Weekly Comic 100s: Iron Man #1, Star Wars, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Iron Man #1
AUTHOR: Christopher Cantwell
ARTISTS: Cafu, Frank D’Armata (Colorist), Joe Caramagna (Letterer). Cover by Alex Ross
RELEASED: September 16, 2020

The premise of this book is that Tony Stark is going back to basics. Good ol’ fashioned super-heroing. He does this in his classic costume, which is pretty cool. Cafu and D’Armata give us an amazing page of him “suiting up.”

Cantwell’s dialogue, particularly between Iron Man and Hellcat, is pretty funny. It may get to be grating as the issues go on. But for now I dig it.

Cool use of sign language in this issue. It’s only one panel. But it’s memorable.

TITLE: Seven Secrets #2
AUTHOR: Tom Taylor
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte & Katia Ranalli (Colorists), Ed Dukeshire (Letterer)
RELEASED: September 16, 2020

This second issue is basically a big exposition dump. But there’s some interesting stuff in here. Especially what basically amounts to a ninja school for youngsters. Then the emotional stakes raise when we start to see our main character, Caspar, interact with his parents.

In a perfect world, we could have spent the entire first arc of the book on the content in this issue. Whether the speed-through was worth it or not depends on the quality of the story they end up telling.

Meanwhile, Daniele Di Nicuolo remains at home in a story about youngsters doing martial arts.

TITLE: Star Wars #6
AUTHOR: Charles Soule
ARTISTS: Jesus Saiz, Arif Prianto (Co-Colorist), Clayton Cowles (Letterer). Cover by R.B. Silva and Guru-eFX
RELEASED: September 16, 2020

Six issues in, this book finally starts to get interesting here. We finally finish the ridiculous business of finding Luke an intermediate lightsaber, and then we jump right into something cool at an old Jedi temple.

Story notwithstanding, I certainly can’t complain about Jesus Saiz and Arif Prianto’s art. Saiz captures the likenesses of the actors very well. This issue in particular has a wonderful closing splash page.

TITLE: Giant-Size X-Men: Storm
AUTHOR: Jonathan Hickman
ARTISTS: Russell Dauterman, Matthew Wilson (Colorist), Ariana Maher (Letterer)
RELEASED: September 16, 2020

Emma Frost steals this issue within the first few pages. Storm laments the fact that she might be dying, and Emma lays into her for being dramatic. “After all, we’re just going to resurrect you, dear.”

I love when even the characters themselves know how death works in comics.

Actually, we wind up returning to the “Why not just die and come back?” question later. It’s the most interesting part of the story, but we don’t dive into it to any sort of satisfaction. By and large this book, like the other Giant-Size X-Men books, is very missable.

TITLE: Darth Vader #5
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letter). Cover by InHyuk Lee.
RELEASED: September 16, 2020

Some of the art in this book is really awkward. Case in point, a flashback panel where we see Obi-Wan cut Anakin’s limbs off in Revenge of the Sith. The figure rendering itself is fine. But some of the posing is just weird.

Thankfully, they do not in fact exhume Padme’s corpse in this issue. That’s where it looks like it’s going for a few pages…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Who is Nightwing? – The Villains Chapter

***As Nightwing’s public profile grows higher via the Titans TV series and the upcoming Gotham Knights game, “Who is Nightwing?” looks at Dick Grayson’s early solo adventures after stepping out of Batman’s shadow.***

TITLES: Nightwing #918, Nightwing Annual #1
AUTHOR: Chuck Dixon
ARTISTS: Scott McDaniel, Greg Land, Karl Story (Inker), Bob McLeod (Inker), Roberta Tewes (Colorist), John Costanza (Letterer)
PUBLISHER:
DC Comics
ORIGINAL SELLING PRICE:
$1.95 per issue (Annual: $3.95)
ORIGINALLY RELEASED:
1997-1998
CURRENTLY COLLECTED IN:
Nightwing, Vol. 2: Rough Justice

By Rob Siebert
Fanboy Wonder

This first volume of Nightwing has historically been collected in chunks of roughly 8-10 issues. Issues #1-8 are usually the first chapter, and this collection of issues #9-18 and the first annual can be seen as a second chapter. To that mindset, I’d call this the “Villains Chapter.” Dixon, McDaniel, and the team have set up Dick Grayson’s new status quo. Now it’s time to create some new villains for him to fight, as well as bring in some familiar faces from Gotham.

In issue #7, we learned the identity of Bludhaven’s new crime lord: Roland Desmond, a.k.a. Blockbuster. For my money, Blockbuster’s effectiveness as a lead villain largely depends on how much perspective you have as a comic book reader. If you’re simply reading these issues at face value, as I was when they first came out, then he’s fine. A big bad crime boss who, unlike a Carmine Falcone or a Rupert Thorne, can actually be a physical threat to our hero. But with the benefit of hindsight more than two decades later? He feels like an attempt to imitate Wilson Fisk, a.k.a. the Kingpin over at Marvel. But I’ll say this much: He’s a good imitation. And Scott McDaniel is great at juxtaposing this giant monster in a suit with the ultra fast and flexible Nightwing.

As the book continues to develop a mini-rogues-gallery for Nightwing, the book brings in a few icons to help hold down the fort. We see Man-Bat, Deathstroke, and the Scarecrow. The latter is particularly effective, as it doubles as an opportunity for readers to dive into Dick’s psyche and get to know him that much better. You wouldn’t know it by looking at him, but our former Boy Wonder is living with a hell of an inferiority complex. To that end, I love how Chuck Dixon incorporates Bruce Wayne choosing Jean Paul Valley to take his place as Batman during the Knightfall storyline. It’s a nice way to illustrate that despite wanting to be his own man, Dick still cares deeply about what Batman thinks of him.

