TITLE: Red Hood: The Lost Days
AUTHOR: Judd Winick
PENCILLER: Pablo Raimondi, Jeremy Haun. Cover by Billy Tucci.
COLLECTS: Red Hood: The Lost Days #1-6
PUBLISHER: DC Comics
RELEASE DATE: June 22, 2011
By Rob Siebert
Editor, Fanboy Wonder
I feel like a good title for this book would have been I Know Who Killed Me. But instead they gave that title to a Lindsay Lohan movie. Cheeky bastards…
The Lost Days is a prequel to Judd Winick’s Under The Hood story, in which he brought Jason Todd back to life as an anti-hero, determined to rid Gotham City of crime the “right” way with guns, killing, and capital punishment in general. This book serves as the bridge between Jason’s resurrection and his return to Gotham in the Hush storyline. He gets some fresh combat training and becomes skilled with explosives before he’s finally ready to take on the man who killed him…The Joker. But can he bring himself to do it?
It doesn’t matter, since both characters have to make it to Under The Hood. But it’s the thought that counts!
This book isn’t perfect by any means, but it has its moments. What really sucks is that Winick has to devote an entire issue to exposition for people who didn’t read Under The Hood. I put down the first issue thinking: “I read all of that already!”
I’ve talked before about how great Winick is with raw emotion. There’s a scene in the second issue where Jason learns Batman hasn’t killed The Joker that’s very well done. To a degree, the reader understands Jason’s outrage, frustration and pain. His surrogate father didn’t love him enough (at least that’s how Jason sees it) to break his rule about killing. We can’t relate to Jason’s situation, but we can understand that rage.
Oddly enough, one thing we don’t learn in this book is why Jason chose the Red Hood moniker. From a creator’s perspective, it’s obviously meant to connect him to The Joker (before he became a killer clown, Joker called him self The Red Hood), but from a character standpoint, we don’t know why Jason did it. You’d think that would have been one of the first things Winick would want in the story.
Also, don’t be fooled by Billy Tucci’s wonderful issue covers. While they do display Jason in that awesome red helmet (at least I think it’s awesome) and combat gear, he doesn’t put that stuff on until the last page of the last issue. With some of these issues, the covers were more exciting than the story could hope to be.
Jason spends two issues foiling Russian mobsters, which is okay I guess. It works to establish the fact that he’s not just a heartless killer, and he still believes in justice.We see a lot of Talia al Ghul in this story, as she helps Jason obtain the resources he needs. There’s a bizarre sexual element to their partnership that doesn’t make much sense. In the first issue, Ra’s al Ghul flat out tells Talia that helping Jason won’t make Bruce Wayne love her. So then she not only helps him, but goes that way with him? Yeah, THAT made a lot of sense.
All in all, The Lost Days really doesn’t give us any information that wasn’t implied before, save for the Talia/Jason awkwardness that shouldn’t have been there in the first place. It’s not necessarily a bad story, but I get the impression the only reason this was all brought up again was to coincide with the DVD release of Batman: Under The Red Hood, which conveniently, Winick worked on. This book was never going to be a 10, but it certainly could have been better.
Image 1 from comicvine.com. Image 2 from cornflakepizza.tumblr.com.
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