TITLE: Green Arrow, Vol. 1: The Life and Death of Oliver Queen
AUTHOR: Benjamin Percy
PENCILLER: Otto Schmidt, Juan Ferreyra. Cover by Ferreyra.
COLLECTS: Green Arrow: Rebirth #1, Green Arrow #1–5.
PUBLISHER: DC Comics
RELEASED: January 4, 2017
By Rob Siebert
Editor, Fanboy Wonder
The Life and Death of Oliver Queen gives us a lot we’ve seen before. But it’s wrapped in a fresh package, and frankly some of this stuff was sorely missed. So it works out, and makes for a fun book.
A human trafficking case in Seattle brings Green Arrow and Black Canary together, in more ways than one. But what they end up fighting is something much larger, and closer to Queen Industries than Oliver could ever imagine. As such, new alliances will be forged, and older ones will be tested. Our heroes are about to meet the Ninth Circle.
To an extent, this book feels like “Ollie’s Greatest Hits.” Green Arrow and Black Canary are one of the classic couples in DC Comics lore, and they’re back together here. We’ve got him losing his fortune, which famously happened during the Denny O’Neil/Neal Adams run of the ’70s. Percy also plays up the more political, social justice elements of Green Arrow, which is another hallmark of the O’Neil era. And then you’ve got the return of John Diggle, a character that originated on the Arrow TV show.
When you put it all in a list like that, this book looks vderivative and unoriginal. But for a longtime fan like yours truly, it feel like a homecoming. I enjoyed much of what was done with the New 52 Green Arrow book. But this feels like the return of the genuine article. Of course, that’s what they were going for.
This book establishes that Ollie and Dinah are acquainted with one another, but don’t know each other very well. Obviously that changes here as they become romantically involved. But here’s my question: From cover to cover, how much time is supposed to have passed here? When we get to the end of Life and Death, the implication is that Ollie cares about Dinah as much as anything in his life. But the two haven’t been together long enough to justify such a connection, have they? Obviously they like each other. But there’s nothing in this book that justifies such a deep-rooted love from either of them. It might have been more advisable to use the events of this book to plant the foundation for their relationship. That way readers feel like they’ve been in the loop from the start.
That being said, the chemistry is there between the two. They have that familiar volatile affection for one another. Dinah challenges Ollie, pointing out the inconsistencies in his approach as Green Arrow. Ollie accepts her challenges and returns in kind. But in the end their fondness for one another is undeniable. They’re fun to read.
The Ninth Circle are a group of villains using a weapon that’s truly timeless: Money. Our heroes come across them while taking down a human trafficking ring, and as Ollie painfully finds out, they have their claws deep into Queen Industries. They’re perfect villains for Green Arrow, exemplifying the kind of corruption the character has fought against for decades, and should absolutely be fighting today.
Ollie’s relationship with his half-sister Emiko is of particular importance here. We learn who her mother is, and we get an apparent heel turn from her. I was concerned about her development as the book went on. But without spoiling things, I’ll say Percy leaves things in a satisfying place by the time we close the book.
Artistically, the star of this Life and Death is Otto Schmidt. Sadly, he’s only around for about half the book. But his style is a terrific fit for Green Arrow, and superhero comics in general. It’s expressive, it’s animated, the line work is beautiful, and it’s got a tremendous energy to it. It’s also very conducive to action, the Canary Cry in particular (shown right). Schmidt, who serves as penciller, inker, and colorist on his issues, renders them simply, but colorfully. Like most of Schmidt’s work on this book, it’s very charming.
The second half of the book is drawn and colored by Juan Ferreyra, who is also the cover artist. His work has an almost airbrush-like texture to it that’s interesting, and he’s very good at drawing the disfigured members of the Ninth Circle. His colors are wonderfully rich, and at times intense. But with all due respect to Ferreyra, it’s just not quite as fun as what Schmidt gives us.
DC needs a good Green Arrow book right now. Just like they need a good Wonder Woman book, a good Flash book, a good Supergirl book, etc. With the emergence of the DC Extended Universe, as well as the “CWverse,” there’s so much potential for new fans to crossover into comics. I would argue that for a long time, DC failed to capitalize on that. With the DC Rebirth line, they’ve given themselves a valuable chance for a fresh start. And that’s what they have here with Green Arrow. While it’s not perfect, it’s something for fans old and new to latch on to.
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