A Mighty Morphin Power Rangers: Pink #2 Review – An Unexpected Reunion

Mighty Morphin Power Rangers: Pink #2, cover, Elsa CharretierTITLE: Mighty Morphin Power Rangers: Pink #2
AUTHORS: Brenden Fletcher, Kelly Thompson
PENCILLER: Daniele Di Nicuolo. Cover by Elsa Charretier.
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: July 27, 2016

***WARNING: Spoilers lay ahead!***

By Rob Siebert
Editor, Fanboy Wonder

Well this was unexpected. To not only get the return of Kimberly Hart as the Pink Ranger, but two additional returns! The intrigue level just went up. But at what cost (if any) to our main character?

Kimberly is in trouble. Goldar has captured her mother and turned her into a ghastly monster. Though her powers have been temporarily returned to her thanks to Zordon, the Pink Ranger needs help. It comes in the form of two old friends: Zack and Trini. But will they be enough to save her mother and defeat Goldar?

Zack and Trini came completely out of left field, and I’m not sure their presence is a good thing. We spend a large portion of this issue catching up, giving them their powers, etc. But isn’t this book supposed to be about Kimberly? At what point does the novelty of having these heroes back distract from Kim’s story? That’s not to say they aren’t important. But how about a book featuring Jason, Zack, and Trini as a trio? They all went to the same peace conference, after all.

SMMPR: Pink #2, opening page, Daniele Di Nicuolopeaking of which, in this issue we hear Jason “has his own mission to attend to.” Uh…what? I assume they wanted a reason to keep Jason out of the book, for fear of even more focus shifting away from Kim. But with a line like that, you’ve got to assume they’ll tell us where he is eventually. Either that, or they’re wetting our appetites for a future MMPR: Red story.

Kimberly gives Zack and Trini their powers back by sharing her temporary power from Zordon. Thus, they both get makeshift costumes as well. Only instead of having strictly black accents, their suits come with traces of pink as well. It’s a nice representation of their power coming from Kim’s “pink energy.” Also, for whatever reason, Zack’s has a hood.

The past rears its head yet again when Goldar debuts Typhonis, a new war zord made from the hacked up limbs of the Thunder Megazord and Tigerzord. It conjures up memories of the zords falling apart on the show, which was somehow hysterical. So intentional or not, Typhonis is funny by association.

This issue also gives us our first in-story appearance of the White Ranger. Kim has a very brief exchange with Tommy, reaffirming the necessity for them to have a reunion by the end of this story. After Amy Jo Johnson left the show, the only closure we got on the relationship was a Dear John letter received by Tommy during the events of Power Rangers Zeo. It wasn’t even addressed when Johnson returned for Turbo: A Power Rangers Movie. What I’d like is a scene that helps bridge the gap between MMPR and Zeo. Give us some insight we didn’t have before. Show us where their relationship is. Perhaps this is the last time they’re together before the break up…

Mighty Morphin Power Rangers: Pink #2, Daniele Di Nicuolo, interiorDaniele Di Nicuolo gets to flex her “acting” muscles more in this issue. Much of it is very animated, i.e. Trini’s face exploding with jubilation at the sight of her old friend. That’s something we wouldn’t see in one of Hendry Prasetya’s issues over in the main series. That’s not a knock, just a difference. This book should look different than MMPR proper. Both books are fun, which is what matters. I look forward to seeing another of Di Nicuolo’s explosive, high energy action sequences next issue.

The return of Zack and Trini is a pleasant surprise. But Fletcher and Thompson need to be careful. The book isn’t about the dynamic between Kimberly, Zack, and Trini. It’s about Kimberly. Yes, the Power Rangers have their foundation in teamwork and camaraderie. But let’s remember where our focus should be. This is the Pink Ranger’s much-deserved spotlight. Let her shine.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

A Batgirl and the Birds of Prey: Rebirth #1 Review – The Never-Ending Joke

Batgirl & The Birds of Prey: Rebirth #1, 2016, Yanick PaquetteTITLE: Batgirl and the Birds of Prey: Rebirth #1
AUTHORS: Julie Benson, Shawna Benson
PENCILLER: Claire Roe. Cover by Yanick Paquette.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: July 20, 2016

By Rob Siebert
Editor, Fanboy Wonder

I’ve been looking for a reason to write about The Killing Joke, what with the animated movie coming out. I didn’t expect to find it here. But I’ll take it!