We spend about an issue’s worth of pages experiencing these Scarecrow-induced hallucinations with Dick. Some of it’s played for surreal humor, which wouldn’t have necessarily been my first choice. But it gets the point across. Less effective is Scott McDaniel, Karl Story, and Roberta Tewes’ visual take on the scenes. I said it last time, and I’ll reiterate here: This team is so much better suited for action scenes than the quiet, existential stuff. Our opening issue, which sees Nightwing evading gunfire in a shopping mall? A delightful read that has a great visual flow to it. Dick Grayson confronting his worst nightmares? Meh.

Another strike against McDaniel, along with other artists of this era, is what I’ll call “shoulder horns Batman” (shown below). For whatever reason, in the ’90s and early ’00s it was acceptable to put pointy horn-looking gimmicks on Batman’s shoulders. I think the idea was to make him look more menacing, and even a little demonic. But I’ve always hated it. Thankfully it gradually went away, and never made its way into any of the on-screen versions of the character.

On the subject of ’90s costumes, I didn’t even recognize Deathstroke at first. I’d completely forgotten about his black and blue suit…

Though it might be blasphemous to some, I prefer what Greg Land turns in on Nightwing Annual #1. The final product is cleaner, and makes for an enjoyable read.

These issues are also where we start to pick up the pace on the slow-burn romance between Dick and Barbara Gordon/Oracle. Chuck Dixon was one of, if not the master of writing the chemistry between these two. It’s not particularly subtle. Dick and Barbara are fairly flirtatious whenever he comes to her for help on a case. At one point, Dick practically talks openly about a potential romance with her. It’s more a case of Will they?/Won’t they? To his credit, Dixon is able to strike a really nice balance in these issues. He makes us want to see Dick and Barbara get together. But at the same time, he’s able to write in some chemistry between Dick and his building superintendent without making either character look like a heel. On paper it’s a very precarious love triangle. But Dixon pulls it off beautifully.

What’s more, it wouldn’t be long before Dick had yet another love interest. Sparks were about to fly as Nightwing crossed paths with none other than Helena Bertinelli…the Huntress!

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

 

Weekly Comic 100s: Superman, TMNT, Something is Killing the Children, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Superman #25
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Julio Ferriera & Danny Miki (Inkers), Alex Sinclair (Colorist), Dave Sharpe (Letterer)
RELEASED: September 8, 2020

Apparently in the post-New 52 continuity, or whatever continuity we’re in right now, Clark Kent and Lana Lang haven’t been in touch for awhile. Though apparently she was still Superwoman at one point…

For a couple pages here, Ivan Reis gets to take on Clark’s Smallville days. That’s pretty cool. Less cool? He also draws the New 52 Superman costume. Though thankfully it looks less like armor.

I’ll be sad to see Bendis’ run on the Superman books end in December. He did right by the Man of Steel.

TITLE: Teenage Mutant Ninja Turtles #109
AUTHOR: Sophie Campbell, Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Jodi Nishijima, Ronda Pattison (Colorist), Shawn Lee (Letterer)
RELEASED: September 9, 2020

It continues to amaze me how this book is breaking the mold of what a TMNT story can be. What we’ve been getting lately is something more akin to a later issue of The Walking Dead. They’re trying to build a new society from the ground up.

Michaelangelo, for all intents and purposes, starts a Mutant Town podcast in this issue. That. Is. Genius.

TITLE: Something is Killing the Children #10
AUTHOR: James Tynion IV
ARTISTS: Werther Dell’Edera, Miquel Muerto
RELEASED: September 9, 2020

“While you worry about the rules, real people are getting hurt.”

Good line.

This is the first issue of Something is Killing the Children that I think went a little too far with the gore. We actually see a child get murdered in supernatural, yet still pretty brutal, fashion. I still dig the book at large, but that took me right out of the issue.

TITLE: Batman: The Adventures Continue #12
AUTHOR: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Kubina (Colorist), Josh Reed (Letterer)
RELEASED: September 11, 2020

We start getting into the nitty gritty of what the Joker does to Jason Todd in this issue. Harley Quinn is written as having a problem with it. That’s the first move Burnett and Dini have made that I really don’t buy.

I love that for the flashbacks where Jason is Robin, they switched Batman’s costume back to the old Batman: The Animated Series design. Great little continuity touch.

All in all, I really like the DCAU spin they’ve put on A Death in the Family. And it looks like they’re about to stick the landing.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Who is Nightwing? – Bludhaven Begins

***As Nightwing’s public profile grows higher via the Titans TV series and the upcoming Gotham Knights game, “Who is Nightwing?” looks at Dick Grayson’s early solo adventures after stepping out of Batman’s shadow.***

TITLES: Nightwing #18
AUTHOR: Chuck Dixon
ARTISTS: Scott McDaniel, Karl Story (Inkers), Roberta Tewes (Colorist), John Costanza (Letterer)
PUBLISHER:
DC Comics
ORIGINAL SELLING PRICE:
$1.95 per issue
ORIGINALLY RELEASED:
1996-1997
CURRENTLY COLLECTED IN:
Nightwing, Vol. 1: Bludhaven

By Rob Siebert
Fanboy Wonder

This is it. I’d argue these are the issues that would define Dick Grayson for the next two decades and beyond. And they’re good!

