By Rob Siebert
Editor, Fanboy Wonder
Though this issue just hit the stands this week, Grayson has, for my money, had problems for months…
First and foremost, the series tag line: “You think you know Nightwing…You don’t know Dick.” That’s literally the worst promotional line I’ve ever read for anything, ever. His name is Dick. Dick is also a phallic euphemism. So let’s go ahead and use the same stupid, third grade quality pun we heard in that timeless cinematic classic, Batman and Robin. That’ll hook the fans! To me, that line borders on disrespecting the Dick Grayson character, who by the way, is one of the founding heroes of the DC Universe. Having made his debut in 1939, he predates Wonder Woman, Green Lantern, and most of the other pillars of the company’s mythos. “You don’t know Dick.” What a joke.
Secondly, while putting Dick Grayson in this super spy role does indeed have some interesting storytelling potential, exactly how much desire was there from a fan’s perspective to have him removed from the Nightwing role? Nightwing possesses that oh-so-important cool factor that many of DC’s heroes are (arguably) lacking. At the tail end of his career as Robin, he stood up to Batman and opted to become his own man, with his own set of principles. That being said, he still loved Bruce like a father, and would chip in and help when he needed to. Then in the ’90s he got that awesome black costume with the blue “V” stripe, he got his own city to protect, his own series, and he was off to the races. He also had plenty of sex appeal for female readers. Dick was a ripped, athletic superhero with a dark and tragic origin who you could also take home to mom. Mind you, some of his appeal has been watered down since the New 52 reboot. But it was still a fact: Nightwing rules. Yes, this spy stuff has potential. But why fix what isn’t broken?
Thirdly, the cover. Dick Grayson with a gun. No. BIG no. Granted, Tim Seeley has said they’re going to dive into the issue of Dick having to use a gun on the job, which is fine. But still, no. There were plenty of other directions they could have gone in. And even if they had to use the gun, this cover still sucks. I like the use of color, but what does Dick’s face say? Nothing. It’s essentially a blank expression. His body also looks too slim and lanky for my taste. Oddly enough, somewhere along the line his hair got changed. In the original solicitation (shown left), his hair was short, and bit more militaristic looking. Now it’s longer, and more reminiscent of his Nightwing look. I’ll give them this much: That was a positive change.
After the events of Forever Evil, Dick Grayson/Nightwing is thought to be dead. In reality, he’s been dispatched by Batman to be a mole in the top secret espionage organization known as Spyral (see Batman Incorporated). Now, guided by the mysterious Mr. Minos, Grayson and his new partner Helena Bertinelli must save the life of a Russian man carrying a bioweapon inside his body. And in this first issue, Dick crosses paths with none other than The Midnighter of The Authority fame.
Our first page is somewhat akin to what we saw when we opened All Star Superman #1. Four panels, each with sentence fragments to fill us in on Dick’s backstory. It’s not nearly as epic as it could have been, because we’re stuck with the crappy New 52 Robin and Nightwing costumes. But Seeley and Janin got most of the exposition out of the way early, so I give them credit for that.
Dick starts out the issue in a blonde wig, which is pretty damn surreal. But once he takes it off and the action kicks in, it becomes apparent that this is in fact the Dick Grayson we know and love. As a longtime Nightwing fan, that was a big relief. Seeley and King have changed the character’s M.O., but they’ve kept his personality intact. What’s more, Seeley writes a better Dick Grayson than I’ve seen in awhile. Maybe the best since the New 52 began.
The Midnighter’s appearance in this issue came as a surprise, though not an unwelcome one. It serves as an interesting reminder that there are other black ops heroes out there whose interests could collide with Spyral’s (Checkmate also gets name-dropped in this issue). The motion effects do a lot to accentuate the fight, and add a certain flow to the proceedings. There’s also some pretty good dialouge in there…
Midnighter: “Disciplined, but not averse to improvisation. You fight like jazz.”
Dick: “…you talk an awful lot for the grim and gritty type.
We also get a little more time with the New 52 incarnation of Helena Bertinelli (not to be confused with Huntress, who is from Earth-2). Now an African American agent of Spyral, she’s apparently attracted to her new partner. But Dick isn’t keen to let her get too close, as he’s a mole in the Spyral organization. That’s obviously an interesting dynamic, and of course, plays up Dick’s status as the company’s resident male sex symbol. So the pieces are in place for some interesting storytelling there.
In the end, Grayson #1 is flawed. But it’s not nearly as flawed as it could have been. Tim Seeley, Tom King, Mikel Janin, and everybody involved with this series has turned it into a potential hot commodity. But let’s make sure we underscore potential. It’s only one issue, folks. There are a lot of places we can go from here.
Images 1 and 2 from newsarama.com. Image 3 from dreamwidth.org.
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