Someone is sending information to mafia families using the name Oracle, Barbara Gordon’s handle during her days in a wheelchair. This obviously strikes a personal chord, and Batgirl asks Black Canary to help her investigate. Babs is looking to get the Birds of Prey back together. But Dinah isn’t interested (“I’ve moved on. So have you.”). Still, she tags along for her friend’s sake. They cross paths with Huntress, who inexplicably knows some big secrets. But the identity of this mysterious new Oracle? That’s still a secret.

In reviewing how Babs became Oracle, we flash back to The Killing Joke. We see Claire Roe’s take on some of the famous shots from that story: Joker in the Hawaiian shirt, Barbara getting shot with the coffee mug in her hands, her laying looking up at him. Interestingly, Roe puts Barbara in a tank top and pants, as opposed to the skirt and blouse she was wearing in that story.

Batgirl and the Birds of Prey #1, Killing Joke flashbackI read an article recently on DC’s refusal to put The Killing Joke behind them. Though heralded as a landmark story, it’s unquestionably brutal and cruel. It also spawned an era of creators seemingly trying to mimic The Killing Joke by having female characters face awful acts of violence (see Women in Refrigerators). Yet the story lives on. Why? For the same reason DC won’t give up on Watchmen or The Dark Knight Returns. Name value.

Those three stories were arguably the three tentpole works of the “grim and gritty” movement in the ’80s. If you’ve been into comics at all over the last 30 years, chances are you’ve at least heard of them. In one way or another, they’re masterpieces that changed the industry. So by connecting those stories to their new books, DC creates a bridge to readers that have either left them behind, or simply aren’t reading comics anymore.

That’s one of the reasons why the first several issues of the New 52 Batgirl series weren’t just about Barbara being a superhero again. They were about her recovering, and coming to grips with being able to walk again. Just like in this issue, in 2011’s Batgirl #1 we relived the Joker shooting scene, and went over Barbara’s trauma. Eventually Babs even winds up confronting a nameless henchmen from that story.

I’m not disputing The Killing Joke is a great story, albeit one that inspired a bunch of bad creative choices. I just hope a day comes where we don’t have to go back to it every time Barbara has a new series. There are other stories out there, after all…

Huntress church sceneSo what’s with Dinah not wanting to put the Birds of Prey back together? The New 52 Birds of Prey series wasn’t exactly their highest of highs. But Babs and Dinah are still good friends. Why the cold shoulder?

Huntress makes her first appearance in a church confessional. I’m not as familiar with this version of Helena, but it looks like she’s as much a believer as her pre-New 52 counterpart was. The visual messaging in the church scene makes sense, particularly the shot of her walking out. By that point, you know her mission is to kill mafia hitmen. To say the least, she’s become a lapsed Catholic. You’ll notice this version of the Huntress costume doesn’t include a cross necklace.

The panels in the confessional are lit very interestingly (some shown above). Colorist Allen Passalaqua does great things withthe faint light coming in from the church and the resulting shadows on Helena’s face. The panel where her elbow is on the ledge is the best in the book, giving us an image more natural than what we see in most superhero books.

In contrast, Batgirl has what I’ll call some “mouth issues.” Not Barbara. Just Batgirl. I can’t decide if Claire Roe draws it in a way that’s somehow conspicuous, or if she just came out a little toothy. In certain panels, she almost looks like a buck-toothed Pipi Longstocking in a cowl. It’s one thing if that’s the look she’s going for. I don’t think it is.