Pretty good, that is.

When a whopping 21 dead bodies float up river into Gotham Harbor, Batman and Nightwing trace them to Gotham’s sister city, Bludhaven. When the Dark Knight sends him to investigate, Dick Grayson quickly learns that in many ways, Bludhaven is worse than Gotham. What’s more, a mysterious new crime lord has seized control of the city. Thus, Nightwing must discover their identity and take on a city corrupt to its core. And he’ll have to do it on his own…

I credit Chuck Dixon as one of the more underappreciated architects of Batman’s world as we know it. So Dick was in great hands for his first ongoing series. As one would expect, Dixon spends a good portion of these issues laying groundwork. We establish where Dick is in his life, Bludhaven as a character in itself, his supporting cast, and by the end we have our main villain.

Long before the term “quarter-life crisis” was a thing, Nightwing was essentially a quarter-life crisis book. Not simply about a superhero in a new city, this book is about an early-20s Dick Grayson creating a life for himself without his mentor’s help. And we get to see him doing a lot of those “fresh start” things. He gets an apartment without Bruce Wayne footing the bill. He gets a day job as a bartender. He meets a cute girl. He explores his new city and learns to care about it. These are all things young, particularly college-age adults can identify with. Nightwing reached for a key demographic in ways that few superhero books do.

For the first 40 issues of Nightwing, our art team consisted of Scott McDaniel, Karl Story on inks, and Roberta Tewes on colors.  That’s a heck of a run. A downright historic one when you consider all it did for Dick Grayson.

Personally? I have no choice but to acknowledge this team got the job done, as the work still holds up more than 20 years later. But to be blunt: It’s never really been my cup of tea.

To me, Scott McDaniel’s art has always screamed, “Action!” If you want him to draw, say, a sequence where a helicopter takes off carrying a small building that has Nightwing and a bad guy inside, McDaniel is your man. He’s less suited, however, for quiet moments. A recurring nightmare sequence, for instance. Or a scene at Dick’s bartending job. Sometimes they work, case in point the scene in issue #1 where Dick gives a young would-be mugging victim some money to get the hell out of Bludhaven. But just as often they don’t.

What’s more, the coloring choices make the art hard to follow at certain points. For instance, look at the page below. I understand the effect they’re going for with the lighting. But the final product looks, quite frankly, like someone spilled lemonade all over the page.

On a random side note, it’s amazing to think the Black Mask character has lasted 35 years. Especially when you consider his original design looks like a Blue Man Group guy in a pinstripe suit. He makes a quick appearance in issue #1.

Robin/Tim Drake stops by for issue #6. It’s a fun exploration of the brotherly dynamic Dick and Tim have. It does more for Tim, which is a little bit backwards considering it’s Dick’s book. But putting Dick with the current Robin will always be interesting.

We’ll dive into who Bludhaven’s mysterious new crimelord is next time. It has its ups and downs, but the decision lasts almost 100 issues. So suffice to say it worked out for them. That’s emblematic of these first eight issues overall. They’re hardly perfect. But in the long run, they were exactly what the Dick Grayson character needed as he moved into the next phase of its life.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Black Widow, Batman, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Black Widow #1
AUTHOR: Kelly Thompson
ARTISTS: Elena Casagrande, Jordie Bellaire (Colorist), Cory Petit (Letterer). Cover by Adam Hughes
RELEASED: September 2, 2020

This one’s fairly low on action considering it’s the debut of a Black Widow series. The issue tries to make up for it with intrigue, but there isn’t quite enough to wet my appetite for more.

This, despite some awesome art from Elena Casagrande and Jordie Bellaire. I found it had a slightly similar vibe to the Matt Fraction/David Aja Hawkeye stuff. And of course, yet another breathtaking Adam Hughes cover.

TITLE: Batman #98
AUTHOR: James Tynion IV
ARTISTS: Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by David Finch.
RELEASED: September 1, 2020

As the cover suggests, there’s a big fight between Harley Quinn and Punchline in this issue. As obvious as her inclusion is given the nature of the story, “Joker War” has been a little too Harley-heavy for my taste. It feels like yet another case of DC shoehorning her into a story that’s not necessarily about her.

On the plus side, Jimenez and Morey are on their game here. So is Tynion, as as get a pretty powerful exchange between Batman and…Alfred’s memory? It’s not Alfred’s ghost, I know that for sure.

TITLE: We Only Find Them When They’re Dead #1
AUTHOR:
Al Ewing
ARTISTS:
Simone Di Meo, Mariasara Miotti (Color Assistant), Andworld Design (Letterer)
RELEASED:
 September 2, 2020

Spaceships that carve up space gods to mine humanity’s new resources? Alright book, you’ve got my attention…

This first issue is a little hard to follow, as we’re getting adjusted to how the book works and what’s going on. But by the end we get a decent hook to bring us back for next issue. Take into account how gorgeous this issue is, particularly from a coloring standpoint, and they’ve got me signed up for next time.

TITLE: Shazam #14
AUTHOR: Geoff Johns
ARTISTS: Dale Eaglesham, Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Dale Keown.
RELEASED: September 1, 2020

Ugh. What an awful final issue. It feels like they tried to cram in about two years worth of content. The resolution of the plot threads with Mr. Mind, Billy’s dad, and Black Adam. A pathetically condensed fight with Superboy-Prime. Then of course, they have to end the series on a happy note, though it’s hard to imagine this issue making anyone happy.

