2099 elements were, from my perspective, a flop, Dan Slott continues to give us good Spider-Man. Necessary Evil just doesn’t represent his best Spider-Man. And as far as The Superior Spider-Man is concerned, hopefully the best is yet to come.

RATING: 7/10

Image 1 from comicvine.com. Image 2 from jthenr-comics-vault.tumblr.com. Image 3 from spidermanreviews.com.

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A Superior Spider-Man: No Escape Review – A Sinister Spidey

The Superior Spider-Man, Vol. 3: No EscapeTITLE: The Superior Spider-Man, Vol. 3: No Escape

AUTHORS: Dan Slott, Christos Gage
PENCILLERS: Giuseppe Camuncoli, Humberto Ramos
COLLECTS: The Superior Spider-Man #11-16
FORMAT: Softcover
PUBLISHER: Marvel
PRICE: $17.99
RELEASED: November 20, 2013

By Rob Siebert
Editor, Fanboy Wonder

This book has the wrong title. Instead of No Escape, it should really be No Rules. At this point, with the Superior Spider-Man (who, remember, is Otto Octavius’ mind in Peter Parker’s body) totally free of influence from Peter Parker’s consciousness, he’s free to do things his way. And as we find out in this book, that means most traditional superhero rules are out the window.

When we open No Escape, Alistair Smythe, a.k.a. the Spider-Slayer, and the man who killed Mayor J. Jonah Jameson’s wife, is scheduled to be executed at the Raft maximum security prison. Jameson brings in Spider-Man to ensure Smythe’s sentence is carried out. But of course, as Jameson himself says, “…madmen like Smythe always have some kind of escape plan.” And indeed, he does. It involves the Vulture, Scorpion, Boomerang, and a fight to the death. Later, Spidey takes the fight to both the Kingpin and the Hobgoblin in a manner most definitely not Spidey-like. In effect, it’s villain vs. villain.

Superior Spider-Man #14What I really enjoyed about No Escape is the way Otto, for better or worse, makes the Spider-Man identity his own. In issue #14, the costume changes to incorporate MUCH more black. Also, in a change befitting Doctor Octopus, Spidey now wears a back pack with four retractable arms. To add to his legion of Spider-Bots, our anti-hero has now constructed the much larger Arachnaughts, and has recruited an army of “Spiderlings” to carry out his bidding (“Minions, attend me!”). He marches his new forces straight up to Shadowland, the Kingpin’s fortress in the middle of New York City, and friggin’ tears the damn thing down with the intent to murder the crime boss. Granted, he keeps all the civilians safe via force field. But even so, attempting to murder a supervillain via the destruction of an occupied building is hardly heroic, is it? Nor is the way the Superior Spidey deals with Phil Urich, a.k.a. the Hobgoblin, by “outing” him via a broadcast to all of New York City, creating a hell of a hazard in the offices of The Daily Bugle. Heck, we even see him blackmail Jameson to get him under his thumb! Not to mention what ends up happening to Smythe…

Superior Spider-Man, to the deathObviously, Slott is using Otto to feed some of our innate desires to give supervillains what they really deserve. Superior Spidey is doing things to them that they’d have no problem doing to innocent people. Thus, a darker brand of justice is served. I suspect we’ll eventually get to see all of this come back to bite Spidey, however, whether it’s Peter Parker or Otto Octavius under the mask. This would, of course, illustrate that despite the short-term satisfaction gained from Otto’s methods, they’ve ultimately only created larger problems.

We also see a bit more of Anna Maria Marconi, Peter/Otto’s little person love interest, in this book. Slott continues to endear her to us, and quite frankly, she’s become the Ahsoka Tano of the Spider-Man universe. We know something bad is going to happen to her. Either she’s going to have her heart broken when Peter eventually returns to his rightful role as Spider-Man, or Otto’s going to do something dastardly and she’ll be swept up in it. Either way, the more her relationship with Peter/Otto grows, the greater the impact will be when that other shoe finally falls. So kudos to Slott and the creative team for making me care about this character. But man, talk about backing the wrong horse…

No Escape had a tough act to follow. It’s predecessor, A Troubled Mind, gave us a truly epic confrontation between Peter Parker and Otto Octavius. This book doesn’t have anything like that. But make no mistake about it, the magic is still there. From a quality standpoint, The Superior Spider-Man is still one of Marvel’s top books. Call me a blasphemer if you must, but I feel no great need to give Peter Parker his body back any time soon.

RATING: 8/10

Image 1 from twilitdreams.wordpress.com. Image 2 from followingthenerd.com.