By Rob Siebert
Editor, Fanboy Wonder
While I haven’t been shy in my criticisms of the Scott Snyder/Greg Capullo Batman run, I’ve always given them credit for thinking big. So it’s interesting that they took a quieter approach for their final issue. On the plus side, no giant robots!
When a mass blackout hits Gotham City, the Caped Crusader is tasked with not only keeping order, but finding out who it is that’s left his city in darkness. His quest will take him across the city, including Arkham Asylum, and the doorstep of the Court of Owls. But in the end, the circumstances aren’t at all what he expected.
Snyder opened Batman #1 with talk of a column in the Gotham Gazette called “Gotham is…” Readers are asked to complete that sentence, and various different answers come in. Snyder bookends this run by titling this issue “Gotham Is.” We even meet the column’s author. This approach is very fitting, as Snyder has been praised for making Gotham City itself a character in his work. This was true even in his run on Detective Comics. In a sense, Snyder’s best character work on this series has been with the city itself. He’s not the only modern Batman writer to do so, but no one has done it better than he has.
Snyder and Capullo have done a lot of justice to the Alfred character. He was fantastic in issue #49 (though Yanick Paquette was the artist on that one) because of the sheer raw emotion he showed. But in this issue we see the return of snarky, jokey Alfred. I think most would agree Batman shouldn’t be a jokey character, per se. But he’s known Alfred his whole life, so it makes sense that he’d be able to show his faithful butler/surrogate father another side of him. In this issue they joke a bit about Bruce’s “justice flavored” nutrient beverage, as well as the origin of Alfred’s new right hand. Throw in that awesome shot of the Batcave by Capullo, and you’ve got a hell of a kick off to your final issue.
Much like Batman’s connected contacts from issue #1 (which I hated), we get another new piece of technology in this issue: A holographic camouflage device for the Batmobile. This allows the car to patrol the streets looking like a civilian vehicle. I buy this a hell of a lot more than the damn contacts, and it makes a hell of a lot of sense for the Batmobile to have something like that. So I’m game.
In issue #1, we saw a big breakout inside Arkham Asylum that was ultimately foiled by Batman. Capullo drew a two-page spread of a group of Gotham rogues facing off against The Dark Knight. In this issue, the power outage causes a similar incident, and we get a similar two-page spread. The new one is superior if for no other reason than he fixed the damn Riddler. In 2011, Capullo drew a ridiculous Riddler with question marks shaved into his head. This new one looks like the Zero Year version, and looks suitably reluctant to fight Batman (see thumbnails below).
It was very fitting to see an appearance by the Court of Owls in this issue. Given time, and what other writers end up doing with them, I’d wager the Court of Owls will turn out to be a major part of Snyder and Capullo’s legacy on Batman and his world. Between the backstory, the look, and the creep factor, the Court of Owls have the potential to stand the test of time and be part of the DC Universe for years to come.
I’ve said it before, and I’ll say it again: I thought the look of Flappy Face Joker was stupid, I hated most of Zero Hour, and I can’t stand this team’s weird fixation on giant robots. But Scott Snyder, Greg Capullo, and everyone who worked on this Batman run were part of something special. Not perfect, but special in its own way. This team carved out its own era on one of the longest-running comic books in the history of the medium. And they sold a lot of books in the process. That’s something they can be proud of and take with them for the rest of their lives. Comic book fans are in debt to them for taking such good care of one of our greatest heroes.
Image 1 from comicvine.com. Image 2 from ifanboy.com. Image 3 from weirdsciencedccomics.com.
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