It’s not the creators’ fault, mind you. The book got cancelled. But still, the characters, the creators, and the series itself deserved better.

TITLE: Lonely Receiver #1
AUTHOR: Zac Thompson
ARTISTS: Jen Hickman, Simon Bowland (Letterer)
RELEASED: September 2, 2020

I’m not sure what I expected from Lonely Receiver, but it wasn’t what I got. And that’s not necessarily a bad thing.

This strikes me as a story with a lot of layers to it. It’s a story about a woman falling in love with a robot designed specifically to be her partner. But we’ve got undertones dealing with our needs as human beings that are really interesting. Thus far, this books is a little like I, Robot meets an old fashioned romance comic, with some more, shall we say, mature elements mixed in.

TITLE: Star Trek: Hell’s Mirror
AUTHOR: J.M. DeMatteis
ARTISTS: Matthew Dow Smith, Candice Han (Colorist), Neil Uyetake (Letterer)
RELEASED: September 2, 2020

What we have here is a look at the Khan Noonien Singh of the Mirror Universe. And with that in mind, the story and the characters are about what you’d think they’d be. In that sense, this one-shot almost writes itself.

The solicitation heralded the return of J.M. DeMatteis to Star Trek after almost 40 years. For what it’s worth, I can see why. This issue feels just like an episode of the original series. Definitely worth a look for fans.

TITLE: Young Justice #18
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Scott Godlewski, Michael Avon Oeming, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by John Timms & Eltaeb.
RELEASED: September 1, 2020

Had a nice Powers flashback looking at Michael Avon Oeming’s work. Seeing him work on the Spoiler is a little surreal.

This wasn’t quite the “Tim and Stephanie go on a date” issue that I was hoping for. That makes this one a disappointment for yours truly.

By the end of this issue Drake is back to being Robin. But is he actually Robin, or is he Red Robin? Just when we thought Tim had his identity crisis solved…

TITLE: Justice League #52
AUTHOR: Jeff Loveness
ARTISTS: Robson Rocha, Daniel Henriques (Inker), Romulo Fajardo Jr. (Colorist), Tom Napolitano (Letterer). Cover by Cully Hamner.
RELEASED: September 1, 2020

Way too much Batman to cap off a two-part filler story before the book starts to tie in with…*sigh*…Dark Nights: Death Metal.

We’ve seen all kinds of stories that dive into the psyches of various League members. It always seems like five or six issues is too long. But I’d have been happy to see “The Garden of Mercy” go another issue or two. What Loveness, Rocha, and Henriques turn in here is perfectly fine.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Who is Nightwing? – Prelude to Solo Stardom

***As Nightwing’s public profile grows higher via the Titans TV series and the upcoming Gotham Knights game, “Who is Nightwing?” looks at Dick Grayson’s early solo adventures after stepping out of Batman’s shadow.***

TITLES: Nightwing #14
AUTHOR: Denny O’Neil
ARTISTS: Greg Land, Mike Sellers & Nick Napolitano (Inkers), Cathi Bertrand (Colorist), John Costanza
PUBLISHER:
DC Comics
ORIGINAL SELLING PRICE:
$2.25 per issue
ORIGINALLY RELEASED:
1995
CURRENTLY COLLECTED IN:
Nightwing, Vol. 1: Bludhaven

By Rob Siebert
Fanboy Wonder

Dick Grayson officially adopted the mantle of Nightwing in mid-1984 in the pages of Tales of the Teen Titans #44. The move was meant to remove Dick from Batman’s shadow and make him more of his own man. That’s why it’s so surprising in retrospect that the character didn’t get his own solo series until 1996, 12 years later.

Granted, there were one-off issues where Dick would get the spotlight. For a short time in the mid-’90s, he even stood in for Bruce Wayne as Batman. But it wasn’t until 1996 that Nightwing got his own book, and even his own city to protect. After more than 40 years as Robin, and over a decade as Nightwing, Dick was finally spinning off into his own adventures.

DC Comics would test the waters, and ultimately set the stage for a Nightwing ongoing series with a four issue mini published in 1995. Written by legendary Batman scribe Denny O’Neil, the story sees Dick revisit his past while preparing for his future. He also gets a new costume in the process.

Dick starts the story by doing something you probably don’t want to do before you start your own solo series – He quits. Handing his costume over to Batman, saying he’s realized “I’m not you. I was never you. I don’t want to be you.”

And what does Dick want Batman to do with the costume? He has some ideas…

“Put it in a trophy case. Give it to the Salvation Army. Burn it.”

Indeed, Dick Grayson is giving up on superheroics, opting to live a more normal life. A little abrupt? Sure. But I like this idea for Dick. He was and is the most outgoing among Batman’s surrogate family, which makes him the most naturally likable. So as readers, we want to see him happy and fulfilled.

Of course, it can’t last. The poor guy barely makes it to the next morning before he finds an old letter to his parents, threatening them for something they apparently saw in the despotic nation of Kravia. Naturally, he has to investigate.

Our penciller is Greg Land, who’s faced a lot of criticism over the course of his career for his use, and perhaps abuse, of photo reference. He’s been accused of lifting, and even flat-out tracing, images from sources as lewd as hardcore pornography. As far as I know, this Nightwing story pre-dates those allegations. I don’t see anything that stands out as blatantly lifted from somewhere else. Though there are a few images that are a little suspect. Case in point, an image in issue #1 of a briefs-clad Dick Grayson on a bed. I can’t bring myself to complain about that from a sexualization standpoint, given how female characters are often drawn to this day. But it makes you wonder.

