Last week was a big one for Jessica Drew, a.k.a. Spider-Woman. Her new #1 hit the stands. A quite enjoyable start to a new volume, if you ask me.
As you can see, Alex Ross is no stranger to Spider-Woman. In Marvelocity: The Marvel Comics Art of Alex Ross, he offered a bit of insight into the character, as well as the history of Marvel’s other female heroes…
“I love Spider-Woman. Marvel’s lineup of heroes in the 1960 was not strong on female leads. There was the Wasp and Invisible Girl and Marvel Girl, but they were reflections of their male counterparts. … Spider-Woman and She-Hulk were created in the 1970s simply to establish the copyrights to their names, but I think the characters have gone on to transcend that.”
Apparently, the Spider-Woman costume is one of Ross’ favorites to draw.
“Even though I felt her costume design was largely unrelated to Spider-Man’s (aside from the eyes), she was so attractive to me as a kid.”
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If you’re a comic book geek and haven’t heard the name Neal Adams, you haven’t been paying attention in class.
Alex Ross credits Adams as one of his early influences, and it’s easy to see why. Adams is widely credited with revolutionizing comic book art. Specifically in the late ’60s and early ’70s when he worked with writer Denny O’Neil on characters like Batman, Green Arrow, and Green Lantern.
Today is a big day for our favorite Amazon princess. Wonder Woman #750 has all the makings of an amazing tribute to the character and her legacy. It promises tales from various points in her career, featuring epic talents like Greg Rucka, Gail Simone, Marguerite Bennett, Jesus Merino, among so many others.
For Alex Ross, the classic never dies. Not just in terms of their looks, but their origins. So it’s no surprise to hear his enthusiasm for Diana’s classic origin in the video below.
I’d also like to note this is the first time I’ve heard this sculpted-from-clay story referred to as a “virgin birth.” I don’t think he’s intentionally trying to evoke a comparison to the birth of Christ. But they do have that element in common…
It’s been written that seeing an Alex Ross take on a comic book character is like, “finally meeting someone you’d only ever heard about.”
As anyone familiar with his work knows, Ross is truly in a league of his own in terms of making these characters look real, yet keeping that awe-inspiring flamboyance that captured our hearts in the first place.
Ross has talked about at times using specific likenesses (actors, etc.) as the basis for certain characters. He famously used his father to portray Norman McCay in Kingdom Come. In the same book, Gregory Peck was apparently Ross’ inspiration in rendering an older Bruce Wayne. And as he discusses in the video below, his take on Mister Fantastic was at one time based on how Russell Johnson (the Professor) looked on Gilligan’s Island.
But even when drawing in such a realistic style, is that the way to go? As time went on, Ross would change his mind on the matter…
These days, with superhero movies more prevalent than ever, Ross finds himself in a unique position as filmmakers try to literally bring these stories to life on the big screen. While certain liberties are often taken to make them look more real, Ross remains as reverent as ever for the way these characters were originally designed…
A friend of mine recently introduced me to Quora, which is a fun little way to kill time.
I recently came across the simple question of, “Why is the Joker so skinny?” No doubt, it was inspired by how Joaquin Phoenix’s body looked in Joker.
But it certainly didn’t start there. More often than not, the Joker we see in the comics is drawn as a skinny dude. In that sense, if not many others, Joker followed its source material.
I’ve previously mentioned what I refer to as the Alex Ross Theory of the Joker. I base it on a quote I plucked from Mythology: The DC Comics Art of Alex Ross. On the very same page as that quote comes this bit of insight into Ross’ take on the character, which he tries to keep somewhat consistent with the original Bob Kane/Jerry Robinson version (shown below).
“…he didn’t start off in the comics as this stick-thin anorexic guy – I wanted to give him the appearance of being long and lean, but also physically powerful, not underweight. He was originally based on Conrad Veidt in the 1928 silent film The Man Who Laughs, and that’s what I’m seeing to capture – the true face of Joker.”