Batgirl and the Birds, just a nameIt’s hard to believe, but Birds of Prey turns 20 this year. The group has had a variety of incarnations. But the most successful, at least creatively, have always had two ingredients: Barbara Gordon and Dinah Lance. At its core, Birds of Prey is a buddy superhero series about two women who bonded through their work and found friendship. If you’re missing one of them, you don’t have Birds of Prey. Thankfully, Batgirl and the Birds of Prey has its core intact. Now they simply need to built on top of that. With two female writers and a female penciller, I’m hopeful they build a series unlike any other on the stands.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

Finn Balor Arrives, Charlotte and Sasha Kill It, and Other Ponderings From WWE Raw

Dean Ambrose, WWE ChampionBy Rob Siebert
Editor, Fanboy Wonder

I was really surprised to see Dean Ambrose get the win at Battleground. Rollins seemed like the favorite. But I’m not complaining. Ambrose’s win in the triple threat, in addition to his pinfall victory over Rollins on Smackdown, sends an important message: Dean Ambrose is a main event player, and a World Champion.

Ambrose was advertised for the Stone Cold Podcast in two weeks. That’s another strong endorsement. This guy also has quite a story. He apparently grew up in public housing, and dropped out of high school to train as a wrestler. I’d love to see Austin get into that with him.

The downside to all this? Ambrose isn’t going to be WWE’s only Heavyweight Champion for long…

Ponderings From Raw:

Stephanie McMahon and Mick Foley announce the creation of the WWE Universal Championship. Seth Rollins to face winner of main event.  *sigh* Well, here we go. Two world titles again. More belts inevitably water things down. But oh well…

And my God, what an awful name. The Universal Championship? They’re basically saying: “Oh yeah? You’ve got a world champion? Well we’ve got a Universe champion! And the universe is bigger than the world!!!!” Give me break.

Finn Balor, WWE Raw, July 25, 2016Finn Balor def. Rusev, Kevin Owens, and Cesaro to advance to the main event. I was really surprised to hear Cole run down Finn Balor’s resume, talking about the titles in IWGP, the NWA, and all that. JBL has done that kind sort of thing. But to hear it from Cole, who like it or not is the voice of the company, adds a certain weight. This sort of thing would never have happened as recently as three years ago. All this “new era” stuff is hokey. But it’s not entirely untrue.

Rusev and Kevin Owens worked well together in this match, developing a temporary partnership. They both have a good grasp on their personas, and were firmly in character. I have no desire to see them as a formal tag team. But if they were to team again in the near future, I wouldn’t be heartbroken.

It made sense for Balor to take this one. But I was rooting for Cesaro. As many of us saw, he cut a little “worked shoot” promo on the WWE Network after the draft, venting about his frustrations. There’s still time for them to capitalize on that. But tonight would have been the opportune time. At least he wasn’t pinned, unlike the damn United States Champion.

Nia Jax def. Britt Baker. A good ol’ fashioned enhancement match. Not thrilling to watch, per se. But it’s an effective start for Nia Jax.

Roman Reigns, WWE Raw, July 25, 2016Roman Reigns def. Chris Jericho, Sheamus, and Sami Zayn to advance to the main event. So I know I’ve said this before, and that I’m not the only one, but…can we please just turn Roman heel already? Let the long national nightmare end. You’ll never find a better, more organic time to turn him heel than now. The guy just came back from a drug policy violation, was pinned in his second straight pay per view main event, and the fans are still booing him!

And if you’re going to turn him heel, you won’t find a better opponent for him than Sami Zayn. The “Underdog from the Underground” garnered a lot of great sympathy as he was getting beat down by Reigns. But alas, Reigns is still a superhero.

Also, how hilarious was it wen Reigns went for the spear, and Jericho simply threw a kick and stopped him dead? Maybe I’m biased…

Luke Gallows & Karl Anderson trash a New Day celebration. Corey Graves: “Gallows and Anderson aren’t concerned with balloons and cereal. They’re worried about checks and championships.” Great line.

That video package they aired for the New Day was delightfully cheesy. It seems like a long time ago that these guys were heels. And if there’s one team that’s fit to pop their positivity bubble, it’s Gallows & Anderson. Is this why they didn’t get a title match earlier in the year? Because they were waiting for Summerslam? That works for me.

Neville, WWE Raw, July 25, 2016Neville def. Curtis Axel. So they’re calling Axel “Mr. Irrelevant” now? At least it’s factually accurate. How far he’s fallen since becoming a Paul Heyman guy.

The re-introduction of the Cruiserweight Division bodes well for Neville. The poor guy has zero personality. But he’s got incredible explosive athleticism. He can easily be the centerpiece to the whole thing.

Sasha Banks def. Charlotte to become the new WWE Women’s Champion. I found myself tempted to tune out a bit during this match. One would’ve thought they were saving Sasha’s win for Summerslam. But nope. Couldn’t.  They got me. I tip my hat to both these ladies. They’re truly great.

Charlotte’s flexibility is amazing. When Sasha got her in that straitjacket hold, the angle of her back was cringeworthy. And the double knees off the apron? Beautiful. We had a great story about the champion being in jeopardy. That is wrestling, folks.

These ladies scared the crap out of me twice in the span of about two minutes. On the subject of bent spines, Sasha’s landing after that dive to the outside was brutal. One can only wonder much adrenaline it takes to keep going after that. Then Charlotte goes for a moonsault on the outside, with only one person to catch her.

Sasha Banks, WWE Women's ChampionIt’s interesting that they switched the title tonight. I can only assume it was to create some extra buzz around Raw now that the brands are split. Either way, this was a long time coming. The fans have been ready for Sasha to take the top spot since she came up to the main roster at about this time last year. To say the very least, she deserves it.

The timing is interesting too, what with Bayley making her first main roster appearance last night as Sasha’s partner.

Corey Graves joins the Raw announce team. JBL moves to SmackdownGraves had a great first night. He felt more like a sports analyst, as opposed to JBL’s cowboy caricature. His time has finally come.

Braun Strowman wins an enhancement match. Braun Strowman is on his own now, which I’m afraid means we have to endure yet another generic giant. I actually would have preferred another attempt to make Erick Rowan a single.

Enzo & Cass def. The Shining Stars. Did Enzo & Cass skip some dialogue before the match? It seems like Cass jumped right to the “S.A.W.F.T.” catch phrase.

Finn Balor def. Roman Reigns to advance to SummerslamWell, so much for Balor being a cruiserweight. This is as big an endorsement of a new star as we’ve seen in a long time. In his first night on the main roster, Finn Balor beats the man who was (and perhaps still is) pegged to be the new face of the company. Balor is immediately established as a main event player, and a new star. Seth Rollins against Finn Balor at Summerslam? I’m in.

Finn Balor, WWE Raw, July 25, 2016Now the question becomes what to do with Roman Reigns. He’s obviously being de-emphasized for the time being. Say, I wonder what Sami Zayn is doing at Summerslam

Tuesday Morning Talk Points: Finn Balor debuts. Sasha Banks wins the Women’s Title in an awesome match.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

A Ghosbusters In-Depth Review – Good Enough

Ghostbusters, 2016 posterTITLE: Ghostbusters
STARRING: Kristen Wiig, Melissa McCarthy, Kate McKinnon, Leslie Jones, Chris Hemsworth
DIRECTOR: Paul Feig
STUDIOS: Columbia Pictures, Sony Pictures, LStar Capital, Village Roadshow Pictures, The Montecito Picture Company, Pascal Pictures, Feigco Entertainment, Ghost Corps Production Company
RATED: PG-13
RUN TIME: 116 min
RELEASED: 
July 15, 2016

By Rob Siebert
Editor, Fanboy Wonder

The verdict from a life-long ghosthead: It’s good. Not great, and certainly not the classic it’s based on. But pretty good. After everything this movie and the people who’ve made it have been subjected to, I’d say pretty good is good enough.

Who’d have thought such a beloved movie, such a cherished brand, could prompt such hate? Just the stuff that’s been thrown at Leslie Jones (#LoveForLeslieJ) is enough to make you want to shower for five days. But the metric ton of sexism, and general brattiness shoveled in this movie’s direction has been preposterous. I love Ghostbusters as much as anybody else on the planet. The original film was a perfect storm of improv, acting, special effects (as they existed then), music, and storytelling. It touched an emotional chord, and captured the world’s imagination like few movies are privileged to do. I hold it very close to my heart.

But it’s still just a movie. A movie co-produced by Ivan Reitman, who directed the original, as well as Dan Ackroyd himself. A movie that clearly adores its source material, to the point that it stops in its tracks multiple times to have scenes with original cast members. It even goes out of its way to use Slimer, and give the Stay Puft Marshmallow Man an appearance. Let’s keep this all in perspective.

Ghostbusters, image 1, 2016While you can’t excuse all the hate that’s been thrown at this movie, when it comes to ’80s kids I think a lot of it stems from the idea that these ladies are “not my Ghostbusters.” I get that. Some of this backlash likely could have been avoided if they’d gone with a Creed style sequel set decades after the original. Same cast as this movie, same creative team, with a cameo from the Bill Murray and Dan Aykroyd characters. Obviously, that leaves you with the question of what happened to Egon Spengler. But it could have worked. That’s what I’d have preferred, perhaps selfishly.

To its credit, the remake tells its own story, albeit hitting some of the original’s bullet points. Erin Gilbert (Wiig) is fired from her university position when her belief in the paranormal is brought to light. She teams with childhood friend Abby Yates (McCarthy) and her associate Jilian Holtzman (McKinnon) to research the ghostly and the unknown. Their first case takes them to the New York City subway, where they meet MTA worker Patty Tolan (Jones). From there, a mystery unravels as to how and why the city is infested with ghosts. Like the original, the movie’s climax ends with a fight against a giant, pasty white monster.

While the ghosts and spooky stuff was important, the success of the 1984 film had more with the Ghostbusters themselves. The characters were fun, their interplay was strong (not to mention hysterical), and you were rooting for them. In making a new Ghostbusters movie, remake or not, half your battle is in the creation of new characters. On that front, the movie starts off shakily. But by the second act, we’ve got a good team on our hands. I can’t give enough credit to Feig, his co-writer Katie Dippold, and these ladies for creating characters that are new, yet with a dynamic that feels familiar.

Ghostbusters, McKinnon, WiigMcCarthy essentially fills the Dan Aykroyd role in this movie, becoming the chirpy heart of the team. She plays off the skeptical Wiig, whose more reserved role keep things grounded in the first act, and adds weight to the ghostly stuff once it takes off. I’ve always preferred Wiig in more dramatic roles, and she earns her keep here. Leslie Jones is, frankly, the sassy one. But her character has enough heart to round her out.

Here’s something that won’t earn me any friends: Kate McKinnon’s performance as Holtzman was grating at first. They were pushing her too hard as “the zany one,” which made me nervous for her. IIf Holtzman had been too flippant for too long, we’d have had…*gulp*…the Jar Jar Binks of Ghostbusters.

Thankfully, the character finds her groove. She becomes an intriguing balance of misfit and super genius. Critics have called this a breakout performance for McKinnon. I’m with them. But yeesh, don’t scare me like that…

Chris Hemsworth surprises with his comedic chops. He could have strictly been a hottie for Wiig to drool over. But he adds real value as yet another misfit, this one comedically out of touch with reality. Based on his role in the climactic sequence, had the Kevin character been tweaked a bit, he might have been okay as the villain.

Ghostbusters, 2016, us against themThere’s a syrupy “rise above ridicule” vibe to the movie that I didn’t expect. The ladies are all outcasts who must overcome the city’s perception of them and save the day. We’re reminded that these four aren’t just coworkers. They’re friends. We get little sentimental moments between Erin and Abby. Patty yells: “Get outta my friend, ghost!” Holtzman gives a little speech about how she finally has a family. You almost expect someone to shout “Friends Forever!” Even our villain is a former bullying victim striking back at society. This idea was present in the original. But they didn’t point right at it like this movie does, and it didn’t seem as personal in nature. How ironic. A movie trying to talk to kids about bullying gets bullied online by adults, many of whom were likely bullied as children.

You know what I’m sick of? “Spontaneous banter.” It’s present in a lot of modern comedies, Ghostbusters included. Characters will be proceeding in a scene. Suddenly, someone will either go off on an unrelated tangent or say something embarrassingly personal. A certain vulnerability or humanity will peek through. Then, as suddenly as they stopped, they’ll pick up where they left off. Sometimes it works. But often it’s inorganic, and kills tension in a scene.