There’s also the image above, where Dick, posed like a catalog model, is standing in what has the distinction of being the ugliest shirt I’ve ever seen in a comic book. He unfortunately wears that for much of the second issue.

While he’s unquestionably one of the all-time greats, this is hardly Denny O’Neil’s best work. He has to inject a decent amount of narrative convenience into things to get the story going and to fit it into four issues. The despot in Kravia just happens to remember who Dick is. The assassin he then sends to kill Dick is able to find him very quickly, which provides our hero with a trail of breadcrumbs to follow back to the villain. Makes me wonder why they didn’t keep things a little more simple than a story about whether a dictator was involved in the plot to kill Dick’s parents…

On the upside, this mini is where we see Nightwing’s black and blue costume (shown below) for the first time. His original suit, affectionately called the “disco suit,” worked for a colorful superhero team book in the ’80s. It was later changed to the sleeker, darker-yet-somehow-also-brighter outfit shown above. It was changed again here, presumably because tonally Nightwing was moving into territory closer to Batman. Dark, avenging hero of the night, and all that.

This is the look that practically all subsequent takes on the Nightwing outfit were based on. With Dick’s previous two outfits, especially the first, it feels like there might have been pressure to give the character something with a grandeur befitting his legacy. As it turned out, they were better off keeping it simple. Black with a touch of blue. It’s almost a minimalist’s superhero costume. The black costume also gave Nightwing a certain cool factor he maintains to this day.

At face value, this Nightwing mini isn’t much to write home about. The story is overdone, the villain is generic and forgettable, and by the end the whole thing seems all for naught. But it nevertheless holds an important place in the character’s history as the tale that gave him his new costume, and set him down a path to solo stardom. For that alone, it’s worth a look.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Three Jokers #1 Review – Too Many Smiles?

TITLE: Three Jokers #1
AUTHOR: Geoff Johns
ARTISTS:
Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
PUBLISHER: DC Black Label
PRICE:
$6.99
RELEASED:
August 25, 2020

By Rob Siebert
Fanboy Wonder

Alright, DC. You can have your “Joker War,” and you can have Three Jokers. But after these are both said and done, we put the ol’ Clown Prince back on the shelf for a little while. There is such a thing as too many smiles…

At last, more than four years after it was first teased in Johns and Fabok’s Justice League run, Three Jokers has arrived. Why’d it take so long? No clue. But I’ve gotta say, the end product was almost worth the wait. While he’s obviously used Batman in his larger DC stories, Geoff Johns hasn’t spent a lot of time on a proper Bat-book. But in terms of the overall “feel” of things, i.e. characterization, tone, the sense of sacrifice, and that lingering dread that comes with a great Joker story, Johns and the Three Jokers team absolutely nail it.

Three Jokers presents us with the notion that there are…well, three Jokers. When the Harlequin of Hate seemingly strikes three points in Gotham at the exact same time, Batman, Batgirl, and the Red Hood must figure out where the genuine article is. But certain evidence points them toward something more elusive: That three different men have played the role of the Joker over the years. And unbeknownst to our heroes, a fourth Joker may be on his way…

In a broad sense, I don’t really like the idea of there having been three Jokers. Rather, I like the notion that he evolved over time just as Batman did. But I’ve been around long enough to know these kinds of things often aren’t as they initially seem. So I’ll reserve judgment on the premise and simply judge the content on its own merits.

One thing I give this issue a lot of credit for is quickly and effectively establishing the Joker’s relationship to Batman, and also providing the character with dramatic weight he deserves. It’s all done within the first few pages, using very little dialogue. We see Batman’s scarred and mangled flesh juxtaposed with single images of his enemies corresponding to specific wounds. Characters like Bane, the Riddler, Scarecrow, etc. Then we get one for the Joker. Then the Joker again. Then the Joker again. Then the Joker yet again. Thus the reader, whether a Batman buff or someone picking up a comic for the first time, understands the Joker isn’t simply another villain. He’s the one who’s given Batman more scars, both physically and emotionally, than anyone else.

Also adding dramatic weight is the presence of Batgirl/Barbara Gordon and the Red Hood/Jason Todd. Ask a casual comic book reader to name three Joker stories, and chances are two of them will be (for better or worse) The Killing Joke – Where the Joker shoots and paralyzes Barbara, and A Death in the Family – The infamous story where the Joker kills Jason. So having them around is a nice reminder of what the stakes are when dealing with the Joker. You’d think, with both breathing and walking, the opposite would be true. But both carry a heavy existential burden.

Jason Fabok gets to put his own little tweaks on all the iconic costumes for Three Jokers. The only changes of real significance are to Red Hood’s costume (shown above). Most of what we see is an improvement. The Bat emblem on his chest is thankfully gone. He’s now in a leather jacket with a red tunic that has, you guessed it, a hood. The tunic is supposed to look like the Robin costume. It even has an R on the belt buckle. Initially I wasn’t sure how I felt about that. But it’s grown on me. In fact, it’s probably my favorite take on the costume since Under the Hood in the mid 2000s.

I credit Three Jokers #1 with having one of the best, most cinematic chase scenes I’ve read in quite awhile. There’s not even that much to it. Just Batman and Batgirl trying to stop an ambulance, with Batman coming aboard and fighting inside. But Johns and Fabok made a more exciting sequence out of this than some creators can with four times as much.

This book is also beautifully colored. The palette Brad Anderson is working with feels like it can explode into a bright, beautiful blaze at any moment. But instead we get colors that are very full and that pop, but also feel like they’ve been dipped in darkness. The way Fabok and Anderson capture Gotham City feels definitive. Like this is what it’s supposed to look like.

Jason Todd is really the star of this first issue. That’s mostly because of the climax and a deliciously emotional, character-defining moment between a killer and his victim…

Three Jokers #1 straddles an interesting line. I totally disagree with its premise, yet I can’t deny this is a great comic book. Normally I can’t stand it when even oversized comics are priced above $5. But I can say with full confidence that this one is worth the price of admission.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: “Joker War,” Billionaire Island, Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Red Hood: Outlaw #48
AUTHOR: Scott Lobdell
ARTISTS: Brett Booth, Danny Miki (Inker), Arif Prianto (Colorist), Troy Peteri (Letterer). Cover by Dan Mora & Tamra Bonvillain.
RELEASED: August 25, 2020

These “Joker War” tie-ins are giving me New 52 flashbacks. When “A Death in the Family” was running in Batman, it seemed like they couldn’t crank out enough tie-in issues.

But as far as Joker-themed tie-in issues go, this is a pretty decent one. It’s suitably focused on Jason, pits another Bat-family character against him, and incorporates a location that’s been a mainstay in the book.

On the downside, they kill off a character for no good reason. One that I thought had a decent fan following too…?

TITLE: Detective Comics #1026
AUTHOR: Peter Tomasi
ARTISTS: Kenneth Rocafort, Daniel Brown (Colorist), Rob Leigh (Letterer)
RELEASED: August 25, 2020

There’s a panel on the opening page of this issue that’s markedly similar to an Alex Ross painting of Batman standing between stone gargoyles. Anyone else notice that? Or am I just an Alex Ross buff?

Actual exclamation in this issue: “Murderize him!”

I’m not the biggest Kenneth Rocafort fan. But in this atmosphere, Batman vs. Killer Croc in the Gotham sewers, he’s at home. His work here is enjoyable.

Tomasi, who has run hot and cold on Detective, is on his game too. This is the best issue this series has seen in many weeks.

TITLE: Batgirl #48
AUTHOR: Cecil Castellucci
ARTISTS: Robbi Rodriguez, Jordie Bellaire (Colorist), Andworld Design (Letters). Cover by Giuseppe Camuncoli.
RELEASED: August 25, 2020

I’ve been away for awhile (mostly because I don’t like Batgirl’s current costume)…since when does Commissioner Gordon call his daughter “Babs?” That feels weird to me.

After reading this issue, I feel bad sleeping on Cecil Castellucci. She writes a damn good Barbara Gordon. Robbi Rodriguez and Jordie Bellaire are a great team too. There’s a really nice fluidity to the work here. And as this issue happens to be the first of a new story, I just might stick around.

For all the good it’ll do. This series ends with issue #50.

TITLE: Billionaire Island #5
AUTHOR: Mark Russel
ARTISTS: Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED: August 26, 2020

The art by Steve Pugh and Chris Chuckry has highlighted Billionaire Island for me. Almost every expression is exaggerated to the point of caricature. But in a dark comedy you can do that.

I’m not sure who that’s supposed to be on the cover. I mean, it’s the President of the United States, obviously. But I thought Billionaire Island had cast a Kid Rock stand-in as POTUS. This guy looks more like Carrot Top with blond locks. *shudders*

I wouldn’t say this book has maintained the same level of interest from me, but it’s still worth a look.

TITLE: Fantastic Four: Antithesis #1
AUTHOR: Mark Waid
ARTISTS: Neal Adams, Mark Farmer (Inker), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: August 26, 2020

This book gave me not-so-nice flashbacks to Adams’ recent Batman work. That’s a shame, as Adams is legitimately an innovator who’s earned his place in American comic book history. His art looks great here (though Thing’s face looks a little awkward), and Laura Martin’s colors pop beautifully. I just wouldn’t hire Adams as a writer.

Thankfully, you won’t find many writers (if any) better than Mark Waid. So Adams is in good hands for what is apparently his first-ever full-length FF story.

TITLE: Suicide Squad #8
AUTHOR: Tom Taylor
ARTISTS: Daniel Sampere, Adriano Lucas (Colorist), Wes Abbott (Letterer)
RELEASED: August 25, 2020

Deadshot has a puppy named Dogshot? That is absolute perfection, and needs to be in both the new video game and the new movie.

Given both the announcements we just got at DC Fandome, it’s surprising this book is on the recent list of casualties over at DC. It’s a shame for so many reasons, not the least of which is the effort the creative team have put into the creation of new characters. Case in point, this issue, in which we dive into some backstories. Hopefully we can bring them back at some point.

TITLE: Teenage Mutant Ninja Turtles #108
AUTHORS: Sophie Campbell (Story), Ronda Pattison (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Nelson Daniel, Pattison (Colorist), Shawn Lee (Letterer)
RELEASED: August 26, 2020

This issue brings up something I never, ever thought we’d have in a TMNT story. With Mutant Town now existing essentially it’s own city within a city, our heroes are now pondering if they should form their own government and police force. Are the Turtles getting into politics? By God, some things are too evil for even the boys in green to take on…

For whatever reason, since issue #101 the Turtles have been wearing clothes more. I’m not sure I’ll ever get used to that.

TITLE: Wonder Woman #761
AUTHOR: Mariko Tamaki
ARTISTS: Carlo Barberi, Matt Santorelli (Inker), Alejandro Sanchez (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Sanchez.
RELEASED: August 25, 2020

Barberi does a fine job on this issue. To the point that I wouldn’t mind him being the regular artist. But because he drew the last two issues, I quickly found myself missing Mikel Janin.

