By Rob Siebert
Editor, Fanboy Wonder
The post-Crisis on Infinite Earths Superman was created to thin out the number of “super” characters in the DCU. The idea was to restore his status as the Last Son of Krypton. Now, more than 30 years later, DC is using this same version of Superman to do the exact opposite. With this character comes a new Superboy, and a new Superwoman. Now that’s what you call, ironic.
The Superman we met when the New 52 launched is dead, having succumbed to Kryptonite poisoning. As the world mourns the loss of the Man of Steel, one man is certain he will return: Clark Kent. That is, the Clark Kent of another Earth, who has hid out on this world along with his wife and son. But Lana Lang isn’t convinced. She also has no idea there’s another Superman on her world. Thus when the two meet, emotions run high.
I’d love to hear someone try to explain the new Superman status quo to a newbie. It’s putting up X-Men numbers in terms of how convoluted it is. That being said, I’m very pleased to see the old Superman back. Why he’s not allowed to have red boots in this new “Rebirth” era is beyond me. But having him back has shaken things up nicely.
In this issue, Peter Tomasi and Doug Mahnke acknowledge the elephant in the room in the aftermath of the New 52 Superman’s death. They take us back to The Death of Superman, and we get Mahnke’s take on some of those iconic moments from the fight with Doomsday. Considering how many big event comics Mahnke’s fingerprints have been on in the last decade, there’s something fitting about him getting a crack at this one. Later, we see Clark’s resurrection, and he and Lana even search for a New 52verse version of the regeneration matrix. As a longtime fan, it’s gratifying to see them go back and look at this stuff from a new perspective. I never understood why DC omitted this story from the New 52 continuity. It crossed over into pop culture, and kids who grew up in the early ’90s typically remember it. So why eliminate it?
Clark has an odd line during this issue, when he tells Lana: “…two Clark Kents on two different worlds were very lucky to have Lana Langs in our lives.” They need to be careful with this kind of thing, especially now that we have an infinite multiverse again. The idea that you’ve got an infinite number of Clark Kents on different worlds, some of which might be interchangeable, seems like the kind of thing that could lead to apathy from the audience. What do we care if our main character dies, if we can simply replace him with one from another world?
Mahnke’s versatility is on display here. On one hand, the flashbacks to the fight with Doomsday are very intense and high-octane. In contrast, we have a scene with Clark at the memorial that’s very somber. We also have scenes with Clark and Lana that, while they have a certain tension, are fairly quiet. But Mahnke manages to stay consistently strong throughout.
With this relaunch, DC has managed to make the Superman books more interesting than they’ve been in years. At face value, at least. How ironic that death winds up being the element that freshens the Man of Steel up a little bit. But who knows? Maybe a little family time is exactly what Superman needs.
Image 1 from comicvine.com. Image 2 from bleedingcool.com.
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