For instance, about midway through the movie a ghost throws a character out a window at Ghostbusters HQ. The ladies end up talking to a cop about the incident, and he cracks: “You saw a ghost? Like the movie with Patrick Swayze?” Melissa McCarthy’s character has a comeback, then suddenly she and Wiig go on a tangent about Patrick Swayze movies. They’re in trouble with the cops because someone was thrown out their window. But the stakes suddenly disappear, then reappear, so we can have banter. StopDoingThat. Not every movie can afford to snip holes in the fabric of its reality so we can have pop culture references.

Slimer

Like a a certain section of moviegoers, I’ve got CGI fatigue. In the ’80s, the Ghostbusters franchise was heralded for its special effects. So to see modern CGI in a Ghostbusters movie feels awkward. I’d wager part of this can be chalked up to the “not my Ghostbusters” factor. But there’s some legitimacy to it. You almost can’t look at these ghosts without being reminded of the live action Scooby Doo movie. But they should be fine for kids and the average moviegoer. Admittedly, our climactic monster looks pretty good. I also like that they added a little glisten to Slimer. He is made of slime, isn’t he?

To its credit, and my great surprise, this movie has one of the best credits sequences I’ve ever seen. They cut in and out of a dance scene, set to “Get Ghost” by Mark Ronson, Passion Pit, and A$AP Ferg. It’s infectiously catchy.

So in the end, was it all that bad? No, not really. It’s not the movie I wanted. But I’m okay with that. After all these years, we finally got a new Ghostbusters movie. And people in my theater were laughing and having fun. It’s tough not to like that.

Kristen Wiig, Ghostbusters premiereThen you have this picture. I absolutely adore this. Look at the faces on those kids! This captures what the new movie can mean to young girls around the world. For that matter, it captures what the old movie meant to so many of us. If you’re a child of the ’80s, swap in a childhood version of yourself and put Bill Murray in Kristen Wiig’s place. Different era, same scene.

Maybe, like the original Ghostbusters, we were meant to pass it on to a new generation.

Maybe we did get the right movie after all…

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

A Mighty Morphin Power Rangers #5 Review – Where Is Walter Jones?

Mighty Morphin Power Rangers #5, 2016, Jamal CampbellTITLE: Mighty Morphin Power Rangers #5
AUTHOR: Kyle Higgins, Steve Orlando
PENCILLERS: Thony Silas, Corin Howell. Cover by Jamal Campbell.
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASED: July 20, 2016

***Miss last issue? Check out Mighty Morphin Power Rangers #4.***

By Rob Siebert
Editor, Fanboy Wonder

As a writer, you look at stories like this one and say: “Damn, why didn’t I think of that?” I certainly didn’t expect to say that about an interlude issue. But Kyle Higgins takes this opportunity to add a bit more depth to his Green Ranger storyline, and the overall mythology around the character. The execution isn’t perfect. But the idea is so interesting it almost doesn’t matter. Almost

Mighty Morphin Power Rangers #5 tells us that before Tommy became Rita Repulsa’s evil Green Ranger, she made a play for Zack, the Black Ranger. After being “upstaged” by Jason during a fight, Goldar and the putties abduct Zack so Rita can make her pitch. Obviously, Zack doesn’t accept. But how do the events of this issue impact Zack’s relationship to the team? And what happens when Zack tells Zordon?

Rita tempting one of the Rangers toward the dark side is such a simple, classic tale. It’s perfect for this series. I’m not sure I wouldn’t have gone with Billy instead of Zack, especially considering the scene we saw in issue #2. He was comparing himself to the others, and he seemed to become self conscious and bitter. If Rita could have seen that, she might have exploited it. On the other hand, we’ve seen some curious behavior from Zack in this series. He’s been very suspicious and apprehensive about Tommy. This issue seems to explain why. This experience gives him a negative connection to the Green Ranger that we never knew about.

MMPR #5, Zack, Green RangerThe Zack we’ve seen in this series isn’t the one I expected. On the show, Walter Jones played a fun-loving dancer. Zack is in love with life, and he’s not afraid to show it. That’s not the character we’ve seen in this series. For the most part he’s been very straight faced. I understand he’s in a very tense storyline. But flashes of personality aren’t going to hurt anything, are they?

In essence, what we need in this book is a little more Walter Jones.