As for Tamaki, she gives Maxwell Lord a great “history is controlled by the victors” speech. Diana refers to him as the villain, and she talks about the Justice League controlling “the flow of justice in this world.” In the context of the story it’s very convincing, and a great character moment for Max.

Then I got to the last page, and my heart broke.

TITLE: Mighty Morphin Power Rangers #53
AUTHOR: Ryan Parrott
ARTISTS: Moises Hidalgo, Walter Baiamonte & Katia Ranalli (Colorists), Ed Dukeshire (Letterer). Cover by Jamal Campbell
RELEASED: August 26, 2020

I’m diggin’ the designs of these new Dark Ranger suits. Their identities seem like a missed opportunity to introduce new characters. But then again, this series is ending soon. That seems to be a theme this week…

This is the first issue where Moises Hidalgo impressed me. He gets a nice, long battle sequence between our good and evil Ranger teams. So he’s able to really spread his wings, and it shows.

Grace (Remember her?) makes a truly stupid suggestion in this issue. So stupid, in fact, that I’m sure it’ll come to pass.

TITLE: Action Comics #1024
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer)
RELEASED: August 25, 2020

There are a lot of Super-people in this book. We’re up to five. If the “Superman family” gets too big, it pretty much makes the Justice League obsolete, doesn’t it? Plus, they spend part of the issue flying over Metropolis, scanning it with X-Ray vision. Creepy much? We’ve also got all the usual problems with John Romita Jr’s sloppy art.

Why am I still buying this book?

TITLE: Batman/Superman #11
AUTHOR: Joshua Williamson
ARTISTS: Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer). Cover by David Marquez.
RELEASED: August 25, 2020

This story about the Ultra-Humanite and Atomic Skull is essentially three issues of filler. But it’s good filler, I’ll give it that. Clayton Henry and Alejandro Sanchez turn in work that crackles with that great comic book superhero energy.

There’s a subplot in here about Superman not asking for Batman’s advice before he revealed his true identity to the world. It’s a little too far in the background for my taste, though. I’d have liked to see them explore that with some of the page space they used for textbook hero/villain dialogue with the Ultra-Humanite.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Lost Carnival Deep Dive – Nightwing, is That Really You?

TITLE: The Lost Carnival: A Dick Grayson Graphic Novel
AUTHOR: Michael Moreci
ARTISTS: Sas Milledge, Phil Hester, David Calderon (Colorist), Steve Wands (Letterer)
FORMAT: Softcover
PUBLISHER: DC Graphic Novels For Young Adults
PRICE:
$16.99
RELEASED:
May 5, 2020

By Rob Siebert
Fanboy Wonder

The Lost Carnival: A Dick Grayson Graphic  Novel isn’t really a Dick Grayson graphic novel. Or at least it doesn’t feel like one. It’s more like a YA novel about a lost carnival forced into the graphic medium that they slapped the name Dick Grayson on for brand recognition.

All that being said, it’s still a pretty decent book.

The Lost Carnival introduces us to a teenage Dick Grayson, a traveling circus performer with his parents, the Flying Graysons. But the struggling circus is being walloped by a carnival that’s opted to set up shop nearby. Dick, however, soon discovers all is not as it seems. The carnival, and a mysterious young magician named Luciana, are linked to the past in ways Dick could never imagine.

My biggest problem with some (not all, some) of these original DC graphic novels is they don’t necessarily feel like they’re trying to tell a story about their main characters. Rather, it feels like the story was concocted first, and the character pasted on to it. For instance, a story about a girl in a band? It’s obviously about Black Canary! Girl in a wheelchair solving puzzles? Oracle! And if you’ve got a story with a carnival/circus theme, it’s got to be Dick Grayson. (I’m not making any accusations here. I’m just saying that’s what it feels like.)

For a book that claims it’s “redefining Dick Grayson for a new generation,” there’s not much in here that necessarily feels specific to Dick. He’s got a love interest, a best friend, a crush. He’s rebelling against his parents, and ultimately learns a lesson about holding on to those dear to him, All pretty standard YA stuff. Yes, he’s in the circus. But outside of the magic element, the book doesn’t play with that too much. An opening scene with Dick and his parents on the trapeze is about it.

But who is Dick Grayson, exactly? As Robin, he’s essentially the yin to Batman’s yang. He’s the plucky and exuberant light that keeps the Dark Knight from journeying too far into the proverbial darkness. Unlike Bruce, Dick also thrives when working with others. He becomes the leader of the Teen Titans, and develops close friendships with virtually all his teammates. He’s also quite simply an easy person to like and get along with.

Lots of teenagers struggle with not fitting in. The feel isolated. So in Dick’s situation, why not make that literal? The Lost Carnival tells us he only travels with his parents in the summer. But that’s a missed opportunity. Why not make him a year-round circus performer who’s home-schooled, and thus doesn’t know a lot of kids his own age? Thus, his connection to Luciana isn’t just your standard “boy crushing on girl” story.

The book gives Dick a best friend named Willow, a magician and fellow circus performer who will ultimately play into the book’s climax. But why not have the two start the book as virtual strangers, with Willlow having recently joined the circus. Then by the end of the book, Dick has something he didn’t have at the beginning: A new friend his own age.

Y’know. Just a thought.

