By Rob Siebert
Comics are visual medium. That should be news to approximately no one at all.
That’s why it’s usually difficult to follow a comic book where music is a story component. Sure, you can print lyrics on a page. But if you can’t take in the melody, feel the beat, and hear the emotion in the singer’s voice, it tends to take the punch out of a story.
Thus, I cannot overstate the importance of this video…
In Black Canary: Ignite, Dinah Lance is a brash middle schooler and the lead singer in a band with her two best friends. When we open the book, Dinah and her band are playing the song heard in the video above. With this audio acting as a supplement, it’s exponentially easier to be drawn into Ignite, and the story that’s beginning to unfold. Does it work without the video to accompany it? Sure. But I’d argue the book should have had an advertisement for the video in it. It makes that big a difference in terms of the overall experience.
Middle school is hard enough without learning to control a superpower. But that’s the position our young heroine finds herself in, as she inherits the supersonic “Canary Cry” from her mother. While Dinah comes to grips with what this means for her future, a mysterious villain stalks the Lance family…
Our author is Meg Cabot, who famously wrote The Princess Diaries series, which was later adapted into the films starring Anne Hathaway. It was interesting to read this book after Dear Justice League. That book was geared toward the same age group, but essentially anyone could enjoy it. Ignite, however, is clearly running on girl power. That’s not to say boys shouldn’t pick it up. But it’s aimed at a specific portion of the market, and also skews a bit younger than the other DC Zoom/DC Kids books I’ve read. I’d actually be more inclined to hand it to a kid about to go into middle school than someone already there.
The story has a lot of your standard teen tropes. Conflict with parents, conflict with friends, conflict with a teacher. Nothing that jumps out as especially unique or memorable. But it’s all well and good.
One slight complaint? Our story takes place in Gotham City. Dinah’s father, a police detective, is drawn almost exactly like Commissioner Gordon. Same white hair. Same mustache. Same brown trench coat. Slap a pair of glasses on him, and you’d be hard pressed to tell the difference between the two. I can see kids familiar with Batman’s world reading this and asking, “Wait, is she Commissioner Gordon’s daughter? I thought that was Batgirl.”
Almost every time I opened this book, Cara McGee’s art thrust “Bad Reputation” by Joan Jett and the Blackhearts into my mind. That might be the oddest critique I’ve ever given to comic art. But it’s true. Not a bad connection to make for a book about a rebellious young girl. Though I imagine it has a lot to do with Ronda Rousey using it in the UFC and WWE.
As a DC Comics buff, I can appreciate the way parts of Black Canary’s history were folded into Ignite. For awhile, it was canon that her mother had been the original Black Canary, and she was taking up the mantle. That’s the case here, as is her being mentored by Ted Grant, a.k.a. Wildcat. Her mother also runs a flower shop called “Sherwood Florist.” Dinah ran a business with the same name in the comics many years ago. There’s also no shortage of Batgirl references. They could very well have had a spin on Birds of Prey in mind.
Black Canary: Ignite is…fine. They had the foresight to record the song, which I love. But the writing? Just fine. The art? Just fine. The girl power vibe? That’s fine too. It doesn’t stand out the way they probably wanted it to with Cabot attached. But I tend to measure the quality of books like this based on whether I’d hand them to my daughter at the appropriate age. And I’d have no problem handing her Ignite.
Follow Primary Ignition on Twitter, or email Rob at firstname.lastname@example.org.