Fussy Fanboy Moment: After Zack is abducted, he wakes up in Rita’s Dark Dimension, which we saw in the show. But in one of the “Green Candle” episodes, which these events obviously predate, Jason says he and Tommy are the only Rangers that have been there.

Then again, maybe in Higgins’ mind, Jason never finds out about this. Near the end of the issue, Zordon asks Zack to keep this incident hidden from the others for now. He says it’s so he can “assess the situation and Rita’s capabilities.” But with everything that’s happened, why don’t the Rangers know by now? At least I assume they don’t know…

On the plus side, Higgins sneaks in what seems to be a hint at Zack going to the Peace Conference later in the series. He tells Zordon, “I need to do more … I don’t care about leading. It’s not like that.” I like that second line. It speaks to why Rita’s plan for Zack doesn’t work. He’s imperfect like anyone else, but in the end he’s selfless. It’s more about the good that’s being done, as opposed to the glory you get from it.

MMPR #5, MegazordThe opening sequence, set in Italy, is a lot of fun. The Rangers face Rita’s monstrous take on The Vitruvian Man, who can apparently only speak in da Vinci quotes. Afterward, they receive some fanfare on the ground. We even have the prime minister in the middle of the action. This is yet another example of Higgins doing something that never could have happened on the show.

Thony Silas tags in on pencils for this issue. His style isn’t dramatically different from Hendry Prasetya’s, though his characters are slightly better at emoting. His Rita is particularly sinister. Again, his Zack seems very reserved and stoic, which is not the character we’re used to.

“The Ongoing Adventures of Bulk & Skull” still doesn’t do much for me. Though we do get a surprise in this issue: The BOOM! Studios debut of Lieutenant Stone, Bulk & Skull’s foil from seasons 3 and 4. I’d always been under the impression they’d never met before. Either way, I’m glad to see the putty patroller story is over. On to (hopefully) better things.

Higgins pleasantly surprised me with this Zack story, by following up on a plot seed he’d planted as far back as issue #1. It makes you wonder what else he might come back to in future issues. Whether it’s how Billy sees his role on the team, Jason feeling threatened by Tommy, or something else fans may have wondered about. There’s so much fertile ground to cover, and I’m hopeful that we’ve only scratched the surface.

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A New Super-Man #1 Review – What’s the Point?

New Super-Man #1, 2016, coverTITLE: New Super-Man #1
AUTHOR: Gene Luen Yang
PENCILLER: Viktor Bogdanovic
PUBLISHER:
DC Comics
PRICE:
$3.99
RELEASED: 
July 13, 2016

By Rob Siebert
Editor, Fanboy Wonder

At face value, a book about a Chinese Superman is not only intriguing, but a PR gold mine in a company (and an industry at large) aching for diversity. New Super-Man inherently calls for something different. A Superman who looks different, a different city, a different culture, etc. Otherwise, what’s the point?

Somebody needs to answer that question. At this point, it’s not apparent what they’re trying to give us outside of another run-of-the-mill superhero book.

Kong Kenan is a teenage bully who becomes a viral video sensation for throwing a soda can at a supervillain. Soon after, he is made the subject of a lab experiment that grants him the same powers as Superman. But Kong Kenan is not Clark Kent. So what does a young Chinese man with a social activist for a father, but also a penchant for bullying, do with the same abilities as the Man of Steel?

New Super-Man #1, Victor BogdanovicGene Luen Yang started writing Superman at a bad time. The whole Truth storyline falls squarely into the “Things That Could Have Been Awesome” category. What made it all the more disappointing is that Yang is an excellent writer, perhaps best known for his original graphic novel, American Born Chinese. With that in mind, a story like this seems like it would be a lay up for him. Seeing him turn in a dud like this is very deflating.

Perhaps this was naive or unfair, but I was hoping New Super-Man could provide an alternate perspective on the American superhero story through the prism of Chinese culture. A Chinese twist on an American icon. With American Born Chinese, Yang’s main character was so empathetic. The book allows those with no knowledge of Chinese culture to learn bit, and to see American culture from a new perspective. There isn’t any of that in New Super-Man. Granted, we’re only one issue in. But there’s no unique hook in this issue to bring me back next month. You could set this series in the United States and it would more or less be the same. It’s stunning how big a disappointment this is.