The pencils and inks are credited to Sas Milledge with Phil Hester. Not quite sure how that breaks down. The figure rendering in this book has the tiniest bit of fluidity to it. It’s not much, but enough to make things feel a little bit off. Still, Milledge’s version of Dick Grayson manages to be pretty strong. Faithful enough that it reminds us of Nightwing, but unique enough to be her own.

The book plays with different color tints for different scenes, with everything else staying black and white. I can’t say it works amazingly in terms of setting a mood or a tone, or even separating parts of the book. But it’s a way to go. David Calderon’s colors look nice at any rate.

I won’t say The Lost Carnival is utterly forgettable. It works as a story about a magic carnival, but it underachieves as a story about a young Dick Grayson. There’s a certain authenticity that’s missing. The Flying Graysons may soar, but this Dick Grayson graphic novel falls short.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Drakkon New Dawn, Star Wars, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Power Rangers: Drakkon New Dawn
AUTHOR:
Anthony Burch
ARTISTS:
Simone Ragazzoni, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Jung-Geun Yoon.
RELEASED:
August 19, 2020

I’m starting to get a little weary of all this Drakkon-verse stuff. It works as part of a story where the Power Rangers go to a dark alternate universe. But as an island unto itself? Meh. As time progresses, it feels like all we’re doing is answering where this person or that person are in the Drakkon-verse. That’s not enough to justify a miniseries like this, in my view.

Then again, it must be selling. So what do I know?

TITLE: Batman #97
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Guillem March & Morey.
RELEASED:
August 18, 2020

The central story of “Joker War” has lots of intrigue. But there are little things that throw if off-balance. For instance, there’s a really cool moment where Batman has to fight a bunch of “Joker zombies” blind-folded. I love that. It’s a wonderful use of all Bruce’s training. But much like Joker’s facial expression at the end of last issue, a small detail taints it…

Batman says, “A good bat knows how to fight blind.”

Ugh. Why? Whatever happened to Batman being the strong silent type?

Also, why does Joker have abs?

TITLE: Justice League #51
AUTHOR: Jeff Loveness
ARTISTS: Robson Rocha, Daniel Henriques (Inker), Romulo Fajardo Jr. (Colorist), Tom Napolitano (Letterer). Cover by Philip Tan, Jay David Ramos, & Nick Derington.
RELEASED: August 18, 2020

Robson Rocha really gets to flex here with an beautiful two-page montage of some of the League’s most iconic moments. Beautiful work.

The narration in this issue is a little confusing. It takes some time to catch on to not necessarily who it is, but who they’re talking to. Still, you should catch on by the end. I love me a good Black Mercy story. So it’ll be interesting to see what they turn in here.

TITLE: Dead Day #2
AUTHOR: Ryan Parrott
ARTISTS: Evgeniy Bornyakov, Juancho! (Colorist), Charles Pritchett (Letterer). Cover by Andy Clarke & Jose Villarrubia.
RELEASED: August 19, 2020

“Nice to see you two lovebirds back together, though. I’m sure rigor mortis has it’s advantages.”

Ew.

These fashionable guys on the cover are “Lifers,” a group of religious extremists somewhat ironically opposed to the whole resurrection thing. They make for a nice bit of world-building. I like ’em.

TITLE: Star Wars: Bounty Hunters #4
AUTHOR: Ethan Sacks
ARTISTS: Paolo Villanneli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo.
RELEASED: August 19, 2020

Story-wise, this isn’t the most engaging book you’ll find. I’ve almost completely lost the plot. But Paolo Villanneli and Arif Prianto are killing it on the art. The opening page is beautiful. It’s got a gritty texture, yet is still as colorful as you want Star Wars to be. And of course, Lee Bermejo’s covers are awesome.

TITLE: Darth Vader #4
AUTHOR:
Greg Pak
ARTISTS:
Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by InHyuk Lee.
RELEASED:
August 12, 2020

Vader basically gets swallowed by a whale in this issue. I mean, c’mon. You’ve gotta love that. A friggin’ whale!

In contrast, this story is trying to get a lot of mileage out of trotting out characters from prequels. As if we care that much what happened to Ric Olie. Don’t know who Ric Olie is? You’re not alone. There was a way to do this without scraping the bottom of the barrel. It might have only been a one or two-issue story where Vader simply visits Padme’s tomb. But sometimes, less is more.

TITLE: Something is Killing the Children #9
AUTHOR:
James Tynion IV
ARTISTS:
Werter Dell-Edera, Miquel Muerto (Colorist), Andworld Design (Letters)
RELEASED:
August 12, 2020

There’s a fantastic image in here that takes us into our first ever flashback scene with Erica Slaughter. She’s curled up in a cupboard, and one eye is staring straight out at the reader. That and all the deep blacks make it a really spooky shot.

Should this book count as a guilty pleasure? Because of all the…y’know…child death? Either way, I’m enjoying the hell out of it. It’s one of the best indie comics on the market right now.

TITLE: Wonder Woman #760
AUTHOR: Mariko Tamaki
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Pat Brosseau (Letterer). Cover by David Marquez.
RELEASED: August 18, 2020

I find it so amusing that Maxwell Lord, the character created for Justice League International, has evolved into such a formidable villain for Wonder Woman. And low and behold, he’s once again  casting her in an unfavorable public light.

Last issue, we were introduced to Diana’s new neighbor Emma, who I get the sense will be a civilian-level friend for her. Almost a Jimmy Olsen equivalent. I’m very curious to see how that evolves, as it’s not often we get to see Wondie have that kind of relationship.