By Rob Siebert
That’s right, kids! The Super Sons are back at it! No, not those, and definitely not those. Here we have a new breed of Jon Kent and Damian Wayne designed specifically for middle grade readers. Heck, instead of Damian, he actually just goes by Ian Wayne in this book. Which if you think about it, is so simple it’s actually kind of brilliant.
Hey. If kids are reading comics again, he can be Ian McKellen for all I care.
Jon Kent and Ian Wayne, who unbeknownst to one another are the sons of Superman and Batman, both wind up attending middle school in the city of Wyndemere. Among their classmates are Tilly, who quickly befriends (and has a crush on) Jon, as well as the mysterious Candice. Together, these four will uncover a massive conspiracy involving a mysterious illness that has struck, among many others, Jon’s mother Lois. In the process, they’ll form a friendship strong enough to make them into a formidable team of young heroes.
It’s interesting to read this book as an adult, trying to see at it through the eyes of your middle school self. The Polarshield Project accomplishes what it needs to the most by giving young readers characters they can connect with. We have Jon as the everyman character, and thus the most accessible. Tilly is more or less his female equivalent, but is also there to help fill the romance quota. Candice is the young lady trying to discover who she is and find her place in the world. Naturally, Ian is the loner who, in his own words, has trouble making friends. There’s a lot to relate to here. Which is saying something, considering the world it takes place in.
Pearson and Gonzalez set up a rich backstory for Candice. She’s essentially the uncrowned princess of the continent of Landis, which is most certainly not Africa. The trouble is, The Polarshield Project has so much to accomplish that we aren’t necessarily given enough to sink our teeth into. It’s designed to be a larger story that carries into the next book. But if there’d been a little more meat on the bone, the anticipation for that next volume would be that much greater.
At one point, the boys create makeshift superhero identities for themselves. Oddly enough, while Jon does indeed get to be called Superboy, Ian gets the hokey moniker of “Batkid.” That’s the part of the book I enjoyed the least. Batkid feels to silly to be something created by that character. This version of Damian Wayne is in an awkward position. He’s old enough to be Robin. But he can’t be. Not yet, at least.
On a related note, for whatever reason this book makes a point of telling us Alfred is dead. Specifically, the line is, “We all wish Alfred were still here.” There’s nothing wrong with it, per se. It just feels a little out of place. Bruce Wayne isn’t in the story very much, so it’s not like we’re wondering where Alfred is. If nothing else, I suppose it establishes the time frame this story takes place in.
Saida Temofonte’s “animated” style fits quite naturally here, and has a great flow to it. Particularly when it comes to the action sequences. Her work leaves you wanting more, and for this world to continue expanding. Granted, seeing Damian with brown hair takes some getting used to…
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