Victor Bogdanovic does fine here. His somewhat cartoony take on things characterizes everybody pretty quickly in a shallow, caricaturesque sort of way. Kenan is something of a goof, but there’s a heart of gold in there somewhere. And apparently he’s hung up on his mother’s death. We’ve got our vibrant and aggressive Lois Lane stand-in with Laney Lan, and the grouchy buzzkill in his father. There’s nothing with any sort of depth here. But at least it’s fun to look at.

New Super-Man #1, Victor Bogdanovic, chamberNew Super-Man #1 let me down more than any single issue has in quite some time. The ironic thing? There’s precious little that’s new or interesting about what we see here. Considering DC is starting fresh with so many of its books, that’s a damn near fatal flaw. Especially for a new series. Barring some sort of radical twist, I won’t be coming back to this one.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

WWE Draft Picks, and Other Ponderings From Smackdown

By Rob Siebert
Editor, Fanboy Wonder

Dean Ambrose retains over Seth Rollins? Nice! Rollins has been emphasized heavily lately. So it’s cool that they evened the playing field a bit, and gave Rollins a win.

Aside from the title match, literally nothing mattered on this show except the WWE Draft picks. So let’s jump right into those, and see what the rosters look like…

Seth Rollins, WWE Draft 2016Raw‘s Draft Picks
1. Seth Rollins
2. Charlotte
3. Finn Balor
4. Roman Reigns
5. Brock Lesnar
6. The New Day
7. Sami Zayn
8. Sasha Banks
9. Chris Jericho
10. Rusev & Lana
11. Kevin Owens
12. Enzo & Cass
13. Luke Gallows & Karl Anderson
14. The Big Show
15. Nia Jax
16. Neville
17. Cesaro
18. Sheamus

Dean Ambrose, WWE Draft 2016Smackdown‘s Draft Picks
1. Dean Ambrose
2. AJ Styles
3. John Cena
4. Randy Orton
5. Bray Wyatt
6. Becky Lynch
7. The Miz & Maryse
8. Baron Corbin
9. American Alpha
10. Dolph Ziggler
11. Natalya
12. Alberto Del Rio

Let’s assume for now that the WWE, Women’s, and Tag Team Champions will travel to both shows. We haven’t been told otherwise, though I do believe it’s happening. That means Raw now has the United States Title and the future Cruiserweight Title, while the Intercontinental Title is on Smackdown.

John Cena, WWE Draft 2016John Cena being summoned to Smackdown was no surprise. If the idea is to make Smackdown relevant and to drive viewers up, having the face of the company on the show makes all the sense in the world. And as you want some built-in rivalries once the split takes effect, it’s easy to see why AJ Styles would got to Smackdown as well.

What’s surprising is Finn Balor going to Raw. Balor has a built-in history with AJ Styles from New Japan Pro Wrestling. One would think they’d want to capitalize on that, and put him on Smackdown. But The Solomonster made a great point on Twitter: At about 190 lbs, Balor could be WWE’s choice to head up the new Cruiserweight Division.

On the other hand, he has even more of a history with Luke Gallows and Karl Anderson, who will be on Raw with him. I’m disappointed we won’t get to see Styles and Balor clash in the near future. But at least there’s a chance for them to run with the history that exists between he and The Club.

Becky Lynch, WWE Draft 2016Becky Lynch should be happy. She’s the lead female babyface on Smackdown. You can argue this is a consolation prize, considering she’s in a smaller pond, and Charlotte and Sasha were picked first. But not being put next to those two will give her a chance to develop even more. This woman is a star, and now she has the chance to shine brighter than ever.

Kane should not be happy, at least from a story perspective. A proven commodity dating all the way back to the Attitude Era, and he wasn’t even in the top 30? They even had him chokeslam Zayn and Owens in front of the authority figures. They could easily do some sort of program with this. An aging demon? Hm…

Many of us expected to see American Alpha drafted. Nia Jax is a different story. I haven’t seen much of her work, but her look immediately sets her apart from every other woman in the company. It’s unfair to compare the two at this juncture, but I hope she becomes what Awesome Kong never became in WWE.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.