***WARNING: Minor spoilers for Star Wars #4 ahead.***
By Rob Siebert
Editor, Fanboy Wonder
Jason Aaron and John Cassaday’s Star Wars is finally starting to pick up a bit of steam. And go figure, it’s the issue that’s most interwoven with the far superior Darth Vader title that made it happen.
When we open issue #4, Luke Skywalker and the others have escaped the clutches of the Empire yet again. But where does either side go from here? Oddly enough, the answer for both Luke and Darth Vader is Tatooine. With some of the Empire’s resources depleted, Vader seeks help from none other than Jabba the Hutt. Meanwhile, Luke realizes that to become the warrior the Rebel Alliance needs him to be, he’ll need to find some answers at home.
I’ve picked on this book previously for relying too heavily on classic Star Wars imagery and dialogue to carry it. Granted, it’s almost impossible to have a Star Wars comic book without that factor being there to some extent. Thankfully, we see less of that here. But there are still needless pieces of it here. Hell, this issue’s biggest offense is right on the opening page via dialogue from Darth Vader and Jabba’s lackey, Bib Fortuna…
– “You may dispense with the pleasantries.”
Those are two lines plucked directly from Return of the Jedi. And why? What’s the point? You’ve got an iconic Star Wars character standing in an iconic Star Wars setting. Even if you’re not a Star Wars junkie like so many of us are, the visuals are enough to take you where you need to be. Peppering in dialogue like that only cheapens things, especially when you’ve already been pretty cheap thus far.
On the flip side, the SW junkie in me did highly appreciate one piece of dialogue in this issue very much. During a scene where Han Solo and Chewbacca are working on the Millennium Falcon (as Han has a somewhat comedic bandage wrapped around his head), Solo references Darth Vader using his lightsaber. The exact line is: “It was Vader. Him and his…whatever you call it. Laser sword.” I loved that. It’s very much fitting with Han’s irreverence for the Jedi culture, which we saw in A New Hope.
On the subject of Jedi culture, we see a frustrated Luke trying to do the blind remote exercise again, this time with two robots instead of one. Cassaday strikes an interesting balance between pre and post-plastic surgery Mark Hamill here. The character’s frustration feels very natural. Why exactly he feels the need to go back to Tatooine is unclear, though based on the cover I assume it’s to go back to Obi-Wan’s home and look for clues. What kind of clues those might be, I’m not sure. But given what we’ve seen so far in this book, I’d be very surprised if we didn’t get a bunch of verbal and artistic references to A New Hope and Return of the Jedi.
While Cassaday draws a great Ralph McQuarrie-inspired Darth Vader, the sequences between Jabba and Vader in this book draw inevitable comparisons to the ones in the Kieron Gillen/Salvador Larroca Vader book. For this issue’s sake, that’s not a good comparison. Obviously Cassaday’s no slouch, but Larroca’s got him beat here. On the plus side, he and colorist Laura Martin are a solid combination. Their renderings of the Tatooine landscape reflecting off the Darth Vader death mask are really nice.
Still, I continue to be underwhelmed with this title at best. I’m willing to hang on for at least another month, as I still enjoy Cassaday’s art. Plus I’ve got some money to spare, as DC’s Convergence stunt has left a huge hole in my pull list. But c’mon, guys. You’re doing a Star Wars comic for Marvel! You HAVE to do better than this!
Image 1 from comicbook.com. Image 2 from kotaku.com.
Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition/